Take a look at how your history and past perspectives are influencing your marriage relationship today. This book takes husbands and wives step-by-step through an honest assessment of what they brought into the marriage while providing practical tools for positive change with a biblical perspective.
What if one day all color disappeared...Forever! Would you miss it? In Louis Garringer's world, everything is gray. Including him. That's OK, until Louis gets a one-time glimpse of color. Now he craves what he's been missing. Along with his friend Abby and her pesky little brother, Louis's quest for color takes him down Chestnut Street, "a magical place" where he meets a quirky chemist, a train chaser, and a dream maker. Each offers something amazing, but will anything help bring back the color? And what about the Thrubs, hometown bullies who make everything harder?
This outstanding text and reference emphasizes the seamless continuity of psychiatric care, as well as the variety of settings in which it is now provided. As always, your students get current and comprehensive information that's presented in a clear, accessible, visually stimulating format -- and is now more clinically relevant than ever! For example, the psychobiological bases of mental disorders and psychopharmacological interventions are now featured in a new chapter, depicted in two exciting full-color inserts, and integrated throughout the book.
An examination of women educationists in nineteenth and early twentieth century Britain. Working with new paradigms opened up by feminist scholarship, it reveals how women leaders were determined to transform education in the quest for a better society. Previous scholarship has either neglected the contributions of these women or has misplaced them. Consequently intellectual histories of education have come to seem almost exclusively masculine. This collection shows the important role which figures such as Mary Carpenter, Barbara Leigh Smith Bodichon, Elizabeth Edwards and Maria Montessori played in the struggle to provide greater educational opportunities for women. The contributors are: Anne Bloomfield, Kevin J. Brehony, Norma Clarke, Peter Cunningham, Mary Jane Drummond, Elizabeth Edwards, Mary Hilton, Pam Hirsch, Jane Miller, Hilary Minns, Wendy Robinson, Gillian Sutherland and Ruth Watts.
William Kentridge's multi-channel projection installation of eight film fragments, entitled I am not me, the horse is not mine, was first presented to international acclaim at the Sydney Biennale in June 2008. The work is based on the absurdist short story, The Nose (1837), by Nikolai Gogol, in which the pompous government official, Kovalyov, wakes up one day to find that his nose has taken on a life of its own and gone for a walk around the city of St Petersburg. In a sequence of comical scenes, the main character attempts - with increasingly ridiculous efforts - to chase after his nose, recapture it and stick it back on his face. I am not me, the horse is not mine stems from the artist's ongoing interest in the roots and development of modernism: a mixture of the absurd, the self-reflective (and the 'self-divided') and its many forms of fragmentation. It also deals particularly with Russia's response to modernism in the 1930s and the histories and terrors of oppression. This exhibition was made possible by the Goodman Gallery.
After the ten year old daughter of her best friend, Gracie, witnesses the brutal beating of her mother, she turns to Ashley for help. Ashley knows going to the police is not an option. The girl's step-father is the culprit and with his connections there is no place to hide in Nashville. The key on Karlyn's necklace leads them to a post office box where Gracie has stockpiled money for just such an emergency. They also find a letter that explains where they should go ' Paradise, Pennsylvania. Perhaps the only place they will be safe, if not because of the distance, because of the person they will find there. Karl Miller, Karlyn's father. They make the long trip north only to find Karl doesn't even know he's a father ' not that it matters. He takes to his new role as father just as instantly as he takes to his role of protector.
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