This is the first report to systematically evaluate and quantify the economic potential of Area C, which constitutes approximately 61 percent of the West Bank. The report reveals that lifting the restrictions on economic activity in Area C could have a large positive impact on Palestinian GDP, public finances, and employment prospects. Among other things, access to economic activity in Area C is expected to be a key prerequisite for building a sustainable Palestinian economy. However, full potential of the Area C could be materialized only if other restrictions on free movement of goods, labor and capital are removed and the overall business environment in Palestinian territories has become more attractive. The economic significance of Area C lies in that it is the only contiguous territory in the West Bank, which renders it indispensable to connective infrastructure development across the West Bank, and a relative abundance of natural resources situated therein. Area C offers large potential for the development of several sectors of the Palestinian economy: agriculture, stone and mineral processing, cosmetics, construction, tourism, and telecommunications. The report shows that access to economic activity in Area C could increase the Palestinian GDP by as much as 35 percent, the majority of this impact would stem from agriculture and Dead Sea minerals processing industries, as well as the multiplier effect, which has been estimated at 1.5. Although the importance of building connective infrastructure through Area C is discussed in the report, the quantification of this impact is beyond the scope of this report. An increase in GDP of 35 percent, although thought to be a conservative estimate, would be expected to result in at least $800 million increase in tax revenues for the Palestinian authority, which would drastically reduce its dependence on donor aid for financing chronic budget deficits.
This is the first report to systematically evaluate and quantify the economic potential of Area C, which constitutes approximately 61 percent of the West Bank. The report reveals that lifting the restreactions on economic activity in Area C is, among other things, probably essential for building a sustainable Palestinian economy.
The Ottoman Sultan has commissioned the best artists in the land to create a book celebrating the glories of his realm: but he wants them to illuminate it in the European style. Because figurative art is deemed by many to be an affront to Islam, the project must be kept secret. Panic and scandal erupt when one of the chosen miniaturists disappears, along with a crucial page of the manuscript. The surviving artists - bitter rivals variously motivated by pride, greed, jealousy, faith and love - are all under suspicion of murder, and the only clue to the mystery lies in the half-finished illustrations themselves. My Name is Red reveals the clash between two views of artistic meaning and the chasm between two world civilizations. In this special edition the author includes a chronology of Islamic and Western art history to provide valuable context for his story, and has contributed a fascinating introduction throwing light on his methods, his aims and his inspiration
A luminous essay collection about loneliness, contentment, and the books and cities that have shaped the experience of a Nobel Prize winner and the acclaimed author of My Name is Red. "One of the essential writers that both East and West can gratefully claim as their own.” —The New York Times Book Review In the three decades that Nobel prize-winning author Orhan Pamuk has devoted himself to writing fiction, he has also produced scores of witty, moving, and provocative essays and articles. He engages the work of Nabokov, Kundera, Rushdie, and Vargas Llosa, among others, and he discusses his own books and writing process. We also learn how he lives, as he recounts his successful struggle to quit smoking, describes his relationship with his daughter, and reflects on the controversy he has attracted in recent years. Here is a thoughtful compilation of a brilliant novelist's best nonfiction.
One of the Nobel Prize winner’s best-loved novels, in a special edition featuring an introduction by the author and a chronology of Islamic and Western art history that provides additional context for this dazzling story of a murdered artist in sixteenth-century Istanbul. Nobel Prize winner Orhan Pamuk's My Name Is Red, set amid the artistic splendor and religious intrigue of sixteenth-century Istanbul, is a fantastical story of love and murder propelled by the philosophical puzzle at its core. The Ottoman sultan has commissioned the most acclaimed artists in the land to create a great book celebrating the glories of his realm—but he wants them to illuminate it in the European style. Because there are those who believe art that imitates the real is an affront to Islam, the project must be kept secret. Panic and scandal erupt when one of the chosen miniaturists disappears, along with a crucial page of the manuscript. the surviving artists—bitter rivals variously motivated by pride, greed, faith, and love—are all under suspicion of murder, and the only clue to the mystery lies in the half-finished illustrations themselves.
From the Nobel Prize winner and acclaimed author of My Name is Red—a brilliantly unconventional mystery of a missing wife, and a provocative meditation on identity. “A glorious flight of dark, fantastic invention.” —The Washington Post Galip is a lawyer living in Istanbul. His wife, the detective novel–loving Ruya, has disappeared. Could she have left him for her ex-husband or Celâl, a popular newspaper columnist? But Celâl, too, seems to have vanished. As Galip investigates, he finds himself assuming the enviable Celâl's identity, wearing his clothes, answering his phone calls, even writing his columns. Galip pursues every conceivable clue, but the nature of the mystery keeps changing, and when he receives a death threat, he begins to fear the worst. With its cascade of beguiling stories about Istanbul, The Black Book is a brilliantly unconventional mystery, and a provocative meditation on identity. For Turkish literary readers it is the cherished cult novel in which Orhan Pamuk found his original voice, but it has largely been neglected by English-language readers. Now, in Maureen Freely’s beautiful translation, they, too, may encounter all its riches. A Translation and Afterword by Maureen Freely
Orhan Pamuk proffers a dazzling work of historical and philosophical fiction, set amid the scholarship and savagery of 17th-century Constantinople. When a young Italian scholar is taken prisoner, he becomes the slave and tutor of a Turkish scholar who is his exact double. THE WHITE CASTLE is a triumph of the imagination, as colorful and intricately patterned as a Turkish prayer rug.
Presents a catalog of the items on display at Istanbul's Museum of Innocence, an establishment that houses ordinary objects drawn from Pamuk's 2008 novel bearing the same name.
From Orhan Pamuk, winner of the 2006 Nobel Prize in Literature, and author of My Name is Red and Istanbul, comes a collection of immediate relevance and timeless value. His original pieces have been sympathetically revisited by the author, and the result is a new work of great narrative richness and intensity. Other Colours ranges from lyrical autobiography to essays on literature and culture, from humour to political analysis, from delicate evocations of his friendship with his daughter to provocative discussions of Eastern and Western art. Reflections on Pamuk's first passport, his first trip to Europe, his father's death, his political views, his recent court case, and the Istanbul earthquake share space with a collection of pieces on writers as various as Laurence Sterne and Fyodor Dostoyevsky, Vladimir Nabokov and Mario Vargas Llosa. There are sections on Istanbul, New York - where Pamuk lived for two years - and on the writing of each of his novels. Interspersed among these are some of Pamuk's own illustrated works of art, and a short story 'Looking Out the Window'. My Father's Suitcase, Pamuk's 2006 Nobel Lecture, a brilliant illumination of what it means to be a writer, completes the selection from one of literature's most eminent and popular figures.
The Museum of Innocence - set in Istanbul between 1975 and today - tells the story of Kemal, the son of one of Istanbul's richest families, and of his obsessive love for a poor and distant relation, the beautiful Fusun, who is a shop-girl in a small boutique. In his romantic pursuit of Füsun over the next eight years, Kemal compulsively amasses a collection of objects that chronicles his lovelorn progress-a museum that is both a map of a society and of his heart. The novel depicts a panoramic view of life in Istanbul as it chronicles this long, obsessive love affair; and Pamuk beautifully captures the identity crisis experienced by Istanbul's upper classes that find themselves caught between traditional and westernised ways of being. Orhan Pamuk's first novel since winning the Nobel Prize is a stirring love story and exploration of the nature of romance. Pamuk built The Museum of Innocence in the house in which his hero's fictional family lived, to display Kemal's strange collection of objects associated with Fusun and their relationship. The house opened to the public in 2012 in the Beyoglu district of Istanbul. 'Pamuk has created a work concerning romantic love worthy to stand in the company of Lolita, Madame Bovary and Anna Karenina.' --Financial Times
A Strangeness In My Mind is a novel Orhan Pamuk has worked on for six years. It is the story of boza seller Mevlut, the woman to whom he wrote three years' worth of love letters, and their life in Istanbul. In the four decades between 1969 and 2012, Mevlut works a number of different jobs on the streets of Istanbul, from selling yoghurt and cooked rice, to guarding a car park. He observes many different kinds of people thronging the streets, he watches most of the city get demolished and re-built, and he sees migrants from Anatolia making a fortune; at the same time, he witnesses all of the transformative moments, political clashes, and military coups that shape the country. He always wonders what it is that separates him from everyone else - the source of that strangeness in his mind. But he never stops selling boza during winter evenings and trying to understand who his beloved really is. What matters more in love: what we wish for, or what our fate has in store? Do our choices dictate whether we will be happy or not, or are these things determined by forces beyond our control? A Strangeness In My Mind tries to answer these questions while portraying the tensions between urban life and family life, and the fury and helplessness of women inside their homes.
** ORDER NIGHTS OF PLAGUE, THE NEW NOVEL FROM ORHAN PAMUK **Winner of the Nobel Prize for Literature'Saturated with sympathy and sense of place, the book charts a boy's journey into manhood and Turkey's into irreversible change' Financial Times'An ending that makes you immediately start the book all over again.' The Sunday Times 'Enchanting.' Wall Street Journal'Many years have now gone by, and jealousy compels me to keep her name a secret, even from my readers. But I must provide a full and truthful account of what happened.'A studious young man spends a summer helping a master well-digger search for water on a barren plain.As the two struggle in the summer heat, they develop a filial bond neither has known before. In the nearby town where they spend their evenings, a travelling theatre group has come to stay. The young man is fascinated by the Red-Haired Woman, an alluring member of the troupe, and their brief but intense love affair drives everything else from his mind.But in his distraction, a horrible accident occurs, which will haunt him for thirty years. Until he decides to track down the Red-Haired Woman and finally understand the fallout from that unforgettable summer . . .
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