The fascinating and complete photograph "The Pirates' Who's Who" changed into made through the British naturalist and marine biologist Philip Gosse. Even though he had the equal name as his father, who changed into also an exquisite naturalist, this Philip Gosse turned into extra interested by marine records and piracy. The book is going into detail approximately the lives and adventures of famous pirates from history, giving short ancient sketches of those sea criminals. Gosse paints a shiny photograph of the people who terrorized the excessive seas at some stage in the Golden Age of Piracy, from famous pirates like Blackbeard to less famous however simply as thrilling characters. Gosse makes use of ancient information, first-hand bills of cash due, and legends to craft an exciting tale that looks into the pirates' motivations, moves, and deaths. The book isn't handiest a useful account of the past, however it also indicates how creative people have been all through that point by telling stories of bold raids, interesting adventures, and characters that have been bigger than existence. "The Pirates' Who's Who" is proof of Philip Gosse's thorough studies and ability as a storyteller. It offers readers an exciting and educational investigate the lives of the men and women who sailed underneath the black flag and left a long-lasting mark on maritime history.
Gosse argued that fossils are not really the remains of creatures which existed. God had created the world in six days, but had made it look like it was already ancient, complete with the remains of non-existent pre-historic life. Gosse's work was popular with neither Christians nor evolutionists.
Philip Henry Gosse (1810-1888) was an early naturalist and popular writer, bringing creation to life, whether a large creature or small. A Christian, he pointed to characters that reflected the Creator's guiding hand, and as naturalist, he described these organisms in accurate detail. Thirty-six full color plates, illustrated by Gosse himself, are included in this reprint of British marine life.
The fascinating and complete photograph "The Pirates' Who's Who" changed into made through the British naturalist and marine biologist Philip Gosse. Even though he had the equal name as his father, who changed into also an exquisite naturalist, this Philip Gosse turned into extra interested by marine records and piracy. The book is going into detail approximately the lives and adventures of famous pirates from history, giving short ancient sketches of those sea criminals. Gosse paints a shiny photograph of the people who terrorized the excessive seas at some stage in the Golden Age of Piracy, from famous pirates like Blackbeard to less famous however simply as thrilling characters. Gosse makes use of ancient information, first-hand bills of cash due, and legends to craft an exciting tale that looks into the pirates' motivations, moves, and deaths. The book isn't handiest a useful account of the past, however it also indicates how creative people have been all through that point by telling stories of bold raids, interesting adventures, and characters that have been bigger than existence. "The Pirates' Who's Who" is proof of Philip Gosse's thorough studies and ability as a storyteller. It offers readers an exciting and educational investigate the lives of the men and women who sailed underneath the black flag and left a long-lasting mark on maritime history.
Philip Waller explores the literary world in which the modern best-seller first emerged, with writers promoted as stars and celebrities, advertising both products and themselves.
Named a Best Book of the Year by The Guardian, The Sunday Times, and the Financial Times A completely fresh view of one of the most gifted—and fascinating—writers of our time, the enigmatic author of Brideshead Revisited Graham Greene hailed Evelyn Waugh as “the greatest novelist of my generation,” and in recent years Waugh’s reputation has only grown. Now, half a century after Waugh’s death in 1966, with Evelyn Waugh, Philip Eade has delivered a hugely entertaining biography that is both authoritative and full of new information, some of it sensational. Drawing on extensive unseen primary sources, Eade’s book sheds new light on many of the key phases and themes of Waugh’s life: his difficult relationship with his embarrassingly sentimental father; his formative homosexual affairs at Oxford; his unrequited love for various Bright Young Things; his disastrous first marriage; his momentous conversion to Roman Catholicism; his unconventional yet successful second marriage; his checkered wartime career; and his shattering nervous breakdown. Along the way, we come to understand not only Waugh’s complex relationship with the aristocracy, but also the astonishing power of his wit, and the love, fear, and loathing that he variously inspired in others. Waugh was famously difficult, and Eade brilliantly captures the myriad facets of his character, even as he casts new light on the novels that have dazzled generations of readers.
Why did the youthful optimism and openness of the sixties give way to Ronald Reagan and the spirit of conservative reaction--a spirit that remains ascendant today? Drawing on a wide array of sources--including tabloid journalism, popular fiction, movies, and television shows--Philip Jenkins argues that a remarkable confluence of panics, scares, and a few genuine threats created a climate of fear that led to the conservative reaction. He identifies 1975 to 1986 as the watershed years. During this time, he says, there was a sharp increase in perceived threats to our security at home and abroad. At home, America seemed to be threatened by monstrous criminals--serial killers, child abusers, Satanic cults, and predatory drug dealers, to name just a few. On the international scene, we were confronted by the Soviet Union and its evil empire, by OPEC with its stranglehold on global oil, by the Ayatollahs who made hostages of our diplomats in Iran. Increasingly, these dangers began to be described in terms of moral evil. Rejecting the radicalism of the '60s, which many saw as the source of the crisis, Americans adopted a more pessimistic interpretation of human behavior, which harked back to much older themes in American culture. This simpler but darker vision ultimately brought us Ronald Reagan and the ascendancy of the political Right, which more than two decades later shows no sign of loosening its grip. Writing in his usual crisp and witty prose, Jenkins offers a truly original and persuasive account of a period that continues to fascinate the American public. It is bound to captivate anyone who lived through this period, as well as all those who want to understand the forces that transformed--and continue to define--the American political landscape.
This book discusses gender and autobiography, and the politics of autobiography. It offers examples of ways of making sense of individual works or groups of works.
First Published in 1981. Pater is certainly the least widely read and understood of any of the Victorian critics and creative writers, though there are signs of a coming revival of interest in him. Each of the discussions included in this issue devoted to Pater touches, in some significant way, on his "imaginative sense of fact," on his struggle with the objective ‘givens’ of experience (ideas or individuals), and on his efforts to co-opt or turn that Other into a reordered reflection of his own image.
Between 1870 and 1920 as many as 2000 cameleers and 20,000 camels arrived in Australia from Afghanistan and northern India. Australia's Muslim Cameleers is a rich pictorial history of these men, their way of life and the vital role they played in pioneering transport and communication routes across outback Australia's vast expanses. Many of the images and artefacts in this fascinating account are published here for the first time, and this new edition contains additions to the biographical listing of more than 1200 cameleers.
The stories gathered in these pages lay bare the power of the arts to unsettle and rework deeply ingrained religious beliefs and practices. This book grounds its narrative in the accounts of 82 Evangelicals who underwent a sea-change of religious identity through the intervention of the arts. "There never would have been an undoing of my conservative Evangelical worldview" confides one young man, "without my encounter with the transcendent work of Mark Rothko on that rainy afternoon in London's Tate Modern." "The characters in The Brothers Karamazov began to feel like family to me," reports another individual, "and the doubts of Ivan Karamazov slowly saturated my soul." As their stories unfold, the subjects of the study describe the arts as sources of, by turns, "defamiliarization," "comfort in uncertainty," "a stand-in for faith" and a "surrogate transcendence." Drawing on memoirs, interviews, and field notes, Philip Salim Franics explores the complex interrelationship of religion and art in the modern West, and offers an important new resource for on-going debates about the role of the arts in education and social life.
The malign figure of the Antichrist endures in modern culture, whether religious or secular; and the spectral shadow he has cast over the ages continues to exert a strong and powerful fascination. Philip C. Almond tells the story of the son of Satan from his early beginnings to the present day, and explores this false Messiah in theology, literature and the history of ideas. Discussing the origins of the malevolent being who at different times was cursed as Belial, Nero or Damien, the author reveals how Christianity in both East and West has imagined this incarnation of absolute evil destined to appear at the end of time. For the better part of the last two thousand years, Almond suggests, the human battle between right and wrong has been envisaged as a mighty cosmic duel between good and its opposite, culminating in an epic final showdown between Christ and his deadly arch-nemesis.
The English Jacobean and Caroline playwright, Philip Massinger was celebrated for his comedic genius, finely plotted plays, social realism and incisive satire. Following the death of Shakespeare in 1616 and Fletcher in 1625, Massinger became the leading playwright of the King's Men's. His most popular and influential play, ‘A New Way to Pay Old Debts’ expresses a timeless indignation at economic oppression and social disorder, while ‘The City Madam’ deals with similar evils, combining naturalistic and symbolic modes. For the first time in publishing history, this eBook presents Massinger’s complete works, with numerous illustrations, rare plays and poetry, concise introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Massinger’s life and works * Concise introductions to the major works * All 38 plays, with individual contents tables * Features many rare plays appearing for the first time in digital publishing * Includes Nicholas Rowe’s ‘The Fair Penitent’, the 1632 adaptation of Massinger’s ‘The Fatal Dowry’ * Excellent formatting of the plays * Useful Glossary of Jacobean Language * Massinger’s rare poetry, available in no other collection * Easily locate the poems and scenes you want to read * Features two biographies, including Cruickshank’s seminal study – explore Massinger’s intriguing life * Ordering of texts into chronological order and genres Please visit www.delphiclassics.com to browse our range of Elizabethan and Jacobean playwrights CONTENTS: The Solo Plays The Maid of Honour (c. 1621) The Duke of Milan (c. 1621) The Unnatural Combat (c. 1621) The Bondman (1623) The Renegado (1624) The Parliament of Love (1624) A New Way to Pay Old Debts (1625) The Roman Actor (1626) The Great Duke of Florence (1627) The Picture (1629) The Emperor of the East (1631) Believe as You List (c. 1631) The City Madam (1632) The Guardian (1633) The Bashful Lover (1636) Collaborations with John Fletcher Sir John van Olden Barnavelt (1619) The Little French Lawyer (c. 1619) A Very Woman (c. 1620) The Custom of the Country (c. 1620) The Double Marriage (c. 1620) The False One (c. 1620) The Prophetess (1622) The Sea Voyage (1622) The Spanish Curate (1622) The Lovers’ Progress; or, The Wandering Lovers (1623) The Elder Brother (c. 1625) Collaborations with John Fletcher and Francis Beaumont Thierry and Theodoret (c. 1607) The Coxcomb (1608) Beggars’ Bush (c. 1612) Love’s Cure (c. 1612) Collaborations with John Fletcher and Nathan Field The Honest Man’s Fortune (1613) The Queen of Corinth (c. 1616) The Knight of Malta (c. 1619) Collaboration with Nathan Field The Fatal Dowry (c. 1619) The Fair Penitent (1632) by Nicholas Rowe Collaboration with John Fletcher, John Ford, and William Rowley/John Webster The Fair Maid of the Inn (1626) Collaboration with John Fletcher, Ben Jonson and George Chapman Rollo Duke of Normandy, or The Bloody Brother (c. 1616) Collaboration with Thomas Dekker The Virgin Martyr (1620) Collaboration with Thomas Middleton and William Rowley The Old Law (c. 1615) The Poetry Miscellaneous Poems The Biographies Life of Massinger (1830) Philip Massinger (1920) by Alfred Hamilton Cruickshank Glossary of Jacobean Language Please visit www.delphiclassics.com to browse through our range of exciting titles or to purchase this eBook as a Parts Edition of individual eBooks
Gosse argued that fossils are not really the remains of creatures which existed. God had created the world in six days, but had made it look like it was already ancient, complete with the remains of non-existent pre-historic life. Gosse's work was popular with neither Christians nor evolutionists.
Night-attack of wolves in Mongolia." "Nearly fatal combat with a kangaroo." "Comic scenes with the Elephant." "Captain Herriman examines a supposed Sea-serpent." This charming book, published by British naturalist PHILIP HENRY GOSSE (1810-1888) in 1860, was a best seller in its day, and no wonder: this is a passionate around-the-world journey through nature both wild and serene... and mysterious. "In the annals of cryptozoology," says cryptozoologist Loren Coleman in his new introduction, "Gosse is credited as one of the grandfathers of the discipline... In this book, one finds his records of the sea serpent, giant snakes, African unicorn, South America ape, and Ceylonese devil-bird, reflecting this early interest in romantic zoology, the precursor of cryptozoology." This new edition, complete with the original elegant illustrations, is part of Cosimo's Loren Coleman Presents series. LOREN COLEMAN is author of numerous books of cryptozoology, including BIGFOOT!: The True Story of Apes in America, and Mothman and Other Curious Encounters.
Reprint of the original, first published in 1859. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
The definitive biography of one of the twentieth century’s most celebrated and controversial dramatists. To several generations, actor, playwright, songwriter, and filmmaker Noël Coward (1899-1973) was the very personification of wit, glamour, and elegance. Given unprecedented access to the private papers and correspondence of Coward family members, compatriots, and numerous lovers, Samuel Johnson Prize-winning biographer Philip Hoare has produced an illuminating and sophisticated biography of Coward, whose relentless drive for success and approval fueled the stunning bursts of creativity that launched the once-painfully middle class boy from the suburbs of London into a pantheon of theatrical deities that includes Gilbert and Sullivan, Oscar Wilde, and George Bernard Shaw. As much the embodiment of a lifestyle as an actual inhabitant of it, Coward’s carefully cultivated image defined the aspirations of untold numbers of actors, artists, and writers who succeeded him, and Hoare’s meticulously researched biography peels away the layers of this complex persona to reveal the man underneath it all, whom The Times of London decreed upon his death to be the most versatile of all the great figures of the English theater.
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