A GUARDIAN, NEW STATESMAN AND SPECTATOR BOOK OF THE YEAR 'A whodunnit political page-turner' Melissa Benn, New Statesman 'The best political book I have read for a long while' Rod Liddle, The Spectator From the No.1 bestselling author of The Establishment, an urgent analysis of where the Left - and Britain - goes next We live in an age of upheaval. The global crisis of Covid-19 has laid bare the deep social and economic inequalities which were the toxic legacy of austerity. These revolutionary times are an opportunity for a radical rethink of Britain as we know it, as the politically impossible suddenly becomes imaginable. And yet, the Left's last attempt to upend the established order and transform millions of lives came to a crashing halt on 12th December 2019, when Jeremy Corbyn led the Labour party to its worst electoral defeat since 1935. In This Land, Owen Jones provides an insider's honest and unflinching appraisal of a movement: how it promised to change everything, why it went so badly wrong, where this failure leaves its values and ideas, and where the Left goes next in the new world we find ourselves in. He takes us on a compelling, page-turning journey through a tumultuous decade in British politics, gaining unprecedented access to key figures across the political spectrum. It is a tale of high hopes and hubris, dysfunction and disillusionment. There is, Jones urges, no future for any progressive project that does not face up to and learn from its errors. We have the opportunity to build a fairer country and a more equal world, but if our time is to come, then we must learn from our past. 'An absorbing, nuanced account of the making of electoral disaster' Gaby Hinsliff, Guardian
Creator of The Grammar of Ornament, Owen Jones ranks among the19th century's most admired designers. This collection features 227 of his magnificent patterns, as featured in The Book of Common Prayer, The Psalms of David, and Lockhart's Spanish Ballads. It offers a sumptuous assortment of colorful borders, panels, and initials.
One of the decorative arts' most beautiful and influential books, Owen Jones' 1867 publication has remained one of the finest sources of Chinese ornamentation and design. This sumptuous selection features over 170 stunning full-color designs. Derived from authentic artworks, these meticulously rendered patterns include superb examples of porcelain and cloisonné.
A major bestseller in the UK and a six-time Best Book of 2014, The Establishment is a sweeping look at how power and money have made British politics hugely undemocratic. Power, money, and undemocratic politics—wait, does that sound familiar? Who wields power in politics? It is a question that's asked all too often—and never really answered. But that's exactly what Owen Jones has done in The Establishment, which has already taken Great Britain by storm. To expose the shadowy and unaccountable network of people who dominate British political life—the people who influence major decisions and reap huge profits in the process—Owen Jones sets out on a journey into the very heart of the elite. From the lobbies of the Houses of Parliament to Rupert Murdoch's newsrooms to the conference rooms of some of the world's biggest banks, Jones systematically explores the revolving doors that link the worlds of politics, media, and finance—and shows how this corrupt and incestuous world came to be. Funny, sharp, and rich with brilliant descriptions of the men and women at the heart of the elite, The Establishment is a joy to read, but its diagnosis is deadly serious: the establishment is the biggest threat to democracy today. And it's time, writes Jones, for it to be challenged.
‘I will carry this little book in my pocket... I will read the words on London buses and in Dartmoor woods. These across-species conversations are more than reverie, they are participation.’ – Martin Shaw, author of Smoke Hole and Courting the Wild Twin ‘This is a book of profound imagination. Read it and you will know that we humans need to be humble and learn from the greatest teacher, Nature.’ – Satish Kumar, Editor Emeritus, Resurgence & Ecologist ‘Once, we were one form among many in the garden. We learned to hear the voices of the mountains, the rivers, the sky, of silence. The mice spoke, the trees spoke, the stars spoke, the deer and the fox spoke, the snake spoke – and from these words we made being. These words formed great cities and their machines ever clamouring, and we let the silence slip and the words of the whispering world fall away beyond the mirror of our making.’ (From the Prologue.) These eighteen meditations, amplified by Jerry Shearing’s striking illustrations, offer luminous words enlivened with the weight of much listening. Through these ‘conversations’, Peter Owen Jones offers a pathway to reconnect with nature. Just a few sentences a day will provide sustenance for the soul.
Jones's studies of the Alhambra in Granada were pivotal in the development of his theories on flat pattern, geometry and polychromy. His travelling companion, Jules Goury, had recently been working with Gottfried Semper on his analysis of the polychromy of Ancient Greek buildings, and this was very likely a key factor in Jones embarking on such a scientific and detailed appraisal of the decoration at the Alhambra. Goury died of cholera - at the age of 31 - during their six-month stay at the Alhambra, and Jones returned to London determined to publish the results of their studies. The standard of colour printing at that time was not sophisticated enough to do justice to the intricate decoration of the Alhambra, therefore Jones undertook the printing work himself. Collaborating with chemists and printers, Jones took it upon himself to research the new process of chromolithography. He issued this labour of love, Plans, Elevations, Sections and Details of the Alhambra, in twelve parts over a period of almost ten years, from 1836 to 1845. It was the world's first ever published work of any significance to employ chromolithography, and was to be a key milestone in the development of Owen Jones's reputation as a design theorist.Printing Plans, Elevations, Sections and Details of the Alhambra had been a significant financial strain for Jones, but the publication had gained Jones a huge profile due to its pioneering standards of chromolithography. After, and possibly during, the long gestation period for Alhambra, Jones used his printing press to enter the lucrative market for illustrated and illuminated gift books which were becoming increasingly popular with the Victorian middle class. Jones designed both secular and religious books (collaborating most notably with the publishers Day & Son and Longman & Co.) and developed innovative new binding techniques using materials such as embossed leather, papier-mâché and terracotta - all in an attempt to do justice to the luxurious contents, much of which could trace its aesthetic lineage back to sumptuous medieval illuminated manuscripts and religious bindings. Apart from these books, Jones's most significant (and most widely-consumed) printing output was through his long-standing relationship with the firm of De La Rue. From the mid-1840s until the end of his life, some 30 years later, Jones designed an astonishing variety of products for De La Rue including playing cards, menus, biscuit-tin wrappers, postage stamps, chessboards, endpapers, scrap albums and diaries.
The cultural and political history of the Pledge of Allegiance, how it came to be, what it means to Americans, and why we have battled over it for generations For more than a century, reciting the Pledge of Allegiance has been a central part of the American Experience. And perhaps because of its ubiquity, this simple flag salute has served not only as a unifying ritual but also as a lightning rod for bitter controversy. Congress's 1954 decision to add "under God" to the Pledge has made it the focus of three U.S. Supreme Court cases and at least one other landmark appellate decision. The debate continues today, but along with it exists a widely held admiration and support for this simple affirmation of our shared patriotism. As Jeffrey Owen Jones and Peter Meyer show in their illuminating history, this brief salute to the flag has had an almost magical power to galvanize people's deepest feelings and beliefs about who we are and ought to be as a nation. In that sense, the story of the Pledge of Allegiance is the story of America and the American people.
We know our world's unequal. But, says Owen Jones, it doesn't have to stay that way. No status quo simply dissolves of its own accord: it must be replaced with something else. Without a real alternative that attracts the belief of millions of people, things will stay the same, if only because it's impossible for many to imagine things looking any different. The Alternative tells us that change is possible, desirable and even inevitable - if we want it. Owen goes in search of the people who are already making change happen: from the US and the UK to Latin America, from the struggles of Hungarian and Turkish dissidents working against authoritarian governments to the millions-strong anti-austerity movement in Spain. On his travels, he gathers evidence on how an economy can be built for the many rather than being a racket for the few; how we can reboot welfare states, education systems and health services for the twenty-first century; and, last but not least, how we can build enough decent homes for people to live in. All this, he shows, must happen through renewed democracy: it is only democracy that can take on inequality and injustice. There is an alternative. We just have to learn how to make it happen. This book shows us how.
Heng Lee starts to feel very strange all of a sudden, so he calls in to see the local shaman, who happens to be his aunt. She carries out a few tests and decides that Heng has no blood, but how is he going to tell his family, and what will they do about it?Heng Lee is a goatherd in the remote mountains north-east of Chiang Rai in northern Thailand, very close to the border with Laos. It is a tight-knit community where everyone knows one another.Heng gets sick all of a sudden, but not too sick to take the goats out, until one day he has to go to see the local shaman, because he has started fainting.There are no medical doctors in the vicinity and the Shaman has been good enough for most people for centuries.The Shaman takes some specimens and comes to the conclusion that Heng’s kidneys have stopped functioning and so has little time left to live.The battle is on to save Heng’s life, but there are other forces at work too.What will become of Heng, his family and the rest of the community, if he takes the Shaman’s advice?
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