On the night of October 2, 1968, there occurred a bloody showdown between student demonstrators and the Mexican government in Tlatelolco Square. At least two hundred students were shot dead and many more were detained. Then the bodies were trucked out, the cobblestones were washed clean. Detainees were held without recourse until 1971. Official denial of the killing continues even today: In the first week of February 2003, Mexico's Education Secretary Reyes Tamiz ordered a new history textbook that mentions the massacre-Claudia Sierra's History of Mexico: An Analytical Approach-removed from shelves and classrooms. (Public outcry led Tamiz to reverse his decision days later.) No one has yet been held accountable for the official acts of savagery. With provocative, anecdotal, and analytical prose, Taibo claims for history "one more of the many unredeemed and sleepless ghosts that live in our lands.
The Shadow of the Shadow follows four men who meet to play dominos in a hotel bar in Mexico City in 1922. They are a motley group a gun-toting poet who makes a living writing advertisements for patent medicine, a radical Chinese-Mexican union organizer, a lawyer who represents prostitutes, and a newspaper crime reporter who churns out pages of copy like links of sausage in a chorizo factory. Left to their own devices, the group would have waited out Carranza's presidency in their own quietly besotted fashion, ignoring the betrayal of the Mexican Revolution. But they witness a series of strangely related murders and begin to suspect a conspiracy involving the oil-rich lands of the Gulf Coast, greedy army officers, and American industrialists. Critics have hailed The Shadow of the Shadow as the best of Paco Ignacio Taibo IIs historical novels. Issues of oil, American imperialism, extortion, and government corruption give the novel a distinctly contemporary ring.
A wild ride and revealing portrait of the controversial Pancho Villa, one of Mexico’s most beloved (or loathed) heroes, that finally establishes the importance of his role in the triumph of the Mexican Revolution, by renowned writer Paco Ignacio Taibo II. The last biography of Pancho Villa was published 25 years ago, and this new edition has been translated into English for the first time. This biography marks a kind of reinvention of the legendary Mexican figure of Pancho Villa. It is a masterful reevaluation and heavily researched account of his life. This book makes a new claim, finally giving Pancho Villa his due as the decisive figure in the success of Mexican Revolution. Here he is less the colorful bandito and more the incorruptible conscience that not only won key battles, but also maintained the revolutionary vision and led the way in terms of class consciousness. Pancho Villa is a rollicking, sometimes hilariously comical, sometimes extremely violent, and always very personal portrait of the controversial Mexican historical figure Pancho Villa. Beloved crime writer Paco Ignacio Taibo II (a.k.a. PIT)—the prolific historian, biographer of Che Guevara and the founder of Mexican “neopolicial” fiction—brings his tremendous storytelling skills to an account of one of the Mexico’s greatest legendary characters. With his vibrant narrative style, Taibo describes the adventures of Pancho Villa with incredible stories, the stuff of history and tragedy, backed up by tremendous research. Throughout, Taibo unveils secrets about the life of one of Mexico's most courageous and charismatic leaders. Includes period photographs that indelibly capture the rocky transition from the wild and agrarian past towards modern statehood.
The euphoric idealism of grassroots reform and the tragic reality of revolutionary failure are at the center of this speculative novel that opens with a real historical event. On October 2, 1968, 10 days before the Summer Olympics in Mexico, the Mexican government responds to a student demonstration in Tlatelolcothe by firing into the crowd, killing more than 200 students and civilians and wounding hundreds more. The massacre does not receive much international attention and though many students are detained, no officials are held accountable. The story then skips ahead two years to a hospital in Mexico City and introduces Nestor, a fictional journalist who witnessed the shootings at Tlatelolcothe. He has been admitted to the hospital for a knife wound, and as he lies in bed, his fevered imagination goes back to the day of the riot. In his delirious state, he becomes so desperate he calls on the heroes of his youth—Sherlock Holmes, Doc Holliday, Wyatt Earp, and D'Artagnan among them—to join him in launching a new movement of reform.
A stylized reissue of the acclaimed, surreal noir collaboration between Mexico’s greatest writer and its most courageous revolutionary. “Taibo’s expertise ensures a smart, funny book, and Marcos brings a wry sense of humor.” —Publishers Weekly In alternating chapters, Zapatista leader Subcomandante Marcos and the consistently excellent Paco Ignacio Taibo II create an uproarious murder mystery with two intersecting storylines. The chapters written by the famously masked Marcos originate in the mountains of Chiapas, Mexico. There, the fictional “Subcomandante Marcos” assigns Elias Contreras—an odd but charming mountain man—to travel to Mexico City in search of an elusive and hideous murderer named “Morales.” The second story line, penned by Taibo, stars his famous series detective Hector Belascoaran Shayne. Hector guzzles Coca-Cola and smokes cigarettes furiously amidst his philosophical and always charming approach to investigating crimes—in this case, the search for his own “Morales.” The two stories collide absurdly and dramatically in the urban sprawl of Mexico City. The ugly history of the city’s political violence rears its head, and both detectives find themselves in an unpredictable dance of death with forces at once criminal, historical, and political. Readers expecting political heavy-handedness will be disarmed by the humility and playful self-mocking that runs throughout the book.
Set amidst the political turbulence and social unrest of contemporary Mexico City, An Easy Thing introduces English-speaking readers to Taibo's human and world-weary protagonist, independent detective Hector Belascoaran Shayne. In this debut outing, our hero, who, incidentally, possesses an insatiable appetite for Coca Cola and cigarettes, tackles three cases simultaneously: a killing in a corrupt factory; the deadly threats against a former porn starlet's teenage daughter; and, strangely, the search for Emiliano Zapata, folk hero and leader of the Mexican Revolution, rumored to be alive and hiding out in a cave outside Mexico City. Combining black comedy, social history and a touch of surrealism, Paco Taibo's wonderfully idiosyncratic detective novels are admired the world over and are particularly popular in Europe and in the Spanish-speaking world.
Stan Laurel, one of the heroes of Four Hands, wanders into Mexico and witnesses the assassination of Pancho Villa. There follow other episodes, centered on Greg, an American journalist, and Julio, his Mexican friend and collaborator. Taibo gives the reader a plethora of brilliant characters in this panoramic novel that moves backward and forward in time.
In 1991, Paco Taibo II wrote The Shadow of a Shadow, a book about four men who meet to play dominos in a hotel bar in Mexico City. The time is 1922, and the men are a motley group—a poet who makes a living writing advertisements for patent medicine, a radical Chinese-Mexican union organizer, a lawyer who represents prostitutes, and a newspaper crime reporter who churns out pages of copy "like links of sausage in a chorizo factory." As the story builds, the crime novel becomes a tale of international intrigue. Returning as Shadows revisits these men nearly twenty years later. Much has changed, in the world and for the four friends. War rages in Europe while the world waits for the in Europe while the world waits for the inevitable entry of the United States. German agents throng Mexico City, working to bring America's southern neighbor into the Axis. And the four men? They've gone four different ways. Returning as Shadows goes back and forth between these men's lives, slowly drawing the threads back together. Surprises keep popping up. For example, Ernest Hemingway, having overindulged at his Cuban hacienda, is suddenly transported into a poker game with one of the characters. The men are indeed shadows, their experiences dreamlike but bursting with meaning. Read, and see why Le Monde calls Taibo "one of the best narrative clowns of our time.
The third English language case for Mexico City independent detective Hector Belascoaran Shayne, No Happy Ending, is Paco Ignacio Taibo II at his subversive, darkly comic best. First, Hector discovers the body of a dead actor, dressed like a Roman in full breastplate and regalia, propped up on the toilet in his office. Shortly thereafter, he receives a threatening letter and a snapshot of another murdered corpse. As Hector investigates the killings, he discovers that both share a connection to a dead stuntman named Zorak who apparently perished while training a government-backed paramilitary group. Once again, the one-eyed anarchist detective finds himself up against the very institutions which persecute the downtrodden and oppress the masses. In typical Taibo fashion, Hector appears destined to lose: the ending to this remarkable absurdist tale shows his bullet-ridden body lying face down in the gutter during a rainstorm.
Mexican novelist and historian Paco Ignacio Taibo II here captures the life and character of Che Guevara, the preeminent Latin-American revolutionary of the late twentieth century. The symbol of radical egalitarianism and the war against social injustice, Guevara was gunned down in the jungles of southeastern Bolivia in 1967, his death surrounded by questions that remain unanswered. In the years since he died, fascination with Che and his independent and pragmatic brand of Guerilla Marxism have become increasingly focused. Taibo, whose extensive contacts in Latin American political activism gives him unprecedented access to hitherto untapped sources, probes Che's life with a storyteller's pen and an historian's judgment. Delving into vast archives to which few researchers have entry, Taibo investigates the mystery and myth surrounding Che's life, careers, and ideals.
The Shadow of the Shadow follows four men who meet to play dominos in a hotel bar in Mexico City in 1922. They are a motley group—a gun-toting poet who makes a living writing advertisements for patent medicine, a radical Chinese-Mexican union organizer, a lawyer who represents prostitutes, and a newspaper crime reporter who churns out pages of copy “like links of sausage in a chorizo factory.” Left to their own devices, the group would have waited out Carranza’s presidency in their own quietly besotted fashion, ignoring the betrayal of the Mexican Revolution. But they witness a series of strangely related murders and begin to suspect a conspiracy involving the oil-rich lands of the Gulf Coast, greedy army officers, and American industrialists. Critics have hailed The Shadow of the Shadow as the best of Paco Ignacio Taibo II’s historical novels. Issues of oil, American imperialism, extortion, and government corruption give the novel a distinctly contemporary ring.
On the night of October 2, 1968, there occurred a bloody showdown between student demonstrators and the Mexican government in Tlatelolco Square. At least two hundred students were shot dead and many more were detained. Then the bodies were trucked out, the cobblestones were washed clean. Detainees were held without recourse until 1971. Official denial of the killing continues even today: In the first week of February 2003, Mexico's Education Secretary Reyes Tamiz ordered a new history textbook that mentions the massacre-Claudia Sierra's History of Mexico: An Analytical Approach-removed from shelves and classrooms. (Public outcry led Tamiz to reverse his decision days later.) No one has yet been held accountable for the official acts of savagery. With provocative, anecdotal, and analytical prose, Taibo claims for history "one more of the many unredeemed and sleepless ghosts that live in our lands.
Set amidst the political turbulence and social unrest of contemporary Mexico City, An Easy Thing introduces English-speaking readers to Taibo's human and world-weary protagonist, independent detective Hector Belascoaran Shayne. In this debut outing, our hero, who, incidentally, possesses an insatiable appetite for Coca Cola and cigarettes, tackles three cases simultaneously: a killing in a corrupt factory; the deadly threats against a former porn starlet's teenage daughter; and, strangely, the search for Emiliano Zapata, folk hero and leader of the Mexican Revolution, rumored to be alive and hiding out in a cave outside Mexico City. Combining black comedy, social history and a touch of surrealism, Paco Taibo's wonderfully idiosyncratic detective novels are admired the world over and are particularly popular in Europe and in the Spanish-speaking world.
Mexico City detective Héctor Belascoarán Shayne is summoned home from vacation by his sister, whose childhood friend Anita has been raped and nearly killed by unknown assailants. Héctor discovers that Anita, recently married into the wealthy Costa family, has just seen her husband and his two brothers systematically murdered. Now, if she can stay alive long enough to receive it, Anita stands in line to receive a legacy of some 200 million pesos. During his investigation, Héctor trades stories with a novelist who is writing a crime novel based upon the recent murder of fourteen narcotraficantes and has traced the crime directly back to Judicial Police Commander Saavedra. How can a detective operate in a society in which the social and political institutions designed to protect the people are hopelessly corrupt?
A wild ride and revealing portrait of the controversial Pancho Villa, one of Mexico’s most beloved (or loathed) heroes, that finally establishes the importance of his role in the triumph of the Mexican Revolution, by renowned writer Paco Ignacio Taibo II. The last biography of Pancho Villa was published 25 years ago, and this new edition has been translated into English for the first time. This biography marks a kind of reinvention of the legendary Mexican figure of Pancho Villa. It is a masterful reevaluation and heavily researched account of his life. This book makes a new claim, finally giving Pancho Villa his due as the decisive figure in the success of Mexican Revolution. Here he is less the colorful bandito and more the incorruptible conscience that not only won key battles, but also maintained the revolutionary vision and led the way in terms of class consciousness. Pancho Villa is a rollicking, sometimes hilariously comical, sometimes extremely violent, and always very personal portrait of the controversial Mexican historical figure Pancho Villa. Beloved crime writer Paco Ignacio Taibo II (a.k.a. PIT)—the prolific historian, biographer of Che Guevara and the founder of Mexican “neopolicial” fiction—brings his tremendous storytelling skills to an account of one of the Mexico’s greatest legendary characters. With his vibrant narrative style, Taibo describes the adventures of Pancho Villa with incredible stories, the stuff of history and tragedy, backed up by tremendous research. Throughout, Taibo unveils secrets about the life of one of Mexico's most courageous and charismatic leaders. Includes period photographs that indelibly capture the rocky transition from the wild and agrarian past towards modern statehood.
Hector Belascoaran Shayne has danced with the dead. Luke Estrella does the rumba in white patent leather shoes. Together, they make the perfect pair to lead each other into an inferno under an azure Acapulco sky: a hell populated by mariachis and machine guns, incompetent bikini contest judges, and at least one killer who is closer to Hector than he thinks....
The Shadow of the Shadow follows four men who meet to play dominos in a hotel bar in Mexico City in 1922. They are a motley group a gun-toting poet who makes a living writing advertisements for patent medicine, a radical Chinese-Mexican union organizer, a lawyer who represents prostitutes, and a newspaper crime reporter who churns out pages of copy like links of sausage in a chorizo factory. Left to their own devices, the group would have waited out Carranza's presidency in their own quietly besotted fashion, ignoring the betrayal of the Mexican Revolution. But they witness a series of strangely related murders and begin to suspect a conspiracy involving the oil-rich lands of the Gulf Coast, greedy army officers, and American industrialists. Critics have hailed The Shadow of the Shadow as the best of Paco Ignacio Taibo IIs historical novels. Issues of oil, American imperialism, extortion, and government corruption give the novel a distinctly contemporary ring.
A stylized reissue of the acclaimed, surreal noir collaboration between Mexico’s greatest writer and its most courageous revolutionary. “Taibo’s expertise ensures a smart, funny book, and Marcos brings a wry sense of humor.” —Publishers Weekly In alternating chapters, Zapatista leader Subcomandante Marcos and the consistently excellent Paco Ignacio Taibo II create an uproarious murder mystery with two intersecting storylines. The chapters written by the famously masked Marcos originate in the mountains of Chiapas, Mexico. There, the fictional “Subcomandante Marcos” assigns Elias Contreras—an odd but charming mountain man—to travel to Mexico City in search of an elusive and hideous murderer named “Morales.” The second story line, penned by Taibo, stars his famous series detective Hector Belascoaran Shayne. Hector guzzles Coca-Cola and smokes cigarettes furiously amidst his philosophical and always charming approach to investigating crimes—in this case, the search for his own “Morales.” The two stories collide absurdly and dramatically in the urban sprawl of Mexico City. The ugly history of the city’s political violence rears its head, and both detectives find themselves in an unpredictable dance of death with forces at once criminal, historical, and political. Readers expecting political heavy-handedness will be disarmed by the humility and playful self-mocking that runs throughout the book.
Stan Laurel, one of the heroes of Four Hands, wanders into Mexico and witnesses the assassination of Pancho Villa. There follow other episodes, centered on Greg, an American journalist, and Julio, his Mexican friend and collaborator. Taibo gives the reader a plethora of brilliant characters in this panoramic novel that moves backward and forward in time.
The euphoric idealism of grassroots reform and the tragic reality of revolutionary failure are at the center of this speculative novel that opens with a real historical event. On October 2, 1968, 10 days before the Summer Olympics in Mexico, the Mexican government responds to a student demonstration in Tlatelolco by firing into the crowd, killing more than 200 students and civilians and wounding hundreds more. The Tlatelolco massacre was erased from the official record as easily as authorities washing the blood from the streets, and no one was ever held accountable. It is two years later and Nestor, a journalist and participant in the fateful events, lies recovering in the hospital from a knife wound. His fevered imagination leads him in the collection of facts and memories of the movement and its assassination in the company of figures from his childhood. Nestor calls on the heroes of his youth—Sherlock Holmes, Doc Holliday, Wyatt Earp, and D’Artagnan among them—to join him in launching a new reform movement conceived by his intensely active imagination.
Mexican novelist and historian Paco Ignacio Taibo II here captures the life and character of Che Guevara, the preeminent Latin-American revolutionary of the late twentieth century. The symbol of radical egalitarianism and the war against social injustice, Guevara was gunned down in the jungles of southeastern Bolivia in 1967, his death surrounded by questions that remain unanswered. In the years since he died, fascination with Che and his independent and pragmatic brand of Guerilla Marxism have become increasingly focused. Taibo, whose extensive contacts in Latin American political activism gives him unprecedented access to hitherto untapped sources, probes Che's life with a storyteller's pen and an historian's judgment. Delving into vast archives to which few researchers have entry, Taibo investigates the mystery and myth surrounding Che's life, careers, and ideals.
Set amidst the political turbulence and social unrest of contemporary Mexico City, An Easy Thing introduces English-speaking readers to Taibo's human and world-weary protagonist, independent detective Hector Belascoaran Shayne. In this debut outing, our hero, who, incidentally, possesses an insatiable appetite for Coca Cola and cigarettes, tackles three cases simultaneously: a killing in a corrupt factory; the deadly threats against a former porn starlet's teenage daughter; and, strangely, the search for Emiliano Zapata, folk hero and leader of the Mexican Revolution, rumored to be alive and hiding out in a cave outside Mexico City. Combining black comedy, social history and a touch of surrealism, Paco Taibo's wonderfully idiosyncratic detective novels are admired the world over and are particularly popular in Europe and in the Spanish-speaking world.
Set amidst the political turbulence and social unrest of contemporary Mexico City, An Easy Thing introduces English-speaking readers to Taibo’s human and world-weary protagonist, independent detective Héctor Belascoarán Shayne. In this debut outing, our hero, who, incidentally, possesses an insatiable appetite for Coca Cola and cigarettes, tackles three cases simultaneously: a killing in a corrupt factory; the deadly threats against a former porn starlet’s teenage daughter; and, strangely, the search for Emiliano Zapata, folk hero and leader of the Mexican Revolution, rumored to be alive and hiding out in a cave outside Mexico City. Combining black comedy, social history and a touch of surrealism, Paco Taibo’s wonderfully idiosyncratic detective novels are admired the world over and are particularly popular in Europe and in the Spanish-speaking world.
The third English language case for Mexico City independent detective Hector Belascoaran Shayne, No Happy Ending, is Paco Ignacio Taibo II at his subversive, darkly comic best. First, Hector discovers the body of a dead actor, dressed like a Roman in full breastplate and regalia, propped up on the toilet in his office. Shortly thereafter, he receives a threatening letter and a snapshot of another murdered corpse. As Hector investigates the killings, he discovers that both share a connection to a dead stuntman named Zorak who apparently perished while training a government-backed paramilitary group. Once again, the one-eyed anarchist detective finds himself up against the very institutions which persecute the downtrodden and oppress the masses. In typical Taibo fashion, Hector appears destined to lose: the ending to this remarkable absurdist tale shows his bullet-ridden body lying face down in the gutter during a rainstorm.
On June 23rd, 1914, the legendary División del Norte, commanded by General Francisco “Pancho” Villa, defeated the forces of then-president Victoriano Huerta and took the city of Zacatecas. After the decisive battle, the federales were unable to recover. The path to Mexico City—and ultimate victory—was clear for Villa and the revolutionaries. As Colonel Montejo, the narrator of Paco Taibo’s epic tale, says, “We broke their spine in Zacatecas. The rest was just a march south.” In this remarkable graphic novel, Paco Ignacio Taibo II (a.k.a. PIT)—the prolific historian, biographer of Che Guevara and Pancho Villa, as well as the founder of Mexican neopolicial fiction—brings his tremendous storytelling skills to bear, united with stunning illustrations by the artist Eko that evoke traditional Day of the Dead imagery and the etchings of legendary Mexican printmaker José Guadalupe Posada. Pancho Villa Takes Zacatecas not only depicts one of the most decisive moments of the revolution, it also profiles, in glorified action, one of the most beloved heroes of contemporary Mexico. Now translated into English and seamlessly adapted to ebook format, Pancho Villa Takes Zacatecas is an unforgettable paean to the dramatic story of the Mexican Revolution that will fascinate history buffs, avid readers, and graphic novel enthusiasts alike. Praise for Pancho Villa Takes Zacatecas "Like never before, maverick Mexican novelist, Paco Ignacio Taibo II, and visual virtuoso, Eko, bring to kinetic life a pivotal moment in Villa’s against-the-odds, David-Goliath battles with sitting oppressors—one that returned the power to the Mexican people. Extraordinarily energetic woodcut-art and a nimble narrative voice make this history showing and telling at its best!" —Frederick Luis Aldama, author of Your Brain on Latino Comics. “It’s impossible to review [Taibo II’s] literary work without painting an ideological portrait. He’s probably the writer on the left with the proudest lineage of all those I’ve read.” —Christopher Domínguez Michael, Letras Libres “Eko is in many ways a Renaissance artist who through archetypical characters and his work showing them to us recovers the essence (and drives) of humanity, and he shows them without objection.” —Jorge Rueda, Replicante Paco Ignacio Taibo II, or PIT, was born in Gijón, Spain in 1949, before fleeing Franco’s dictatorship with his family in 1958. He has resided in Mexico City ever since, where he’s built a career as a writer, journalist, historian, biographer of Pancho Villa and Che Guevara, and, perhaps most crucially, a founder of the neopolicial fiction genre in Latin America. His books have been published in 29 countries and translated into nearly as many languages. In addition to being a prolific writer, he is an active member of the international crime writing community and organizes Semana Negra or “Noir Week” in his native Gijón. He has won the Latin American Dashiell Hammett Prize three times, as well as the Mexican Premio Planeta, and several other awards for international crime fiction. Eko, born in Mexico in 1958, is a cartoonist, engraver, and painter. His wood etchings, often erotic in nature and the focus of controversial discussion, are part of a broader tradition in Mexican folk art popularized by José Guadalupe Posada. He has collaborated on projects for The New York Times, the Frankfurter Allgemeine Zeitung, and the Spanish daily El País, in addition to having published numerous books in Mexico and Spain. Nina Arazoza is a recent graduate of Tufts University’s International Relations Program and an aspiring translator and publishing professional. Her enthusiasm for Latin American culture, history, and politics led her to Restless Books and Pancho Villa Takes Zacatecas.
Hector Belascoaran Shayne has danced with the dead. Luke Estrella does the rumba in white patent leather shoes. Together, they make the perfect pair to lead each other into an inferno under an azure Acapulco sky: a hell populated by mariachis and machine guns, incompetent bikini contest judges, and at least one killer who is closer to Hector than he thinks....
Mexico City detective Héctor Belascoarán Shayne is summoned home from vacation by his sister, whose childhood friend Anita has been raped and nearly killed by unknown assailants. Héctor discovers that Anita, recently married into the wealthy Costa family, has just seen her husband and his two brothers systematically murdered. Now, if she can stay alive long enough to receive it, Anita stands in line to receive a legacy of some 200 million pesos. During his investigation, Héctor trades stories with a novelist who is writing a crime novel based upon the recent murder of fourteen narcotraficantes and has traced the crime directly back to Judicial Police Commander Saavedra. How can a detective operate in a society in which the social and political institutions designed to protect the people are hopelessly corrupt?
A brilliantly crafted collage of noir adventure and political psychodrama, Leonardo's Bicycle chronicles the effects of a century of violence on the nature of imagination. While a cast of revolutionaries, radicals, criminals, and dreamers chase a wild goose into a hail of gunfire, Leonardo da Vinci hovers overhead on a bicycle.
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