Shinners, dissos, and dissenters is a long-term analysis of the development of Irish republican media activism since 1998 and the tumultuous years that followed the end of the Troubles. It is the first in-depth analysis of the newspapers, magazines and online spaces in which strands of Irish republicanism developed and were articulated in a period in which schism and dissent underscored a return to violence for dissidents. Based on an analysis of Irish republican media outlets as well as interviews with the key activists that produced them, this book provides a compelling snap shot of a political ideology in transition as it is moulded by the forces of the Peace Process and often violent internal ideological schism that threatened a return to the 'bad old days' of the Troubles.
Once a country of emigration and diaspora, in the 1990s Ireland began to attract immigration from other parts of the world: a new citizenry. By the first decade of the twenty-first century, the ratio between GDP and population placed Ireland among the wealthiest nations in the world. The Peace Agreements of the mid-1990s and the advent of power-sharing in Northern Ireland have enabled Ireland's story to change still further. No longer locked into troubles from the past, the Celtic Tiger can now leap in new directions. These shifts in culture have given Irish literature the opportunity to look afresh at its own past and, thereby, new perspectives have also opened for Irish Studies. The contributors to this volume explore these new openings; the essays examine writings from both now and the past in the new frames afforded by new times.
In 1948, an ambitious 20 year-old Irish journalist with law and law-reporting experience, arrived in Shrewsbury at 9.15 a.m to join a national press agency, tired and hungry after the night boat from Dublin, two trains, and a six hour wait at Crewe Junction. His new boss shook hands in the office at Shoplatch and sent him back up the town to a divorce court. He bought himself a Mars bar for breakfast. After an hour of taking down the most lubricious evidence he had ever heard, about women's underwear draped over a chair, a man in her bed and his shoes under it, the court rose, the clerk sent the bailiff out for a policeman who took him downstairs to a cell. the constable shut the door. the clerk arrived and offered the prisoner a cigarette, declined. He took off his wig and sat down beside him to ask who he was, who he worked for, where did he come from, and when? the reporter replied - Paddy McGarvey, Bryce Thomas Press Agency in Shoplatch, from Dublin, this morning, and the clerk roared with laughter "You are not allowed to write down evidence in divorce; it is illegal. You should have been told that by your editor. You must wait to hear the judge's summary and decision, to report that if you wish." Resuming his wig, he told the police there would be no charge, and to release him. the clerk told the resumed court he comes only this very this morning from a country which forbids divorce, and the court roared with laughter. His meekly polite employer, Leslie Bryce Thomas, arrived and took him back to the office, on this, his first morning, job, court, day, police cell, in England.
How an organization works is largely a function of what it knows—i.e., the collective knowledge about all aspects of the enterprise, from competitive intelligence to formal systems and policies to the ways in which individuals solve problems and share their expertise. Organizational knowledge is not to be found in manuals and web sites, but in the day-to-day interactions among employees, suppliers, customers, investors, and other stakeholders. How Organizations Remember is based on a 10-month study of a technology firm with locations in three countries (Australia, US, and Ireland); the company has undergone rapid growth and expansion, which have had a profound impact on power structures and organizational culture, and hence, on the ways in which knowledge is created and disseminated. The author discovered that what is remembered is diverse, and of differing value within and across the organization. How knowledge is remembered is equally diverse, and ranges from computer files to cartoons on the wall, from stories to the way objects are placed on a desk. Knowledge is influenced by external influences as well as internal influences; knowledge may become a competitive advantage, but may also contribute to inertia. The book combines theoretical perspectives and empirical findings to generate insights that contribute to both research and practice in organizational learning, innovation, culture, and behavior.
Edmund Burke ranks among the most accomplished orators ever to debate in the British Parliament. But often his eloquence has been seen to compromise his achievements as a political thinker. In the first full-length account of Burke's rhetoric, Bullard argues that Burke's ideas about civil society, and particularly about the process of political deliberation, are, for better or worse, shaped by the expressiveness of his language. Above all, Burke's eloquence is designed to express ethos or character. This rhetorical imperative is itself informed by Burke's argument that the competency of every political system can be judged by the ethical knowledge that the governors have of both the people that they govern and of themselves. Bullard finds the intellectual roots of Burke's 'rhetoric of character' in early modern moral and aesthetic philosophy, and traces its development through Burke's parliamentary career to its culmination in his masterpiece, Reflections on the Revolution in France.
In this book John Connolly and Paddy Dolan illustrate and explain developments in Gaelic games, the Gaelic Athletic Association (GAA), and Irish society over the course of the last 150 years. The main themes in the book include: advances in the threshold of repugnance towards violence in the playing of Gaelic games, changes in the structure of spectator violence, diminishing displays of superiority towards the competing sports of soccer and rugby, the tension between decentralising and centralising processes, the movement in the balance between amateurism and professionalism, changes in the power balance between ‘elite’ players and administrators, and the difficulties in developing a new hybrid sport. The authors also explain how these developments were connected to various social processes including changes in the structure of Irish society and in the social habitus of people in Ireland.
A guidebook to walking the Wicklow Way between Dublin and Clonegal. Covering 130km (81 miles), Ireland’s first long-distance trail takes around 1 week to hike and is suitable for any reasonably fit walker. The route is described from north to south in 7 stages, each between 9 and 23km (6–14 miles) in length. A variety of optional variants following adjacent trails are also included. 1:50,000 maps included for each stage GPX files available to download Detailed information about accommodation, refreshments and public transport along the route Advice on planning and preparation Highlights include Glendalough and the ruins of the Monastic City
When journalist Paddy Agnew and his girlfriend Dympna touched down in Rome in 1985 in search of adventure, sunshine and the soul of Italian football (well, Paddy was looking for that), they were travelling into the uncharted terrain of a country they did not know and a language they did not speak. It soon became clear that neither Italy nor Italian football would be boring. In that first week in Italy, Michel Platini and Juventus won the Intercontinental Cup, whilst just days later the PLO killed 13 people in a random shooting at Rome's Fiumicino airport. Paddy covered both stories. The coming years saw the rise of TV tycoon Silvio Berlusconi, as he became owner of AC Milan and then Prime Minister of Italy, naming his political party 'Forza Italia' after a football chant. In that same period, Argentine Diego Maradona became the uncrowned King of Naples, leading Napoli to a first ever Scudetto title in 1987, notwithstanding a hectic, Hollywood-esque lifestyle that mixed footballing genius with off-the-field excess. Forza Italia is a fascinating tale of inspired players, skilled coaches, rich tycoons, glitzy media coverage, Mafia corruption, allegations of drug taking and fan power - culminating in the 2006 World Cup victory that delighted a nation and a match-fixing scandal that shocked the world. It is also a personalised reflection on the consistent and continuing excellence of Italian football throughout a period of huge social, political and economic upheaval, offering a unique insight into a society where football has always been much more than just a game.
Patrick 'Paddy' Reilly is an Irish folk singer and guitarist. Born in Rathcoole, County Dublin, he is one of Ireland's most famous balladeers and is best known for his renditions of "The Fields of Athenry", "Rose of Allendale" and "The Town I Loved So Well". Reilly released his version of "The Fields of Athenry" as a single in 1983; it was the most successful version of this song, remaining in the Irish charts for 72 weeks. After years a solo performer, he joined The Dubliners in 1996 as a replacement for long-time member Ronnie Drew. He played with the group for nine years before leaving for New York City. In this memoir, Paddy is gracious and generous about sharing his memories, good and bad, with the readers who have helped make him Ireland's best loved balladeer for almost 60 years.
I entered the world in 1945, the middle of the twentieth century, but my family's way of life had not changed substantially for more than a hundred years. The area around our house is still known as Castlebarnagh, which is a small townland near Daingean in northeast County Offaly, in the midlands of Ireland. The Road from Castlebarnagh is Paddy O'Brien's lyrical account of growing up as a budding musician in County Offaly in the 1950s and 1960s. Paddy grew up at a time when the social life of the Irish countryside often took place around the fireplace, where stories were told and music was played. In his book he writes of the many colourful characters who shaped his perception of Irish life and culture. Showing Paddy's flair for storytelling, The Road from Castlebarnagh is the story of how a young musician absorbed his surroundings while developing his own distinctive musical style.
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