P.J.J. Thiel's Books

A Corpus of Rembrandt Paintings

Volume II: 1631–1634

By: J. Bruyn,B. Haak,S.H. Levie,P.J.J. van Thiel

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A Corpus of Rembrandt Paintings

Volume II: 1631–1634

By: J. Bruyn,B. Haak,S.H. Levie,P.J.J. van Thiel

Since the second half of the last century art historians, realizing that the image of Rembrandt’s work had become blurred with time, have attempted to redefine the artist’s significance both as a source of inspiration to other artists and as a great artist in his own right. In order to carry on the work started by previous generations, a group of leading Dutch art historians from the university and museum world joined forces in the late 1960s in order to study afresh the paintings usually ascribed to the artist. The researchers came together in the Rembrandt Research Project which was established to provide the art world with a new standard reference work which would serve the community of art historians for the nearby and long future. They examined the originals of all works attributed to Rembrandt taking full advantage of today’s sophisticated techniques including radiography, neutron activation autoradiography, dendrochronology and paint sample analysis — thereby gaining valuable insight into the genesis and condition of the paintings. The result of this meticulous research is laid down chronologically in the following Volumes: A Corpus of Rembrandt Paintings, Volume I, which deals with works from Rembrandt’s early years in Leiden(1629-1631), published in 1982. THIS VOLUME: A Corpus of Rembrandt Paintings, Volume II, covering his first years in Amsterdam (1631-1634), published in 1986. A Corpus of Rembrandt Paintings, Volume III, goes into his later years of reputation (1635-1642), published in 1990. Each Volume consists of a number of Introductory Chapters as well as the full Catalogue of all paintings from the given time period attributed to Rembrandt. In this catalogue each painting is discussed and examined in a detailed way, comprising a descriptive, an interpretative and a documentary section. For the authenticity evaluation of the paintings three different categories are used to divide the works in: A. Paintings by Rembrandt, B. Paintings of which Rembrandt’s authorship cannot be positively either accepted or rejected, and C. Paintings of which Rembrandt’s authorship cannot be accepted. This volume (Volume II) contains 900 pages, starting of with five introductory chapters and discussing 101 paintings. In clear and accessible explanatory text all different paintings are discussed, larded with immaculate images of each painting. Details are shown where possible, as well as the results of modern day technical imaging.

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890

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Springer Science & Business Media

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ISBN 10

9400944101

ISBN 13

9789400944107

A Corpus of Rembrandt Paintings

1625–1631

By: J. Bruyn,B. Haak,S.H. Levie,P.J.J. van Thiel

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A Corpus of Rembrandt Paintings

1625–1631

By: J. Bruyn,B. Haak,S.H. Levie,P.J.J. van Thiel

Since the second half of the last century art historians, realizing that the image of Rembrandt’s work had become blurred with time, have attempted to redefine the artist’s significance both as a source of inspiration to other artists and as a great artist in his own right. In order to carry on the work started by previous generations, a group of leading Dutch art historians from the university and museum world joined forces in the late 1960s in order to study afresh the paintings usually ascribed to the artist. The researchers came together in the Rembrandt Research Project which was established to provide the art world with a new standard reference work which would serve the community of art historians for the nearby and long future. They examined the originals of all works attributed to Rembrandt taking full advantage of today’s sophisticated techniques including radiography, neutron activation autoradiography, dendrochronology and paint sample analysis — thereby gaining valuable insight into the genesis and condition of the paintings. The result of this meticulous research is laid down chronologically in the following Volumes: THIS VOLUME: A Corpus of Rembrandt Paintings, Volume I, which deals with works from Rembrandt’s early years in Leiden(1629-1631), published in 1982. A Corpus of Rembrandt Paintings, Volume II, covering his first years in Amsterdam (1631-1634), published in 1986. A Corpus of Rembrandt Paintings, Volume III, goes into his later years of reputation (1635-1642), published in 1990. Each Volume consists of a number of Introductory Chapters as well as the full Catalogue of all paintings from the given time period attributed to Rembrandt. In this catalogue each painting is discussed and examined in a detailed way, comprising a descriptive, an interpretative and a documentary section. For the authenticity evaluation of the paintings three different categories are used to divide the works in: A. Paintings by Rembrandt, B. Paintings of which Rembrandt’s authorship cannot be positively either accepted or rejected, and C. Paintings of which Rembrandt’s authorship cannot be accepted. This volume (Volume I) contains 730 pages, starting of with four introductory chapters and discussing 93 paintings. In clear and accessible explanatory text all different paintings are discussed, larded with immaculate images of each painting. Details are shown where possible, as well as the results of modern day technical imaging. In this volume the first ever works by Rembrandt are discussed, also using his etchings as comparison.

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722

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Springer Science & Business Media

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ISBN 10

9400975171

ISBN 13

9789400975170

A Corpus of Rembrandt Paintings

Volume II: 1631–1634

By: J. Bruyn,B. Haak,S.H. Levie,P.J.J. van Thiel

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A Corpus of Rembrandt Paintings

Volume II: 1631–1634

By: J. Bruyn,B. Haak,S.H. Levie,P.J.J. van Thiel

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890

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Springer Science & Business Media

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ISBN 10

9400944101

ISBN 13

9789400944107

A Corpus of Rembrandt Paintings

1635–1642

By: J. Bruyn,B. Haak,S.H. Levie,P.J.J. van Thiel,E. van de Wetering

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A Corpus of Rembrandt Paintings

1635–1642

By: J. Bruyn,B. Haak,S.H. Levie,P.J.J. van Thiel,E. van de Wetering

Since the second half of the last century art historians, realizing that the image of Rembrandt’s work had become blurred with time, have attempted to redefine the artist’s significance both as a source of inspiration to other artists and as a great artist in his own right. In order to carry on the work started by previous generations, a group of leading Dutch art historians from the university and museum world joined forces in the late 1960s in order to study afresh the paintings usually ascribed to the artist. The researchers came together in the Rembrandt Research Project which was established to provide the art world with a new standard reference work which would serve the community of art historians for the nearby and long future. They examined the originals of all works attributed to Rembrandt taking full advantage of today’s sophisticated techniques including radiography, neutron activation autoradiography, dendrochronology and paint sample analysis — thereby gaining valuable insight into the genesis and condition of the paintings. The result of this meticulous research is laid down chronologically in the following Volumes: A Corpus of Rembrandt Paintings, Volume I, which deals with works from Rembrandt’s early years in Leiden(1629-1631), published in 1982. A Corpus of Rembrandt Paintings, Volume II, covering his first years in Amsterdam (1631-1634), published in 1986. THIS VOLUME: A Corpus of Rembrandt Paintings, Volume III, goes into his later years of reputation (1635-1642), published in 1990. Each Volume consists of a number of Introductory Chapters as well as the full Catalogue of all paintings from the given time period attributed to Rembrandt. In this catalogue each painting is discussed and examined in a detailed way, comprising a descriptive, an interpretative and a documentary section. For the authenticity evaluation of the paintings three different categories are used to divide the works in: A. Paintings by Rembrandt, B. Paintings of which Rembrandt’s authorship cannot be positively either accepted or rejected, and C. Paintings of which Rembrandt’s authorship cannot be accepted. This volume (Volume III) contains 820 pages, starting of with three introductory chapters and discussing 86 paintings. In clear and accessible explanatory text all different paintings are discussed, larded with immaculate images of each painting. Details are shown where possible, as well as the results of modern day technical imaging. In this volume important paintings including the Night Watch are discussed.

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815

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Springer Science & Business Media

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ISBN 10

9400908113

ISBN 13

9789400908116

A Corpus of Rembrandt Paintings

By: J. Bruyn,J. Haak,S.H. Levie,P.J.J. Thiel,Ernst van de Wetering

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A Corpus of Rembrandt Paintings

By: J. Bruyn,J. Haak,S.H. Levie,P.J.J. Thiel,Ernst van de Wetering

This collection is dedicated to the painted works of Rembrandt. It presents a vast amount of meticulous research on Rembrandt’s paintings covering the early years until his later years, and with a special focus on his self-portraits and small-scale history paintings. The main aim of this project was to isolate Rembrandt’s own works from the great volume of Rembrandt-like paintings, produced by his many pupils and followers, sometimes with the involvement of the master himself. As a result, the CORPUS contains examinations of the originals of all works attributed to Rembrandt; with these examinations having taken full advantage of today’s sophisticated techniques including radiography, neutron activation autoradiography, dendrochronology and paint sample analysis. Since the second half of the last century, art historians, realizing that the image of Rembrandt’s work had become blurred with time, have attempted to redefine the artist’s significance both as a source of inspiration to other artists and as a great artist in his own right. Carrying on the work started by previous generations, a group of leading Dutch art historians from the university and museum world joined forces in the late 1960s in order to study afresh the paintings usually ascribed to Rembrandt. The researchers came together in the Rembrandt Research Project (RRP). In the course of the completion of this project and the publication of the six volumes, the composition of the group of researchers changed, and at the same time, the group’s approach changed as a result of art-historical and methodological developments. The changes and developments are reflected in the break in style between volumes III and IV. The first three volumes take a historical and chronological approach. They cover Rembrandt’s early years in Leiden (1629-1631), his first years in Amsterdam (1631-1634), and finally his later years of reputation (1635-1642). The fourth and fifth volume take a thematic approach. Dedicated to Rembrandt’s self-portraits, volume IV looks at the valuation of autograph paintings, at dress and meaning in his self-portraits, and at authenticity and function. Volume V is about the small-scale history and genre paintings, an area considered to be the most challenging assignments for an artist. The volume presents the systematic research into this hitherto little known area, revealing a rich, and often fresh understanding of Rembrandt’s own way of thinking about these basic aspects. Volume VI, the set’s last volume, revisits Rembrandt’s paintings and is both a revisionary critique of the first three volumes and an independent overview. Each volume combines a number of introductory chapters with a full catalogue of all paintings for the given period or theme. In the catalogues, each painting is discussed and examined in a detailed way, comprising a descriptive, an interpretative and a documentary section.

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4800

Publisher

Springer

Published Date

ISBN 10

9401793174

ISBN 13

9789401793179

A Corpus of Rembrandt Paintings

By: J. Bruyn,B. Haak,S. H. Levie,P. J. J. van Thiel,Ernst Van de Wetering

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A Corpus of Rembrandt Paintings

By: J. Bruyn,B. Haak,S. H. Levie,P. J. J. van Thiel,Ernst Van de Wetering

Since the second half of the last century art historians, realizing that the image of Rembrandta (TM)s work had become blurred with time, have attempted to redefine the artista (TM)s significance both as a source of inspiration to other artists and as a great artist in his own right. In order to carry on the work started by previous generations, a group of leading Dutch art historians from the university and museum world joined forces in the late 1960s in order to study afresh the paintings usually ascribed to the artist. The researchers came together in the Rembrandt Research Project which was established to provide the art world with a new standard reference work which would serve the community of art historians for the nearby and long future. They examined the originals of all works attributed to Rembrandt taking full advantage of todaya (TM)s sophisticated techniques including radiography, neutron activation autoradiography, dendrochronology and paint sample analysis a " thereby gaining valuable insight into the genesis and condition of the paintings.

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Page Count

920

Publisher

Springer London

Published Date

ISBN 10

1402035632

ISBN 13

9781402035630

Framing in the Golden Age

Picture and Frame in 17th-century Holland

By: P. J. J. van Thiel,C. J. de Bruyn Kops

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Framing in the Golden Age

Picture and Frame in 17th-century Holland

By: P. J. J. van Thiel,C. J. de Bruyn Kops

Dist. for Rijksmuseum & Waanders Pub., Text in Dutch/English.

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Age

Page Count

375

Publisher

W Books

Published Date

ISBN 10

906630278X

ISBN 13

9789066302785

Book's by P.J.J. Thiel

A Corpus of Rembrandt Paintings

A Corpus of Rembrandt Paintings

A Corpus of Rembrandt Paintings

A Corpus of Rembrandt Paintings

A Corpus of Rembrandt Paintings

A Corpus of Rembrandt Paintings

A Corpus of Rembrandt Paintings

A Corpus of Rembrandt Paintings

A Corpus of Rembrandt Paintings

A Corpus of Rembrandt Paintings

A Corpus of Rembrandt Paintings

A Corpus of Rembrandt Paintings

Framing in the Golden Age

Framing in the Golden Age

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