In this book, Owen will provide a sweeping look at the way that digital technologies are disrupting the workings of the institutions that have traditionally controlled international affairs: humanitarianism, diplomacy, war, journalism, activism, and trade. The traditional nation state system and the subsequent multinational system were founded on and have long functioned through a concentration of power - through the military, currency controls, foreign policy, the rule of law, etc. In his book Owen argues that in every aspect of international affairs, the digitally enabled are changing the way the world works and disrupting the institutions that once held a monopoly on power. Following an introduction and digest of what constitutes the traditional state, each chapter of Owen's book will look at a different aspect of international affairs, profiling the disruptive innovators and demonstrating how they are challenging existing power structures for good and ill. He'll consider what constitutes successful online international action, what sorts of technologies are being used as well as what these technologies might look like a decade from now, and what new institutions will be needed to moderate the new power structures and ensure accountability. In sum, Owen aims to provide a road map for navigating a networked world"--
It’s 1976 and England is sweating its nuts off. As an unrelenting heat wave beats down on the nation, the residents of Horse’s Arse – aka Handstead New Town, north Manchester – are reaching melting point. The Park Royal Mafia, having recovered from the loss of its senior members, is under new management and open for the business of mindless violence again. Unfortunately their antics have attracted the attention of a psychotic Turkish gangster, who’s decided the Mafia is just what he needs to pull himself to the top of the criminal heap. And wading into the middle of it are the Grim Brothers, Psycho, Pizza, Ally – Horse’s Arse’s finest and the hardestboiled coppers you’ll ever meet. With this lot hot under the collar it’s all going to end in blood, (a lot of) sweat and tears.
Discover the PI Charlie Cameron from bestselling author Owen Mullen. A fast-paced, twist-aplenty stories are perfect for all fans of Robert Galbraith, Ian Rankin and Ann Cleeves. 'One of the very best thriller writers I have ever read.' 5 Star Reader Review This boxset contains the first 4 books in the gripping PI Charlie Cameron series: Games People Play The Wronged Whistleblower The Accused Games People Play While her parents are just yards away, thirteen-month-old Lily Hamilton is abducted from Ayr beach in Scotland. Three days later, her distraught father turns up at private investigator Charlie Cameron's office. Mark Hamilton believes he knows who has taken his daughter. And why. Against his better judgment, Charlie takes the case—and when bodies are discovered, he suspects this may not be an isolated crime. The Wronged Private Investigator Charlie Cameron is searching for a man who disappeared after his son’s suicide. When an unidentified body turns up at the morgue, Cameron is sure it’s another case closed. But the body laid out on the slab isn’t the man he’s looking for. And it isn’t a stranger. Suddenly, a routine investigation becomes a desperate fight for survival. Whistleblower Gavin Law exposed a tragic case of medical malpractice but now he’s missing. It’s just another case for Glasgow PI, Charlie Cameron, until he comes to believe Law was murdered. Did the disgraced surgeon abandon his sacred oath to become a killer? Or did the hospital itself have Law permanently silenced? As Charlie digs deeper, he discovers just how bad the world of medicine could be for his health. The Accused Glasgow PI Charlie Cameron knows Kim Rafferty is bad news the moment they meet. Desperate people always spell trouble in his experience, and Mrs Rafferty is as desperate as they come. What she is asking for is insane and if he agrees to help the wife of the notorious East-End gangster, the consequences for them both could be fatal. Twenty-four hours later, another betrayed woman with a hopeless case is pleading for Charlie's help. The PI is her only chance to keep an innocent man from serving a prison sentence for murders he didn't commit.
When a baby is stolen from a Scottish beach, private investigator Charlie Cameron reluctantly agrees to take the case. While her parents are just yards away, thirteen-month-old Lily Hamilton is abducted from Ayr beach in Scotland. Three days later, her distraught father turns up at private investigator Charlie Cameron's office. Mark Hamilton believes he knows who has taken his daughter. And why. Against his better judgment, Charlie takes the case—and when bodies are discovered, he suspects this may not be an isolated crime. Is there a serial killer whose work has gone undetected for decades? Is baby Lily his latest victim? Charlie won’t be able to give up on this case. Memories and guilt from his childhood won’t let him... Owen Mullen is a best-selling author of psychological and gangland thrillers. His fast-paced, twist-aplenty stories are perfect for all fans of Robert Galbraith, Ian Rankin and Ann Cleeves. What readers say about Owen Mullen: 'Owen Mullen knows how to ramp up the action just when it’s needed... he never fails to give you hard-hitting thrillers that have moments that will stay with you forever...' 'One of the very best thriller writers I have ever read.' 'Owen Mullen writes a good story, he really brings his characters to life and the endings are hard to guess and never what you expected.
Kant's arguments for the reality of human freedom and the normativity of the moral law continue to inspire work in contemporary moral philosophy. Many prominent ethicists invoke Kant, directly or indirectly, in their efforts to derive the authority of moral requirements from a more basic conception of action, agency, or rationality. But many commentators have detected a deep rift between the Groundwork for the Metaphysics of Morals and the Critique of Practical Reason, leaving Kant's project of justification exposed to conflicting assessments and interpretations. In this ground-breaking study of Kant, Owen Ware defends the controversial view that Kant's mature writings on ethics share a unified commitment to the moral law's primacy. Using both close analysis and historical contextualization, Owen Ware overturns a paradigmatic way of reading Kant's arguments for morality and freedom, situating them within Kant's critical methodology at large. The result is a novel understanding of Kant that challenges much of what goes under the banner of Kantian arguments for moral normativity today.
The Northern Ireland Yearbook is an invaluable resource for anyone who has any kind of interest in Northern Ireland. Users will find expertly prepared political and economic commentary along with a wealth of information on various groups and associations; social activity; tourism; history; and the media and entertainment.
Sarah Owen Vandersluis critically examines approaches to cultural policy within the global economy. This study taps into the growing debate on ethical theory and International Political Economy. It challenges the normative positions of nationalists and welfare economists, before developing an alternative communitarian ethics for cultural policy in a global economy. The study concludes with an examination of the practical implications of this ethics in several case studies.
In Frankenstein Was a Vegetarian: Essays on Food Choice, Identity, and Symbolism, Michael Owen Jones tackles topics often overlooked in foodways. At the outset he notes it was Victor Frankenstein’s “daemon” in Mary Shelley’s novel that advocated vegetarianism, not the scientist whose name has long been attributed to his creature. Jones explains how we communicate through what we eat, the connection between food choice and who we are or want to appear to be, the ways that many of us self-medicate moods with foods, and the nature of disgust. He presents fascinating case studies of religious bigotry and political machinations triggered by rumored bans on pork, the last meal requests of prisoners about to be executed, and the Utopian vision of Percy Bysshe Shelley, one of England’s greatest poets, that was based on a vegetable diet like the creature’s meals in Frankenstein. Jones also scrutinizes how food is used and abused on the campaign trail, how gender issues arise when food meets politics, and how eating preferences reflect the personalities and values of politicians, one of whom was elected president and then impeached twice. Throughout the book, Jones deals with food as symbol as well as analyzes the link between food choice and multiple identities. Aesthetics, morality, and politics likewise loom large in his inquiries. In the final two chapters, Jones applies these concepts to overhauling penal policies and practices that make food part of the pains of imprisonment, and looks at transforming the counseling of diabetes patients, who number in the millions.
Owen Flanagan argues in this book for a more psychologically realistic ethical reflection and spells out the ways in which psychology can enrich moral philosophy. Beginning with a discussion of such “moral saints” as Gandhi, Mother Teresa, and Oskar Schindler, Flanagan charts a middle course between an ethics that is too realistic and socially parochial and one that is too idealistic, giving no weight to our natures.
The violence and divisions caused by the Irish Civil War of 1922–23 were more vicious, bitter and protracted in County Kerry than anywhere else in Ireland. For generations, the fratricide, murder and executions that occurred there have been synonymous with the worst excesses of the brutality which followed the split over the Anglo-Irish Treaty of 1921. In this compelling new history of the conflict in his native county, Owen O’Shea offers fresh insights into atrocities such as the landmine executions at Ballyseedy and Knocknagoshel, and their cover-ups, and also the misery and mayhem of the conflict for the wider population. The immense trauma and hardship faced by combatants and their families, as well as the legacy of ill health and psychological scars left on survivors are explored for the first time. Also presented is a catalogue of the intimidation, destruction and lawlessness which severely affected civilians who had no involvement in the war but suffered greatly, sometimes losing their lives. No Middle Path offers an engrossing account of the terrible events in Kerry, and their shocking and enduring legacy.
What children read in the Second World War had an immense effect on how they came of age as they faced the new world. This time was unique for British children--parental controls were often relaxed if not absent, and the radio and reading assumed greater significance for most children than they had in the more structured past or were to do in the more crowded future. Owen Dudley Edwards discusses reading, children's radio, comics, films and book-related play-activity in relation to value systems, the child's perspective versus the adult's perspective, the development of sophistication, retention and loss of pre-war attitudes and their post-war fate. British literature is placed in a wider context through a consideration of what British writing reached the USA, and vice versa, and also through an exploration of wartime Europe as it was shown to British children. Questions of leadership, authority, individualism, community, conformity, urban-rural division, ageism, class, race, and gender awareness are explored. In this incredibly broad-ranging book, covering over 100 writers, Owen Dudley Edwards looks at the literary inheritance when the war broke out and asks whether children's literary diet was altered in the war temporarily or permanently. Concerned with the effects of the war as a whole on what children could read during the war and what they made of it, he reveals the implications of this for the world they would come to inhabit.
This is a marvellous contribution by Chris Owen to the understanding of the role the Western Australian police force played in the colonial expansion into the Kimberley district of Western Australia."--Senator Patrick Dodson, Yawuru Elder ***Chris Owen provides a compelling account of policing in the Kimberley district from 1882, when police were established in the district, until 1905 when Dr. Walter Roth's controversial Royal Commission into the treatment of Aboriginal people was released. Owen's achievement is to take elements of all the pre-existing historiography and test them against a rigorous archival investigation. In doing so, a fuller understanding of the complex social, economic, and political changes occurring in Western Australia during the period are exposed. The policing of Aboriginal people changed from one of protection under law to one of punishment and control. The subsequent violence of colonial settlement and the associated policing and criminal justice system that developed, often of questionable legality, was what Royal Commissioner Roth termed a 'brutal and outrageous state of affairs.' Every Mother's Son is Guilty is a significant contribution to Australian and colonial criminal justice history. Subject: History, Aboriginal Studies, Criminal Justice, policing]
Can we have more teacher/intellectuals in our classrooms? This book demonstrates that we can. But many things have to change before intellectual standards appear again in public schools. David Owen attempts to show, but not in outline form, how we can revise our schools. Can we escape the rut in which public education finds itself, dominated by the inane (tests), the stifling (reduction of school to job training), and the insane (transformation of a life-affirming odyssey of the mind to clichés, information gathering, and slogans)? We can reclaim the beauty of an education if we join David and re-vise our classrooms. Education is uncertain, risky, wonderously adventurous—yet schooling has become stale. No—tediously dreadful. There is a need to revise. Reject standardized tests! Repeal pay for performance! Eject No Child Left Behind before no child has a thoughtful mind left. It is time to revise, and David’s book explains why. Are we still interested in the mind, soul, and substance of the individual? Does it matter who we are and become, or just what we do? If these questions still matter, dwell carefully with David’s ideas and transform yourself, your students, school, community, state, nation, and world. It is time to revise them all. John A. Weaver, Georgia Southern University
Where can you find mosses that change landscapes, salamanders with algae in their skin, and carnivorous plants containing whole ecosystems in their furled leaves? Where can you find swamp-trompers, wildlife watchers, marsh managers, and mud-mad scientists? In wetlands, those complex habitats that play such vital ecological roles. In Wading Right In, Catherine Owen Koning and Sharon M. Ashworth take us on a journey into wetlands through stories from the people who wade in the muck. Traveling alongside scientists, explorers, and kids with waders and nets, the authors uncover the inextricably entwined relationships between the water flows, natural chemistry, soils, flora, and fauna of our floodplain forests, fens, bogs, marshes, and mires. Tales of mighty efforts to protect rare orchids, restore salt marshes, and preserve sedge meadows become portals through which we visit major wetland types and discover their secrets, while also learning critical ecological lessons. The United States still loses wetlands at a rate of 13,800 acres per year. Such loss diminishes the water quality of our rivers and lakes, depletes our capacity for flood control, reduces our ability to mitigate climate change, and further impoverishes our biodiversity. Koning and Ashworth’s stories captivate the imagination and inspire the emotional and intellectual connections we need to commit to protecting these magical and mysterious places.
As a working-class Dubliner who played a crucial role in inspiring and leading Dáil Éireann in its formative stages, Arthur Griffith's life and world is one of the greatest windows into understanding the dynamics of the Irish revolution. Owen McGee's authoritative biography is based on fascinating original research and presents a fresh analysis and interpretation of Griffith's life and the economic basis of the political history of the era. Griffith has been typified as 'the last Young Irelander' and Owen McGee's masterly account reflects on this by examining the very different conceptions of Irish nationalism that existed before and after the formation of the Irish state. It also suggests that Griffith's belief in the importance of economic freedoms and the ability of an independent Ireland to provide for its own people, was an ideal that inspired the subsequent evolution of the Irish state.
Nationalism' is an increasingly unpopular word. Few would apply the label of 'nationalist' to themselves, and fewer still to any part of our history before the 1700s. But then, where does it come from? And what does it mean for us today? With one eye on the present as he unpicks the past, Owen Dudley Edwards finds nationalism to be older than recorded history and broader than modern geography. Our Nations and Nationalisms traces the phenomena back as far as the Old Testament and the works of Homer and Virgil, through the attempts of Shakespeare and James VI & I to found the first British Union, and into the Celtic legends that helped form the identities held in the UK today. Taking wide-ranging examples from ancient to modern, from home and abroad, Dudley Edwards interrogates nationalism in action, asking what it really is and how it has impacted upon all of our lives, wherever we live or were born This demonised word, he argues, is a fact of human nature. It may take a variety of forms, but we are all, in some sense, 'nationalists'; it is incumbent upon each of us to find ways to use this fact in the interests of humanity, and not a single nation.
“Every deploying adviser, and every American interested in how we are fighting our wars, should read Owen West’s gripping and important book” (The Wall Street Journal). From 2005 through 2007, the battle for the poisonous city of Khalidiya became so intensely personal that an Iraqi battalion, its American military advisors, and the insurgents they hunted knew one another by name. A third-generation U.S. Marine, Owen West was one of those combat advisors. This is his gripping account of how a team of underprepared reservists built an Iraqi battalion from the ground up and with them plunged side by side into a mystifying insurgency. Revealing war as a series of human acts, West makes the young American and Iraqi soldiers on patrol and the local townspeople come alive. From the bighearted American medic stalked by a sniper, a tough Iraqi major who is respected by the Americans because he likes them the least, and an enemy who blended into a population that dared not speak the truth, the characters in The Snake Eaters are as complex as the war that changes them.
Of all the major cities of Britain, London, the world metropolis, was the last to acquire a modern municipal government. Its antiquated administrative system led to repeated crises as the population doubled within a few decades and reached more than two million in the 1840s. Essential services such as sanitation, water supply, street paving and lighting, relief of the poor, and maintenance of the peace were managed by the vestries of ninety-odd parishes or precincts plus divers ad hoc authorities or commissions. In 1855, with the establishment of the Metropolitan Board of Works, the groundwork began to be laid for a rational municipal government. Owen tells in absorbing detail the story of the operations of the Metropolitan Board of Works, its political and other problems, and its limited but significant accomplishments--including the laying down of 83 miles of sewers and the building of the Thames Embankments--before it was replaced in 1889 by the London County Council. His account, based on extensive archival research, is balanced, judicious, lucid, often witty and always urbane.
Do you make small leaps in your chair while attempting challenging jumps in Tomb Raider? Do you say "Ouch!" when a giant hits you with a club in Skyrim? Have you had dreams of being inside the underwater city of Rapture? Videogames cast the player as protagonist in an unfolding narrative. Like actors in front of a camera, gamers' proprioception, or body awareness, can extend to onscreen characters, thus placing them "physically" within the virtual world. Players may even identify with characters' ideological motivations. The author explores concepts central to the design and enjoyment of videogames--affect, immersion, liveness, presence, agency, narrative, ideology and the player's virtual surrogate: the avatar. Gamer and avatar are analyzed as a cybernetic coupling that suggests fulfillment of Atonin Artaud's vision of the "body without organs.
Liberal democracies very rarely fight wars against each other, even though they go to war just as often as other types of states do. John M. Owen IV attributes this peculiar restraint to a synergy between liberal ideology and the institutions that exist within these states. Liberal elites identify their interests with those of their counterparts in foreign states, Owen contends. Free discussion and regular competitive elections allow the agitations of the elites in liberal democracies to shape foreign policy, especially during crises, by influencing governmental decision makers. Several previous analysts have offered theories to explain liberal peace, but they have not examined the state. This book explores the chain of events linking peace with democracies. Owen emphasizes that peace is constructed by democratic ideas, and should be understood as a strong tendency built upon historically contingent perceptions and institutions. He tests his theory against ten cases drawn from over a century of U.S. diplomatic history, beginning with the Jay Treaty in 1794 and ending with the Spanish-American War in 1898. A world full of liberal democracies would not necessarily be peaceful. Were illiberal states to disappear, Owen asserts, liberal states would have difficulty identifying one another, and would have less reason to remain at peace.
Award-winning New Zealand writers Martin Edmond, Maurice Gee, Kirsty Gunn and Owen Marshall explore life and memory in this bundle of BWB Texts. These four works are combined into one easy-to-read e-book, available direct and DRM-free from our website or from international e-book retailers. Martin Edmond’s Barefoot Years is a memoir in which the author attempts to re-inhabit the lost domain of childhood. Widely regarded as one of New Zealand’s greatest fiction writers, Maurice Gee has written virtually no non-fiction. The exceptions are the two exquisite childhood reminiscences combined in a mini-memoir, Creeks and Kitchens. In this exquisitely written ‘notebook’ – ‘My Katherine Mansfield Project’ – Kirsty Gunn explores the meaning of ‘home’ in Thorndon. Owen Marshall reflects at length on his writing career and the forces that have shaped him as a writer, in Tunes for Bears to Dance To. BWB Texts are short books on big subjects by great New Zealand writers. Commissioned as short digital-first works, BWB Texts unlock diverse stories, insights and analysis from the best of our past, present and future New Zealand writing.
I became aware of the fallibility of the real, that the splendidly detailed objective world of sound and colours, shapes and textures was not completely opaque, and that beneath it could be glimpsed the shimmer of things of great horror and ineffable joy. He is one of New Zealand’s finest regional writers and a master of the short story, but despite his many accolades Owen Marshall continues to write under an assumed name. In this BWB Text Marshall reflects at length on his writing career, on the forces that have shaped him as a writer, on his intense admiration for Janet Frame and on his decision to concentrate on the short story form.
Fascinating new insights into the famous Australian marsupial Packed with information that has only been published in scientific journals, if ever at all, this collection of biological facts challenges the misconceptions associated with Australia's most famous marsupial. Far from being a scavenging, ferocious oddity, an image perpetuated by the infamous cartoon character, the Tasmanian Devil is actually a treasured and valuable wildlife species facing extinction. By sharing the surprising, controversial, funny, and tragic history behind the world's largest marsupial carnivore, this new guidebo.
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