Continuity, Innovation, and Connoisseurship brings together revised versions of papers first presented at an international symposium of the same name held at The Pennsylvania State University in 1995. Noted Old Master experts were invited to discuss and contextualize key sixteenth- and seventeenth-century paintings in the collection of the Palmer Museum of Art. The papers shed new light on these works, connecting them to important issues in the thematic and stylistic development of Old Master paintings. This richly illustrated volume also provides an informative introduction to the Palmer Museum's Renaissance and Baroque collections.
Frederick MacMonnies is best known today as one of the leading figurative sculptors of the American Renaissance. Residing in France for much of his professional career, MacMonnies, along with his first wife, the painter Mary Fairchild MacMonnies, often visited Giverny, home to the reclusive Claude Monet and numerous American Impressionists in the final decade of the nineteenth century. By 1894 the town was the MacMonnies's favorite summer retreat, and in 1898 they moved permanently into an old priory in Giverny, dubbed the "MacMonastery" by friends.It was at this time, just as the new century dawned, that MacMonnies launched his career as a painter. Although he continued to produce sculpture, the artist happily painted portraits and occasionally submitted paintings to the annual salons. Mary MacMonnies also continued to pursue her artistic career from their remote enclave outside Paris. This catalogue, which accompanied two exhibitions, "An Interlude in Giverny: The French Chevalier by Frederick MacMonnies" and "An Interlude in Giverny: Dans la nursery by Mary MacMonnies Low", explores the artistic and personal milieu surrounding the creation of two masterworks by the MacMonnieses during this Giverny interlude.
A painter, sculptor, and printmaker, Honor&é Daumier (1808&–1879) was one of the most prolific and important artists of nineteenth-century France. He played a leading role in shaping the new realism brought to the portrayal of everyday life, but he is now best known for the thousands of caricatures he published in magazines and newspapers such as Le Charivari, a daily with satirical articles and a wide circulation. Musical Notes by Honor&é Daumier, which accompanied an exhibition of prints from the Collection of Egon and Belle Gartenberg, focuses on Daumier's vivid records of the musical life of Paris. Although not himself a musician, Daumier had a keen interest in the amateur practice of the art as well as in grand opera and the celebrated performers and composers of his day. Hector Berlioz, Franz Liszt, Gioacchino Rossini, and Niccol&ò Paganini are among the &"greats&" lampooned in the lithographs in Musical Notes by Honor&é Daumier. Other prints offer satirical glimpses into the music making of everyday Parisians&—from squawking clarinets to flirtatious piano teachers and straining tenors. In these lithographs, as in most of the prints Daumier produced during his long career, he discloses the foibles and follies of a society facing rapid changes in its cultural norms.
Romanticism is multifaceted, and a wide range of nostalgic, emotional, and exotic concerns were expressed in such styles and movements as the Gothic Revival, Classical Revival, Orientalism, and the Pre-Raphaelite Brotherhood. Some movements were regional and subject-specific, such as the Hudson River School of landscape painting in the United States and the German Nazarene movement, which focused primarily on religious art in Rome. The movements range across Western Europe and include the United States. This dictionary will provide a fuller historical context for Romanticism and enable the reader to identify major trends and explore artists of the period. This second edition of Historical Dictionary of Romantic Art and Architecture contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on major artists of the romantic era as well as entries on related art movements, styles, aesthetic philosophies, and philosophers. This book is an excellent resource for students, researchers, and anyone wanting to know more about Romantic art.
A painter, sculptor, and printmaker, Honor&é Daumier (1808&–1879) was one of the most prolific and important artists of nineteenth-century France. He played a leading role in shaping the new realism brought to the portrayal of everyday life, but he is now best known for the thousands of caricatures he published in magazines and newspapers such as Le Charivari, a daily with satirical articles and a wide circulation. Musical Notes by Honor&é Daumier, which accompanied an exhibition of prints from the Collection of Egon and Belle Gartenberg, focuses on Daumier's vivid records of the musical life of Paris. Although not himself a musician, Daumier had a keen interest in the amateur practice of the art as well as in grand opera and the celebrated performers and composers of his day. Hector Berlioz, Franz Liszt, Gioacchino Rossini, and Niccol&ò Paganini are among the &"greats&" lampooned in the lithographs in Musical Notes by Honor&é Daumier. Other prints offer satirical glimpses into the music making of everyday Parisians&—from squawking clarinets to flirtatious piano teachers and straining tenors. In these lithographs, as in most of the prints Daumier produced during his long career, he discloses the foibles and follies of a society facing rapid changes in its cultural norms.
Neoclassicism refers to the revival of classical art and architecture beginning in Europe in the 1750s until around 1830, with late neoclassicism lingering through the 1870s. It is a highly complex movement that brought together seemingly disparate issues into a new and culturally rich era, one that was unified under a broad interest in classical antiquity. The movement was born in Italy and France and spread across Europe to Russia and the United States. It was motivated by a desire to use ideas from antiquity to help address modern social, economic, and political issues in Europe, and neoclassicism came to be viewed as a style and philosophy that offered a sense of purpose and dignity to art, following the new “enlightened” thinking. This second edition of Historical Dictionary of Neoclassical Art and Architecture contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries cover late Baroque and Rococo tendencies found in the early 18th century, and span the century to include artists who moved from neoclassicism to early romanticism. This book is an excellent resource for students, researchers, and anyone wanting to know more about neoclassical art and architecture.
This dictionary provides a historical overview of the major architectural developments and styles, building materials and types, major structures and locations, sites and architects. Historical eras like ancient Egyptian architecture and the Renaissance in Europe and movements such as Art Deco are covered. Materials discussed range from concrete, stone, glass and wood, while types of structures include architectural inventions such as the arch and dome to building types from monasteries and mosques to museums and skyscrapers. Major structures highlighted in this volume include not only great achievements such as Hagia Sophia and the Eiffel Tower, but also important sites such as the Great Zimbabwe and Angkor Wat, found on the UNESCO World Heritage Site list. General geographical areas are also covered, such as African and Russian architecture. Noted architects include theorists from the ancient Chinese engineer Yu Hao Roman engineer Vitruvius to many current architects such as Zaha Hadid and Santiago Calatrava, with a focus on architects who have enjoyed lasting fame through history or have won international prizes such as the Pritzker Architecture Prize. This second edition of Historical Dictionary of Architecture contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 400 cross-referenced entries on architects, famous structures, types of materials, and the different architectural styles. This book is an excellent access point for students, researchers, and anyone wanting to know more about architecture.
This Report provides a thoughtful and broad-ranging analysis of Western assistance to transition in the Czech and Slovak Federal Republic, Hungary and Poland. The Report also gives a list of concrete and practical recommendations which deserve to be carefully studied by decision-makers in both donor partner countries and recipient partner countrie
Deals with Palmer's life and career, the development and character of his work, his ideas about art, and contemporary comments on his work. An annotated catalog of Palmer's sculpture and appendixes that contain his writings on art and letters are included. (American Art Senes)
Challenging misconceptions related to Black academic achievement, this volume provides original perspectives on the policies, initiatives, and factors that facilitate the success of students of color as they progress along the educational pipeline. Grounded in an anti-deficit framework, this book offers personal narratives of Black educational leaders and professionals who discuss aspects of their educational experiences and pathways to success. With takeaways for research and practice, the individual narratives that comprise this book add to the conversation and advance important lessons gained from personal stories about achieving success for Blacks and other minority students.
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