Peter Bradshaw hates technology. He knows hes a throwback to a simpler time, and yet, he also knows he needs the technology he hates to follow his passion. Hes spent the last two decades studying ancient artifacts, specifically Stonehenge, the statues of Easter Island, and the Seven Wonders of the Worldbut most importantly, the Great Pyramid in Egypt. Hes just made an amazing discovery. He found a crystal with the capability of moving objects of great weight, which might explain how the pyramids were built. Hes headed back to America to share his findings, but once there, he realizes an eleven-foot-tall woman with ill intent is following him. Then, the entire worlds power grid suddenly fails. An unstoppable force of nature has wiped out all advanced technology in the blink of an eye. The world has simultaneously crashed. Is it possible that whatever Peter discovered in Egypt could reboot civilization? He needs the help of the mysterious woman whos on his tailbut is she willing to help, or will the Earth become a place of darkness and death?
Coates presents the face in film as a place where transformations begin, reflecting both the experience of modernity and such influential myths as that of Medusa. This is exemplified by a wide range of European and American films, including Ingmar Bergman's Persona .
It is 1982 and Jennie Samantha Williamson, Marilyn Monroe's nineteen-year-old future daughter, has inherited her mother's addiction to Nembutals. When she discovers the Time Bubble's Golden Key in a table beside her mother's bed, she makes plans to travel back in time to 1971 in an attempt to stop a chain of events that culminated in an undersea disaster. But first, Jennie must travel to September 15, 1954 in New York City, where Marilyn Monroe is filming The Seven Year Itch. After she persuades her mother that she is her future daughter and that time travel is possible, she still must convince Marilyn to travel ahead in time seventeen years to dive once again into Santa Monica Bay, hopefully changing fate in the process. Meanwhile as Marilyn and her future husband travel to 2068 to explore an underground city and search for a time machine's sketches, Jennie knows the secret to stopping the 1971 underwater disaster lies in the palm of her future mother's hand but only if she can safely transport Marilyn back to 1971 from 2068 before the Sentinels of The System hunt down and kill all three for their defiance.
In the year 2040, the United States no longer exists. Instead, it's a province of the former Soviet Union, which has been restored to its past glory. And each newborn child is assigned a Designation Number instead of a name. Now, forty years later, a man known only as 77241 escapes into the past in an effort to discover where the world went wrong. When 77241 comes upon footage of Norma Jeane Baker, known throughout the world as Marilyn Monroe, he becomes haunted by her face, so much so that he seeks out her gravesite and begins speaking to her hologram. As oxygen bombs fall upon the former United States in a final act of destruction, 77241 escapes in a time bubble traveling back to June 1960. Once there, he seeks out Norma Jeane at a movie set. Through her, he attempts to save John F. Kennedy from his all-too-early demise hoping to alter enough of the past to change the world's future destruction. Join 77241 and Norma Jeane as they interact with a cast of historical characters, including Kennedy, Mark Twain and Abraham Lincoln, as they seek to change the course of history in Norma Jeane's Wishes in Time.
After falling down a hole that leads to the center of the earth, a young woman loses her memory but finds herself in the Garden of Eden. It turns out God did not destroy Eden; instead, he hid it from humanity. Here, time has no meaning, no one ages, and there is no death. The creatures of the garden name this mysterious girl Ageyutsa. She soon meets Hootie, a talking owl, and he becomes her faithful companion, leading Ageyutsa on the greatest adventure of her life. After meeting Hootie, Ageyutsa acquires an amazing skill. She obtains the abilities of any animal or insect she comes into contact with in Eden. How will she use her new abilities, and will this mystery girl ever remember who she is and find her way home?
This book argues theoretically for, and exemplify through critical and historical analysis, the interrelatedness of discourses on scale, distance, identification and doubling in the cinema. It contains analyses of a wide variety of films, including Citizen Kane, The Double Life of Véronique, The Great Gatsby, Gilda, Vertigo and Wings of Desire.
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