Terrific stories...Just about perfect" (Entertainment Weekly): Brownsville is the collection that established Oscar Casares as one of the leading voices in the literature of the modern Southwest. At the country's edge, on the Mexican border, Brownsville, Texas, is a town like many others. It is a place where people work hard to create better lives for their children, where people bear grudges against their neighbors, where love blossoms only to fade, and where the only real certainty is that life holds surprises. In his sparkling debut, Oscar Casares creates a cast of unforgettable characters confronting everyday possibilities and contradictions: Diego, an eleven-year-old whose job at a fireworks stand teaches him a lesson in defiance; Bony, a young man whose discovery of a monkey's head on his lawn drives a wedge between him and his parents; Lola, whose stolen bowling ball offers an unlikely chance for change. The achievement of Brownsville lies in its remarkably honest portrayal of these lives -- the lives of people whose dreams and yearnings and regrets are at once unique and universal. "Marvelous...Brownsville resembles early Steinbeck work more than anything else." --Carolyn See, Washington Post
ONE OF KIRKUS REVIEWS' BEST BOOKS OF THE YEAR “A richly conceived and devastating book about the border.” —Houston Chronicle From a distance, the towns along the U.S.-Mexican border have dangerous reputations, and Brownsville is no different. But to twelve-year-old Orly, it’s simply where his godmother Nina lives—and where he is being forced to stay the summer after his mother’s sudden death. Nina, however, has a secret: she’s providing refuge for a young immigrant boy named Daniel, for whom traveling to America has meant trading one set of dangers for another. Separated from the violent human traffickers who brought him across the border and pursued by the authorities, Daniel must stay completely hidden. And Orly’s arrival threatens to put them all at risk of exposure. Tackling the crisis of U.S. immigration policy from a deeply human angle, Where We Come From explores through an intimate lens the ways that family history shapes us, how secrets can burden us, and how finding compassion and understanding for others can ultimately set us free.
In this heartfelt novel, two estranged brothers set off on a road trip across America and Mexico to finally find answers to a family mystery—and along the way discover the truth about each other. In a small town on the Mexican border live two brothers, Don Fidencio and Don Celestino. Stubborn and independent, they now must face the facts: they are old, and they have let a family argument stand between them for too long. Don Celestino's good-natured housekeeper encourages him to make amends—while he still can. They secretly liberate Don Fidencio from his nursing home and travel into Mexico to solve the mystery at the heart of their dispute: the family legend of their grandfather's kidnapping. As the unlikely trio travels, the brothers learn it's never too late for a new beginning. With winsome prose and heartfelt humor, Oscar Casares's debut novel of family lost and found radiates with generosity and grace and confirms the arrival of a uniquely talented new writer.
With winsome prose and heartfelt humor, Casares' debut novel of family lost and found radiates with generosity and grace and confirms the arrival of a uniquely talented new writer.
It is not difficult to understand why The London System is such a popular chess opening with club players all over the world. Against virtually every Black defence after 1.d4 it offers White an easy-to-learn and reliable set of lines with interesting choices between strategic or more aggressive approaches, while avoiding tons of opening theory. Lately an increasing number of Grandmasters such as Alexander Grischuk, Gata Kamsky, Baadur Jobava, Richard Rapport and even World Champion Magnus Carlsen have played The London System. In this light it is surprising that so little has been published about this fascinating universal weapon. GM Alfonso Romero and FM Oscar de Prado have now filled this gap. In The Agile London System they present both historical material and recent top-level examples to provide a comprehensive overview. The authors explain the typical plans and tactics using illustrative games with clear verbal explanations, and provide lots of tactical and strategic exercises. They reveal the secrets behind sharp ideas such as the Barry Attack and the Jobava Attack and have added an exciting chapter on the especially aggressive Pereyra Attack, developed by the Argentinean master Manuel Pereyra Puebla.
Though Cuba was among the first countries in the world to utilize rail transport, the history of its railroads has been little studied. This English translation of the prize-winning Caminos para el azucar traces the story of railroads in Cuba from their introduction in the nineteenth century through the 1959 Revolution. More broadly, the book uses the development of the Cuban rail transport system to provide a fascinating perspective on Cuban history, particularly the story of its predominant agro-industry, sugar. While railroads facilitated the sugar industry's rapid growth after 1837, the authors argue, sugar interests determined where railroads would be built and who would benefit from them. Zanetti and Garcia explore the implications of this symbiotic relationship for the technological development of the railroads, the economic evolution of Cuba, and the lives of the railroad workers. As this work shows, the economic benefits that accompanied the rise of railroads in Europe and the United States were not repeated in Cuba. Sugar and Railroads provides a poignant demonstration of the fact that technological progress alone is far from sufficient for development.
ONE OF KIRKUS REVIEWS' BEST BOOKS OF THE YEAR “A richly conceived and devastating book about the border.” —Houston Chronicle From a distance, the towns along the U.S.-Mexican border have dangerous reputations, and Brownsville is no different. But to twelve-year-old Orly, it’s simply where his godmother Nina lives—and where he is being forced to stay the summer after his mother’s sudden death. Nina, however, has a secret: she’s providing refuge for a young immigrant boy named Daniel, for whom traveling to America has meant trading one set of dangers for another. Separated from the violent human traffickers who brought him across the border and pursued by the authorities, Daniel must stay completely hidden. And Orly’s arrival threatens to put them all at risk of exposure. Tackling the crisis of U.S. immigration policy from a deeply human angle, Where We Come From explores through an intimate lens the ways that family history shapes us, how secrets can burden us, and how finding compassion and understanding for others can ultimately set us free.
What can fiction tell us about the world that journalism and science cannot? This simple yet vast question is the starting-point for an interrogation of the relationship between literary fiction and society's dramatic transformation in South Africa and Argentina over the past several decades. The resulting discursive text borders on both journalism and literature, incorporating reportage, essay, and memoir. (Series: Freiburg Studies in Social Anthropology - Vol. 34)
Oscar de Prado has revisted the London Chess Opening, after the enourmous success of The Agile London System, the book he co-authored in 2016. His new book has a more practical approach. De Prado avoids long and complicated variations and concentrates on explaining straightforward plans, clear-cut strategies and standard manoeuvres.
The volume contains a comprehensive taxonomic account of the family Leguminosae as a framework for the author's census report of the nodulating and non-nodulating genera and species. The main body of the work consists of synopses of 750 leguminous genera arranged alphabetically. Each is described taxonomically within its proper tribe and subfamily, in accordance with accepted classification systems. All of the nodulation data from the survey are further summarized in tabular alphabetical listings of genera under each of the three subfamily categories.
In this heartfelt novel, two estranged brothers set off on a road trip across America and Mexico to finally find answers to a family mystery—and along the way discover the truth about each other. In a small town on the Mexican border live two brothers, Don Fidencio and Don Celestino. Stubborn and independent, they now must face the facts: they are old, and they have let a family argument stand between them for too long. Don Celestino's good-natured housekeeper encourages him to make amends—while he still can. They secretly liberate Don Fidencio from his nursing home and travel into Mexico to solve the mystery at the heart of their dispute: the family legend of their grandfather's kidnapping. As the unlikely trio travels, the brothers learn it's never too late for a new beginning. With winsome prose and heartfelt humor, Oscar Casares's debut novel of family lost and found radiates with generosity and grace and confirms the arrival of a uniquely talented new writer.
The pace and scale of the exchange of cultural goods of all sorts&—paintings, furniture, even ladies' fans&—increased sharply in nineteenth-century Spain, and new institutions and practices for exhibiting as well as valorizing &"art&" were soon formed. Oscar V&ázquez maps this cultural landscape, tracing the connections between the growth of art markets and changing patterns of collecting. Unlike many earlier students of collecting, he focuses not upon questions of taste but rather upon the discursive and institutional frameworks that came to regulate art's economic and symbolic worth at all levels of Spanish society. Drawing upon sources that range from newspaper reviews to notarial documents, V&ázquez shows how collecting acquired the power to mediate debates over individual, regional, and national identity. His book also looks at the emergence of a new state apparatus for arts administration and situates these social and political changes in the broader European context. Inventing the Art Collection will be of interest to historians and sociologists of Spain and Europe, as well as art historians and cultural theorists.
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