Collects Weird science-fantasy #27-29 and Incredible science fiction #30-33, originally published between January 1955 and February 1956 by I.C. Publishing Co., Inc"--Copyright page.
Picture book, with condensed text. Includes preliminary notes to the teacher, a brief biography of the author, and nine review questions; also a short list of "words to know.
Since the 1880s, electrical energies started circulating in European theaters, generated from fossil fuels in urban power plants. A mysterious force, which was still traded as romantic life force by some and for others had already come to stand in for progress, entered performance venues. Engineering knowledge, control techniques and supply chains changed fundamentally how theater was made and thought of. The mechanical image machine from Renaissance and Baroque times was transformed into a thermodynamic engine. Modern theater turned out to be electrified theater. – Retracing what happened backstage before the Avantgarde took to the front stage, this book proposes to write the genealogy of theaters modernity as a cultural history of theater technology.
Presented by a team of talented writers and artists such as Jerry Siegel, Jim Mooney, Otto Binder and more is a collection of stories featuring Supergirl at her best in SUPERGIRL: THE SILVER AGE VOL. 1. For many years, Superman believed himself to be the only survivor of his planetÕs destruction, until one day a spacecraft crashed on Earth with a young girl insideÑa Supergirl from Krypton, possessing all the same powers as the Man of Steel. And this Maid of Might wasnÕt just any Kryptonian survivor, but SupermanÕs cousin, Kara Zor-El. The story of one of historyÕs greatest female heroes begins here! Collects SupergirlÕs backup stories from ACTION COMICS #252-284.
Classic EC science fiction from the pen of Joe Orlando, including two Ray Bradbury stories, all of EC's "Adam Link" adaptations, and the famous anti-racism title story.
This volume of the New York Times’ bestselling series of superbly restored, classic crime and horror EC Comics re-presents the work of Jack Kamen, Al Feldstein, and Ray Bradbury. Grand Master crime novelist Max Allan Collins (Road to Perdition) introduces these tales, which include the infamous “The Orphan” one of the stories that got EC Comics into hot water during the U.S. Senate’s investigation into comic books. “The October Game” is adapted from the chilling classic short story by Ray Bradbury. A gruesome look at a malevolent Halloween party game perpetrated by a man who believes the child of his unfaithful wife is not his. In “Frozen Assets!,” a woman and her lover seal her still-living husband in a chest freezer. “Standing Room Only” ― a brother murders his twin sister and her husband, and disguises himself as her so he can inherit their estate. But then the estate lawyer makes a play for the “widow” ... “Three for the Money” ― A woman finds her husband dead ― with a knife in his back and a bullet in his head. The police arrest two suspects ― but to get a conviction, they must determine who acted first. Who actually committed the murder, and who stabbed or shot a man who was already dead?
Reed Crandall's mastery of fine line detail and expertly nuanced pen-and-ink texture is a perfect fit for EC Comics. This collection of 21 Crandall favorites, delineated in his classically illustrative style, includes “The Silent Towns,” a Ray Bradbury story about the last man and woman on Mars; “Carrion Death,” a stark horror story about a man struggling through the desert with a corpse handcuffed to his wrist as the vultures circle closer; “Sweetie-Pie,” the grisly story of a ghoul who sets up a roadside hazard to procure, um, fresh meat; “The Kidnapper,” about a man who decides to kidnap a baby to replace the baby that had been stolen from him and his wife; “Space Suitors,” a science fiction love triangle that leads to jealously, betrayal, and murder, and “The High Cost of Dying,” the title story, in which a man must make an awful choice between burying his wife and feeding his children.
This comics anthology includes Krigstein’s most famous story ― which broke both aesthetic and narrative boundaries ―plus material that’s never been reprinted since the 1950s. In addition to "Master Race,” this volume includes “The Flying Machine” (based on a story by Ray Bradbury). Other stories include: “Slave Ship,” an unpublished science fiction tale that was only discovered in the decades following EC’s demise, “The Monster From The Fourth Dimension,” a horror/science fiction shocker that has never been reprinted since its original appearance in 1954, and other Krigstein crime, horror, war, and science fiction stories covering the full gamut of EC titles, including Tales From the Crypt, Crime SuspenStories, Shock SuspenStories, Aces High, and Incredible Science Fiction.
Collects Weird science-fantasy #27-29 and Incredible science fiction #30-33, originally published between January 1955 and February 1956 by I.C. Publishing Co., Inc"--Copyright page.
Barely old enough to drink when he joined the EC Comics stable, Al Williamson may have been the new kid on the block, but a lifetime of studying such classic adventure cartoonists as Alex Raymond (Flash Gordon) and Hal Foster (Prince Valiant) had made him a kid to reckon with ― as he proved again and again in the stories he created for EC’s legendary “New Trend” comics, in particular Weird Science and Weird Fantasy.
Picture book, with condensed text. Includes preliminary notes to the teacher, a brief biography of the author, and nine review questions; also a short list of "words to know.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.