When Othmar Keel's book first appeared in Germany in 1972, it was a pioneering study, the first to compare systematically the conceptual world of a biblical book with that of ancient Near Eastern iconography. First translated into English in 1978, the book has proven its lasting value for exegesis of the Psalms, the comparative study of the Bible and its world, and the study of ancient Near Eastern art and iconography.
Jerusalem, with its turbulent history, is without doubt one of the best-known cities of the world. A long line of foreign powers have ruled over it, from as far back as biblical times. But the city owes its importance not to them but to the fact that it is the birthplace of the monotheistic currents that shape Judaism, Christianity, and Islam. Othmar Keel sketches in broad brush strokes the historical development of Israelite-Jewish monotheism in and around Jerusalem, arguing that monotheism is “a product of the city, not of the desert,” and describes its integration of polytheistic symbols and perceptions into its worldview. Keel relies on biblical and extrabiblical texts as well as the rich iconographic evidence of archaeological discoveries. Abundant maps and sketches of archaeological artifacts enhance his argument.
In addition to a careful analysis of text, form, and structure, Keel focuses on the metaphorical and symbolic language of this scholarly work, making full use of parallels from Egypt, Palestine, and Mesopotamia, and providing readers with the full symbolism of ancient Near Eastern art. More than 160 illustrations and photos help illuminate the interpretation.
When Othmar Keel's book first appeared in Germany in 1972, it was a pioneering study, the first to compare systematically the conceptual world of a biblical book with that of ancient Near Eastern iconography. First translated into English in 1978, the book has proven its lasting value for exegesis of the Psalms, the comparative study of the Bible and its world, and the study of ancient Near Eastern art and iconography.
Jerusalem, with its turbulent history, is without doubt one of the best-known cities of the world. A long line of foreign powers have ruled over it, from as far back as biblical times. But the city owes its importance not to them but to the fact that it is the birthplace of the monotheistic currents that shape Judaism, Christianity, and Islam. Othmar Keel sketches in broad brush strokes the historical development of Israelite-Jewish monotheism in and around Jerusalem, arguing that monotheism is “a product of the city, not of the desert,” and describes its integration of polytheistic symbols and perceptions into its worldview. Keel relies on biblical and extrabiblical texts as well as the rich iconographic evidence of archaeological discoveries. Abundant maps and sketches of archaeological artifacts enhance his argument.
Othmar Keel has become well known as the author of masterly studies on the iconography and texts of the ANE and their relationship to the text of the Hebrew Bible. In this volume, he partners with Silvia Schroer to assemble ANE texts and art that bears on the idea of creation. The result is a convenient assemblage of texts and iconographical data that may be studied in concert, often leading to being able to see old texts in new ways. As with much of this Swiss scholar’s work, this new volume will prove to be a resource for all who wish to study the biblical theology of creation against its wider background.
This volume presents four studies of finds from the three seasons of excavation at Tell Ta'annek in 1963, 1966, and 1968 by the joint expedition of Concordia Theological Seminary and the American Schools of Oriental Research, Paul Lapp director of excavations.
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