This is a collection of the fiction and poetry of one of the twentieth century's most influential and significant thinkers. Barfield is known widely for his explorations of human consciousness, the history of language, the origins of poetic effect, and the interaction of the disciplines, especially literature and the hard sciences. This book presents Barfield as a writer of imaginative literature. In the stories, one finds both post-war displacement and Bloomsburian ironies. In the two short novels, Barfield gives us two stunning versions of the Apocalypse. In his poetry he explores the varieties of human experience, often in radical relation to the past. A seemingly conventional poetic introduces explosive theological and sexual issues, confrontations with urban despair and fragmentation. Barfield's creative work is original, daring, and prophetic. His voice heralds a new age of consciousness of which our time is becoming increasingly aware.
Owen Barfield is known primarily for his many publications on the evolution of consciousness and the essential reframing of cultural history that results from this theory. At the center of his philosophy is a deep analysis of mythology and poetics that draws from Coleridge, Steiner, and others to reveal the noetic role of the poetic principle and its salient shifts that map the evolution of conscious experience. A member of the Oxford Inklings group, Barfield’s first published book, The Silver Trumpet (1925), is the first märchen, or fantasy story, published by any of them. Despite the influence Barfield exerted on contemporary authors such as Howard Nemerov and Saul Bellow, the biggest gaps in the published corpus of the Philosopher of Poetry are most of the major poems and poetic dramas he wrote according to his theories that place poetics at the core of conscious experience itself. This current publication remedies this absence by presenting five striking literary pieces composed throughout Barfield’s lifetime. The Tower, an introspective narrative poem, is the ‘great work’ of Barfield’s youth; Medea, a mythopoeic drama, is seemingly his last major poetic and dramatic work. Between these two are the mythopoeic narrative poem Riders on Pegasus, a trilogy of Anthroposophical mystery plays Angels at Bay, and the light-hearted extended poem The Unicorn. Readers of Barfield’s philosophical works and Inklings enthusiasts will find much to admire and enjoy in this volume.
This is a collection of the fiction and poetry of one of the twentieth century's most influential and significant thinkers. Barfield is known widely for his explorations of human consciousness, the history of language, the origins of poetic effect, and the interaction of the disciplines, especially literature and the hard sciences. This book presents Barfield as a writer of imaginative literature. In the stories, one finds both post-war displacement and Bloomsburian ironies. In the two short novels, Barfield gives us two stunning versions of the Apocalypse. In his poetry he explores the varieties of human experience, often in radical relation to the past. A seemingly conventional poetic introduces explosive theological and sexual issues, confrontations with urban despair and fragmentation. Barfield's creative work is original, daring, and prophetic. His voice heralds a new age of consciousness of which our time is becoming increasingly aware.
Owen Barfield on C.S. Lewis' is a collection of essays and lectures about the author, theologian, and literary scholar, C. S. Lewis. Barfield and Lewis were close friends for 44 years, from their Oxford days after WWI to Lewis's death in 1963. Barfield's reflections on their relationship ended only with his own passing, in his hundredth year. Barfield was instrumental in converting Lewis to theism. However, the two disagreed on many points, and it is that creative dialectic which defines and irradiates their friendship: "In an argument we always, both of us, were arguing for the truth, not for victory" (Owen Barfield). C.S. Lewis on Owen Barfield: "The wisest and best of my unofficial teachers." "Barfield towers above us all." To Walter Field: "You notice when Owen and I are talking metaphysics which you don't follow: you don't notice the times when you and Owen are talking economics which I can't follow. Owen is the only one who is never out of his depth.
The philosophical treatise on aesthetics and language that inspired T. S. Eliot, C. S. Lewis, and many others. In Poetic Diction, Owen Barfield sought to understand why certain groups of words were given the designation of “poetry,” and how they convey meaning and pleasure to the attentive reader. Touching on the philosophy of language and the nature of consciousness, Barfield provides not only a theory of poetic diction, but also a speculation on poetry and knowledge. Ranging across fundamental topics of poetics, Barfield sheds light on the nature of metaphor, aesthetic imagination, the difference between verse and prose, and the essence of meaning itself.
This Ever Diverse Pair was first published in 1950, when Barfield was practising as a solicitor in London. A humorous portrayal of everyday life in a lawyer's office, the novel's true subject is what C.S. Lewis described as "the rift in every life between the human person and his public persona - between, say, the man and the bus conductor or the man and the king..." Owen Barfield is one of the twentieth century's most significant writers and philosophers. Widely renowned for his insight and literary artistry, Barfield addresses key concerns of the sciences, humanities, social sciences, and arts in our time. His fellow Inklings, C.S. Lewis and J.R.R. Tolkien, are among the leading figures influenced by Barfield's work. "A work of art and more original than anything I have read for a long time" - C.S. Lewis
Owen Barfield is known primarily for his many publications on the evolution of consciousness and the essential reframing of cultural history that results from this theory. At the center of his philosophy is a deep analysis of mythology and poetics that draws from Coleridge, Steiner, and others to reveal the noetic role of the poetic principle and its salient shifts that map the evolution of conscious experience. A member of the Oxford Inklings group, Barfield’s first published book, The Silver Trumpet (1925), is the first märchen, or fantasy story, published by any of them. Despite the influence Barfield exerted on contemporary authors such as Howard Nemerov and Saul Bellow, the biggest gaps in the published corpus of the Philosopher of Poetry are most of the major poems and poetic dramas he wrote according to his theories that place poetics at the core of conscious experience itself. This current publication remedies this absence by presenting five striking literary pieces composed throughout Barfield’s lifetime. The Tower, an introspective narrative poem, is the ‘great work’ of Barfield’s youth; Medea, a mythopoeic drama, is seemingly his last major poetic and dramatic work. Between these two are the mythopoeic narrative poem Riders on Pegasus, a trilogy of Anthroposophical mystery plays Angels at Bay, and the light-hearted extended poem The Unicorn. Readers of Barfield’s philosophical works and Inklings enthusiasts will find much to admire and enjoy in this volume.
Barfield discusses poetry's meaning in terms of both his personal experience and objective standards of criticism. Poetic Diction, first published in 1928, begins by asking why we call a given grouping of words "poetry" and why these arouse "aesthetic imagination" and produce pleasure in a receptive reader. Returning always to this personal experience of poetry, Owen Barfield at the same time seeks objective standards of criticism and a theory of poetic diction in broader philosophical considerations on the relation of world and thought. His profound musings explore concerns fundamental to the understanding and appreciation of poetry, including the nature of metaphor, poetic effect, the difference between verse and prose, and the essence of meaning. CONTRIBUTOR: Howard Nemerov.
A classic historical excursion through the English language. Owen Barfield's original and thought-provoking works over three-quarters of a century made him a legendary cult figure. This popular book provides a brief, brilliant history of those who have spoken the Indo-European tongues. It is illustrated throughout by current English words - whose derivation from other languages, whose history in use and changes of meaning - record and unlock the larger history.
Worlds Apart: A Dialogue of the 60's is a fictional conversation among eight people: a physicist, a biologist, a theologian, a philosopher, a psychiatrist, a teacher, a rocket scientist, and a lawyer. Energetic, wide-ranging and deeply penetrating, this brilliantly witty book points toward a solution to a major problem of our time, the gap between specializations. As the sheer bulk of human knowledge demands ever increasing specialization, is man losing sight of the wholeness of life? Owen Barfield is one of the twentieth century's most significant writers and thinkers. Widely renowned for his insight and literary artistry, Barfield addresses key concerns of the sciences, humanities, social sciences, and arts in our time. His fellow Inklings, C.S. Lewis and J.R.R. Tolkien, are among the leading figures influenced by Barfield's work. "A journey into seas of thought very far from ordinary routes of intellectual shipping" T.S. Eliot
On a September evening in 1931, John and Jack, two of the Caretakers of the Imaginarium Geographica, discover a plea for help on an ancient medieval parchment. It seems to have been written by their friend, Hugo Dyson! But when they rush to warn him, they find that Hugo has already been abducted by fierce creatures called the Un-Men, who have mistaken him for the third Caretaker, Charles. And in that moment, the world begins to change… The Frontier which separates our world from the Archipelago of Dreams has fallen. Dark and terrible beasts roam throughout England. No one can be summoned from the Archipelago. And worse, their mentor and ally Bert seems to have forgotten them entirely! The only hope of restoring order from the chaos lies on a forgotten island - where a time travel device left by Jules Verne must be used to race through history itself - from the Bronze Age, to the fall of Troy and the founding of the Silver Throne. And in that single night, John and Jack discover that the only way to save their friend and stop the chaos destroying the world is to solve a two-thousand year-old mystery: Who is the Cartographer?
The Caretakers of the Imaginarium Geographica are at war. The last stones from the Keep of Time are falling, and, at the request of an old enemy, a new tower is being built in our world. The old enemy is the Winter King's Shadow, and he wields a terrible weapon - the Spear of Destiny - which can be used to command the shadows of anyone it touches… including the protectors of the Archipelago, the dragons. The Shadow King returns to the Archipelago using the ship, the Iron Dragon, and enlists an unstoppable army of Dragon Shadows… While WWII rages in our world, all the caretakers, both past and present, must come together to save the Archipelago. All hope lies with a small group of companions, along with mythical knight, Don Quixote, who must sail beyond the very ends of the Archipelago in search of a broken sword, and the only being alive who can repair it: a scholar, who, once upon a time, was called Madoc.
James A. Owen continues to take readers on a journey through the fantastical world of beloved fantasy, where dragons are real, and dreams—and nightmares—come true. John and Jack, two of the Caretakers of the Imaginarium Geographica, have discovered a plea for help on an ancient medieval parchment—it is not only addressed to them, but seems to have been written by their friend, Hugo Dyson. Yet before they can discover the origin of the strange book, Hugo walks through a door in time—and vanishes into the past. And, just like that, the world begins to change. The only hope to restore the proper order of things lies in a forgotten island at the edge of the Archipelago, where a time travel device left by Jules Verne must be used to race through history itself—from the Bronze Age to ancient Alexandria and the founding of the Silver Throne. But even if all of the legendary Caretakers from past and present are able to answer the oldest mystery in the world and save Hugo, darker forces may still be gathering against them, and a greater crisis may be at hand. Together with a new enemy, the Imperial Cartological Society, the Shadow King may be unstoppable. The only hope may in the Grail Child, Rose Dyson, and her companions’ desperate quest to find the only weapon capable of defeating their enemies and the Spear: the broken sword Caliburn. With page-turning action and a great twist, this story is a classic among classics—a volume to be treasured and gifted to those we love.
In Frankenstein Was a Vegetarian: Essays on Food Choice, Identity, and Symbolism, Michael Owen Jones tackles topics often overlooked in foodways. At the outset he notes it was Victor Frankenstein’s “daemon” in Mary Shelley’s novel that advocated vegetarianism, not the scientist whose name has long been attributed to his creature. Jones explains how we communicate through what we eat, the connection between food choice and who we are or want to appear to be, the ways that many of us self-medicate moods with foods, and the nature of disgust. He presents fascinating case studies of religious bigotry and political machinations triggered by rumored bans on pork, the last meal requests of prisoners about to be executed, and the Utopian vision of Percy Bysshe Shelley, one of England’s greatest poets, that was based on a vegetable diet like the creature’s meals in Frankenstein. Jones also scrutinizes how food is used and abused on the campaign trail, how gender issues arise when food meets politics, and how eating preferences reflect the personalities and values of politicians, one of whom was elected president and then impeached twice. Throughout the book, Jones deals with food as symbol as well as analyzes the link between food choice and multiple identities. Aesthetics, morality, and politics likewise loom large in his inquiries. In the final two chapters, Jones applies these concepts to overhauling penal policies and practices that make food part of the pains of imprisonment, and looks at transforming the counseling of diabetes patients, who number in the millions.
In A Guide to the New Ruins of Great Britain, Owen Hatherley skewered New Labour’s architectural legacy in all its witless swagger. Now, in the year of the Diamond Jubilee and the London Olympics, he sets out to describe what the Coalition’s altogether different approach to economic mismanagement and civic irresponsibility is doing to the places where the British live. In a journey that begins and ends in the capital, Hatherley takes us from Plymouth and Brighton to Belfast and Aberdeen, by way of the eerie urbanism of the Welsh valleys and the much-mocked splendour of modernist Coventry. Everywhere outside the unreal Southeast, the building has stopped in towns and cities, which languish as they wait for the next bout of self-defeating austerity. Hatherley writes with unrivalled aggression about the disarray of modern Britain, and yet this remains a book about possibilities remembered, about unlikely successes in the midst of seemingly inexorable failure. For as well as trash, ancient and modern, Hatherley finds signs of the hopeful country Britain once was and hints of what it might become.
In recent decades, the sporting landscape has seen many changes, notably the inclusion and professionalization of sport science and coaching. With this change has come significant demand for applied research surrounding soccer science and performance coaching, leading to new theory and methodology across all aspects of the game. This book brings together the most fundamental components of soccer science and performance coaching through modern, integrated coaching science methods implemented by leading practitioners and researchers. The expertise included in this book provides a unique blend of modern, soccer-specific research trends with innovative coaching theory, implemented at an elite level, and enhances the knowledge of coaches and medical and performance specialists, all while advocating an applied alternative to the development of players. Within each of the main sections—Prepare, Perform, Recover—leaders in the fields of applied sport science, sport and exercise science, sport psychology, sport nutrition, and strength and conditioning outline the best coaching and training methods, making this book a must-have for coaches and trainers seeking to augment their own understanding of what is required to enhance player development.
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