The Authentic Spiritual Leadership model encourages development of leaders who demonstrate a combination of authentic and spiritual leadership behaviors. This book has practical implications for leaders and organizations interested in confronting the current crisis in leadership regarding leadership ethics and leadership accountability. Diverse organizations require leaders who actually demonstrate how this unique approach contributes to a renewed focus on the well-being of people, psychological well-being, ethical well-being, sense of purpose, meaning, calling, and spiritual, moral, authentic, transparent and socially responsible behaviors. Organizations seeking to provide spiritual leadership development training could incorporate spiritual leadership into the design. But combining spiritual, authentic, ethical, and transformational leadership models into the training would also determine if other leadership styles exist within the organizational framework. Additional value should include study of spiritual leadership in one of the fastest-growing and sustainable corporations in the twenty-first century: The Mega Church. This book encourages development of a mega church corporate model as the new organizational form that includes authentic spiritual leadership and other leadership styles. The mega church is the new corporation of the twenty-first century, challenging leaders to join what Scharmer (2009) describes as a cultural-spiritual shift toward the rise of a new consciousness in models of leadership.
The premise of Awakening to the Spirit Within is that all beings are connected by a spiritual energy which forms the essence of who they truly are. Eight paths, which facilitate an awakening to this essence, are explored: Native American Spirituality, Taoism, Hinduism, Buddhism, Kabbalah, Jesus and the Christ Within, Sufism, and The New Thought Movement. Practice exercises and references are also included. This book highlights some of the unique gifts which various spiritual traditions have to offer our world. In addition, it explores the mystical threads of connection which underlie them. Like the title suggests, it also gives ways of listening to guidance from within. The author includes messages from her own inner guidance in an effort to illustrate how this may occur. Her openness provides more warmth and intimacy than is usually found in such a book. In these uncertain times, there has been an upsurge of interest in books related to spirituality, religion, and mysticism. People are looking for ways to heal, rather than destroy, our planet. That is why this book, and others like it, are so timely and important in moving us closer to our shared goal of creating a more peaceful and harmonious world.
Picture-perfect books to share Join in the fun and make lots of noise as you count your way from one to ten with some of Pamela Allen's most memorable characters.
In a study that explodes the assumption that early modern comic culture was created by men for men, Pamela Allen Brown shows that jest books, plays, and ballads represented women as laugh-getters and sought out the laughter of ordinary women. Disputing the claim that non-elite women had little access to popular culture because of their low literacy and social marginality, Brown demonstrates that women often bested all comers in the arenas of jesting, gaining a few heady moments of agency. Juxtaposing the literature of jest against court records, sermons, and conduct books, Brown employs a witty, entertaining style to propose that non-elite women used jests to test the limits of their subjection. She also shows how women's mocking laughter could function as a means of social control in closely watched neighborhoods. While official culture beatified the sheep-like wife and disciplined the scold, jesting culture often applauded the satiric shrew, whether her target was priest, cuckold, or rapist. Brown argues that listening for women's laughter can shed light on both the dramas of the street and those of the stage: plays from The Massacre of the Innocents to The Merry Wives of Windsor to The Woman's Prize taught audiences the importance of gossips' alliances as protection against slanderers, lechers, tyrants, and wife-beaters. Other jests, ballads, jigs, and plays show women reveling in tales of female roguery or scoffing at the perverse patience of Griselda. As Brown points out, some women found Griselda types annoying and even foolish: better be a shrew than a sheep.
The Diva's Gift to the Shakespearean Stage traces the transnational connections between Shakespeare's all-male stage and the first female stars in the West. The book is the first to use Italian and English plays and other sources to explore this relationship, focusing on the gifted actress whoradically altered female roles and expanded the horizons of drama just as the English were building their first paying theaters. By the time Shakespeare began to write plays, women had been acting professionally in Italian troupes for two decades, traveling across the Continent and acting in allgenres, including tragicomedy and tragedy. Some women became the first truly international stars, winning royal and noble patrons and literary admirers beyond Italy, with repeat tours in France and Spain.Elizabeth and her court caught wind of the Italians' success, and soon troupes with actresses came to London to perform. Through contacts direct and indirect, English professionals grew keenly aware of the mimetic revolution wrought by the skilled diva, who expanded the innamorata and made the typemore engaging, outspoken, and autonomous. Some English writers pushed back, treating the actress as a whorish threat to the all-male stage, which had long minimized female roles. Others saw a vital new model full of promise. Faced with rising demand for Italian-style plays, Lyly, Marlowe, Kyd, andShakespeare used Italian models from scripted and improvised drama to turn out stellar female parts in the mode of the actress, altering them in significant ways while continuing to use boys to play them. Writers seized on the comici's materials and methods to piece together pastoral, comic, andtragicomic plays from mobile theatergrams - plot elements, roles, stories, speeches, and star scenes, such as cross-dressing, the mad scene, and the sung lament. Shakespeare and his peers gave new prominence to female characters, marked their passions as un-English, and devised plots that figuredthem as self-aware agents, not counters traded between men. Playing up the skills and charisma of the boy player, they produced stunning roles charged with the diva's prodigious theatricality and alien glamour. Rightly perceived, the diva's celebrity and her acclaimed skills posed a radicalchallenge that pushed English playwrights to break with the past in enormously generative and provocative ways.
Picture-perfect books to share Join in the fun as a host of Pamela Allen's memorable characters parade, dance, jump and stomp through the alphabet from A to Z!
The little old man looked up at the moon. 'Does the sky go on forever and ever?' he asked. 'Where do we come from? Where do we go? Why are we here?'In this touching story, one of Australia's most celebrated author-illustrators takes young readers on a journey that asks some of life's big questions. Playful and thought-provoking by turns, The Little Old Man Who Looked Up at the Moontouches on universal themes and will spark many a conversation between young and old
Grandma was VERY CROSS. 'Someone's been nibbling the bread,' she shouted, 'and someone's been eating the jam!' 'It wasn't me,' said Grandpa. 'It wasn't me,' said Molly. Could it be Felix? Poor Felix! He knows he's not to blame, so he sets out to find the thief . . .
With each new title, Pamela Allen still manages to come up with something special for her infant readers; Grandpa and Thomasis one of her best.'MagpiesThomas and Grandpa go the beach. It is an Australian summer. The sun is shining, the gulls are screeching and the sea is singing. Together they build a sandcastle, they have a picnic and they splash in the water. Then at the end of the day, Grandpa takes a sleepy Thomas home. In this lovely picture book for the very young, Pamela Allen gently unfolds the special relationship between grandchild and grandfather.
In a little house in a dark forest, a toymaker lives all alone. One day, a small brown bird bears the magic sounds of the toymaker's violin, and flies down to him. Together they make music so enchanting that even the trees shiver and murmur in wonder. From one of Australia's favourite picture-book creators comes a hauntingly beautiful tale of freedom and love.
This is a story of a plastic bag and a bird - a cautionary tale about taking care of our environment as well as being a wonderful showcase of some of the famous sights of Sydney. 'One day, a long time ago when I lived in Kirribilli, Sydney, I packed a lunch and set out to walk to the Botanic Gardens ... I crossed the harbour bridge then climbed down to Circular Quay. I walked beside the sea wall, past the Opera House until I reached the Botanic Gardens.
Outside the wind blew. Ooooh! The trees groaned. Ahhhhh! And the tiny wooden house creaked. Eeeeeek! Inside, a delicious roast dinner was cooking. The little old man was expecting visitors. The little old woman said no one would come. Who was right? Come inside where it's cosy and warm, and wait . . . You might get a big surprise. Here is a gentle story about home and hearth, about the comfort of ritual, and about opening your heart to the possibilities of life. From the one and only Pamela Allen.
Another original Pamela Allen book to share with the very young. As with her award-winning Who Sank the Boat?, there is something for all of us to learn from this simple but amusing story of John and Jane's attempts to pick a pear from the pear tree
The King lived in a castle high on a hill, and he loved food! Milkshakes and muffins, puddings and pumpkins, chicken and chocolate, custard pies and ice cream cake ... As many yummy things as the cooks could bake!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.