This book compares the performances of four key non-state actors in the Arab-Israeli conflict ecosystem: the PLO, Hamas, Hizbullah, and Amal. It argues that it is not the assets a militant group has, but rather how it acquired them that matters in explaining the variation in these actors' abilities to militarily resist and politically recover from confrontations with far more powerful adversaries. Groups that rely on marketing campaigns to secure local support and regional patronage do far better than those that rely on coercion or even barter. The book develops a typology of organizations based on their foreign and domestic policies, which has interesting implications for other non-state actors, such as ISIS. It is based on field research in Jordan, Lebanon, Israel, the West Bank, Egypt, and Syria, including interviews with members of a range of Lebanese and Palestinian militant groups, as well as politicians, UN staff, journalists, and members of the Jordanian and Israeli armies.
The civil war in Syria—which has claimed more than 600,000 lives and displaced over half of the country’s population since 2011—is an enormously complex conflict. The combatants include a wide array of state and nonstate forces, both Syrian and international. Adding to the war’s complexity, its many participants understand and explain the war in a range of different ways. For some, it is a fight for dignity and democracy; for others, a sectarian or communal conflict; still others see it as a fight against terrorism or a consequence of foreign interference. Ora Szekely draws on sources including in-depth interviews, conflict data, and propaganda distributed through social media to examine how these competing narratives have shaped the course of the conflict. Mapping out the broad patterns of violence among combatants and against civilians, Szekely argues that the competition to control the narrative in the eyes of important audiences at home and abroad has not only influenced the choices of participants, it has also—shaped in part by the use of social media—led many to treat warfare as a kind of performance. An insightful analysis of the forces fueling a brutal civil war, Syria Divided offers new perspectives on the performative aspects of violence, the weaponization of social media, and key features of twenty-first-century warfare.
Why do women go to war? Despite the reality that female combatants exist the world over, we still know relatively little about who these women are, what motivates them to take up arms, how they are utilized by armed groups, and what happens to them when war ends. This book uses three case studies to explore variation in women’s participation in nonstate armed groups in a range of contemporary political and social contexts: the civil war in Ukraine, the conflicts involving Kurdish groups in the Middle East, and the civil war in Colombia. In particular, the authors examine three important aspects of women’s participation in armed groups: mobilization, participation in combat, and conflict cessation. In doing so, they shed light on women’s pathways into and out of nonstate armed groups. They also address the implications of women’s participation in these conflicts for policy, including postconflict programming. This is an accessible and timely work that will be a useful introduction to another side of contemporary conflict.
Why do women go to war? Despite the reality that female combatants exist the world over, we still know relatively little about who these women are, what motivates them to take up arms, how they are utilized by armed groups, and what happens to them when war ends. This book uses three case studies to explore variation in women’s participation in nonstate armed groups in a range of contemporary political and social contexts: the civil war in Ukraine, the conflicts involving Kurdish groups in the Middle East, and the civil war in Colombia. In particular, the authors examine three important aspects of women’s participation in armed groups: mobilization, participation in combat, and conflict cessation. In doing so, they shed light on women’s pathways into and out of nonstate armed groups. They also address the implications of women’s participation in these conflicts for policy, including postconflict programming. This is an accessible and timely work that will be a useful introduction to another side of contemporary conflict.
This book compares the performances of four key non-state actors in the Arab-Israeli conflict ecosystem: the PLO, Hamas, Hizbullah, and Amal. It argues that it is not the assets a militant group has, but rather how it acquired them that matters in explaining the variation in these actors' abilities to militarily resist and politically recover from confrontations with far more powerful adversaries. Groups that rely on marketing campaigns to secure local support and regional patronage do far better than those that rely on coercion or even barter. The book develops a typology of organizations based on their foreign and domestic policies, which has interesting implications for other non-state actors, such as ISIS. It is based on field research in Jordan, Lebanon, Israel, the West Bank, Egypt, and Syria, including interviews with members of a range of Lebanese and Palestinian militant groups, as well as politicians, UN staff, journalists, and members of the Jordanian and Israeli armies.
The civil war in Syria—which has claimed more than 600,000 lives and displaced over half of the country’s population since 2011—is an enormously complex conflict. The combatants include a wide array of state and nonstate forces, both Syrian and international. Adding to the war’s complexity, its many participants understand and explain the war in a range of different ways. For some, it is a fight for dignity and democracy; for others, a sectarian or communal conflict; still others see it as a fight against terrorism or a consequence of foreign interference. Ora Szekely draws on sources including in-depth interviews, conflict data, and propaganda distributed through social media to examine how these competing narratives have shaped the course of the conflict. Mapping out the broad patterns of violence among combatants and against civilians, Szekely argues that the competition to control the narrative in the eyes of important audiences at home and abroad has not only influenced the choices of participants, it has also—shaped in part by the use of social media—led many to treat warfare as a kind of performance. An insightful analysis of the forces fueling a brutal civil war, Syria Divided offers new perspectives on the performative aspects of violence, the weaponization of social media, and key features of twenty-first-century warfare.
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