This open access book explores the idea that corporate rhetoric can be a force for good. In developing a new framework for analysis and discussion of green marketing, the authors argue that corporate environmental rhetoric can be harnessed to contribute to climate transition and a more sustainable market economy. The work explores the transformative power inherent in green promises and sets a vision of what green marketers should strive for. Engaging with selected research on organizational theory, the authors negotiate the conflicting paradigms of rhetorical theory and their relation to the study of corporate legitimation practices. The resulting theoretical framework provides an analytical scheme that can be useful in various disciplines – such as sociology, economics, law, marketing theory, and communication. It also illustrates how we can find new answers to contemporary challenges by re-imagining rhetoric. This is an open access book.
After the police broke into Martin Bryant's house, a journalist followed them, mentally recording the details she was going to present to the public. The house was neat & fairly normal, except for one room where some magazines were lying on a table, in between two empty chairs. For the past hours, the journalist's imagination had been building a picture of the madman, his childhood and possible motives.The entire media and police juggernaut that was gaining momentum was predicated on the assumption that he had acted alone. *** But if that was true, who had been sitting in the second empty chair? This explosive thriller takes a closer look at Australia's defining massacre, using witness statements and court documents to produce a coherent, plausible narrative that includes more facts than the prosecution case. Anyone familiar with ""Making A Murderer"" will be captivated and horrified by the details of this story, and how the popular media narrative has deviated from the facts.
This open access book explores the idea that corporate rhetoric can be a force for good. In developing a new framework for analysis and discussion of green marketing, the authors argue that corporate environmental rhetoric can be harnessed to contribute to climate transition and a more sustainable market economy. The work explores the transformative power inherent in green promises and sets a vision of what green marketers should strive for. Engaging with selected research on organizational theory, the authors negotiate the conflicting paradigms of rhetorical theory and their relation to the study of corporate legitimation practices. The resulting theoretical framework provides an analytical scheme that can be useful in various disciplines – such as sociology, economics, law, marketing theory, and communication. It also illustrates how we can find new answers to contemporary challenges by re-imagining rhetoric. This is an open access book.
A biography of the artist Oskar Kokoschka who, despite being badly wounded in the First World War, lived to paint, teach, write, exhibit, and engage the affections of a host of beautiful women.
47 great drawings by modern Austro-German master: portraits, nudes, more. Notable for originality, power, acute psychological penetration. Introduction. Captions.
Oskar Kokoschka ((1886-1980) is one of Austria’s finest and most revered Expressionist artists. His paintings are renowned and admired for their vivid color and restless energy. This significant book focuses on the early portraits that Kokoschka painted in Vienna and Berlin on the eve of World War I. Perhaps the best known and most highly esteemed of all his works, these portraits are wonderful examples of Kokoschka’s use of exaggeration and distortion of color to convey deep emotion and psychological tension. They also present a fascinating look at many of the important intellectual figures of the era, for their subjects include Peter Altenberg, Adolf Loos, Alma Mahler, and Kokoschka himself (in his Self Portrait as Knight Errant). This beautifully illustrated book includes not only these arresting oil portraits but also some of Kokoschka’s drawings of the same sitters and a selection of the postcards, fans, and posters he made for the Wiener Werkstätte in the period before the portraits were completed, all of which shed light on his early development. There are also discussions by eminent authorities on the culture and history of Vienna and Berlin in the prewar period; Kokoschka’s shift from Art Nouveau to Expressionism; his place within the German and Austrian Expressionist movements; his reception in the United States; and much more.
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