This study explores the way in which, by way of the Christian mysteries, divine action impacts human life. The triune God acts in Jesus Christ by means of historical events whose effects transcend time and which are mediated through their celebration in memorial and worship. Drawing on both Evangelical and Catholic writers, Nichols provides evidence that the general portrait of Jesus found in the Pauline letters and the four Gospels rests on reliable historical witness. On this basis, he offers a concise Christology which presents Jesus Christ as the fulfillment of the Messianic hope of the Old Testament; explores his unique being as laid out in the teaching of the great Ecumenical Councils of the first Christian millennium, and describes how the classic theologian of the Latin tradition, St Thomas Aquinas, sees the chief historical events of Christ’s life as affecting humanity throughout future time. Nichols then looks at the Christian concept of God – namely, Trinitarian monotheism. God so conceived can act efficaciously in the created order and does so by the deployment of his Word and Spirit in ways which express for a fallen, historical world, the dynamics of the interaction of the divine Persons in eternity – Persons who now draw human beings within their range. Those gains in understanding are then applied to the individual mysteries of the life of Christ, from his biological conception to his coming Parousia. For each mystery, Nichols describes a biblical preamble; an account of how the mystery is seen by the Liturgy and the Fathers of the Church; illumination from the three theological masters whom the author makes his own in this work – Aquinas, Balthasar and Bulgakov;- and a visual image drawn from the treasury of sacred art.
Redeeming Beauty explores the richness of orthodox Christian tradition, both Western and Eastern, in matters of 'sacral aesthetics' - a term used to denote the foundations, production and experience of religiously relevant beauty. Aidan Nichols investigates five principal themes: the foundation of beauty in the natural order through divine creative action; explicitly 'evangelical' beauty as a quality of biblical revelation and notably at its climax in Christ; the legitimacy of making and venerating artworks; qualities of the self in relation to objective presentation of the religiously beautiful; and the difficulties of practising a sacral aesthetic, whether as producer or consumer, in an epoch when the visual arts themselves have left behind not only Church but for the greater part the public as well. The thought of theologians such as Augustine, Aquinas, Balthasar, Ratzinger, Bulgakov, Maritain and others is explored.
In this brief guide, an internationally acclaimed theologian and Dominican priest explains the approach to Catholic theology that he has worked out during his nearly forty years of publishing books and articles in the service of the Church. He looks at the nature of theology, its status as a science that is also a wisdom, its intrinsic principles and methods, its sources, and its subdivisions. He discusses the qualities the budding theologian must make his own if theology is to be authentically Catholic and assist, rather than hinder, the Church's mission. In a time of considerable confusion in the intellectual life of the Church, arising not only from professors but from hierarchs, The Theologian's Enterprise offers comprehensive yet concise counsel to those setting out in the study of their faith, perhaps for the first time.
Redeeming Beauty explores the richness of orthodox Christian tradition, both Western and Eastern, in matters of 'sacral aesthetics' - a term used to denote the foundations, production and experience of religiously relevant beauty. Aidan Nichols investigates five principal themes: the foundation of beauty in the natural order through divine creative action; explicitly 'evangelical' beauty as a quality of biblical revelation and notably at its climax in Christ; the legitimacy of making and venerating artworks; qualities of the self in relation to objective presentation of the religiously beautiful; and the difficulties of practising a sacral aesthetic, whether as producer or consumer, in an epoch when the visual arts themselves have left behind not only Church but for the greater part the public as well. The thought of theologians such as Augustine, Aquinas, Balthasar, Ratzinger, Bulgakov, Maritain and others is explored.
A lively debate continues in the Roman Catholic Church about the character of the teaching provided by the Second Vatican Council. Did it represent a decisive rupture with previous doctrine or the continuation of its earlier message under new conditions? In this work Dominican scholar and writer Aidan Nichols maintains that the Council texts must be interpreted in the light of their genesis, not their aftermath. They must be seen in the light of the public debates in the Council chamber not the hopes of individuals behind the scenes. On this basis, he provides a concise commentary on the eight most significant documents produced by the Council, documents which cover rather comprehensively all the major aspects of the Church’s life. The texts that emerged from the often-impassioned debates permit a reading of a classically Christian kind, and that is precisely what Nichols offers in this book.
Students of Catholic theology are often presented with a choice between two great masters: Thomas Aquinas and Hans Urs von Balthasar. What starts as a cordial difference in form and method often morphs into a bitter rivalry. Dominican theologian Father Aidan Nichols sees no need for competition. Balthasar for Thomists gives a panoramic view of Balthasar's thought and spirituality, unearthing many of his innumerable debts to Aquinas and providing context for their points of divergence. The enormous cultural project of Balthasar, writes Father Nichols, differs too much from St. Thomas' pedagogical one "to count as a rival to Thomism on the latter's own ground (and, of course, vice versa)". While constituting an original form of faithful Catholic thought, Balthasar's approach may be regarded as a synthesis of the influences of Thomas and his Franciscan contemporary St. Bonaventure. In its breadth, Balthasar for Thomists serves as a general introduction to Balthasar for those unacquainted with his profound and wide-ranging theology.
Fr. Reginald Garrigou-Lagrange, O.P., explains why Thomism is the solution to the present crisis of Modernism in the Church. The problem: The indications of the current crisis in the Church have "been not of a crisis of faith, but of a very grave malady of the intellect, which conducts itself on the tracks of liberal Protestantism and through relativism to absolute skepticism." Fr. Garrigou-Lagrange's solution: Thomism. "Thomism corresponds to the profound needs of the modern world because it restores the love of truth for the sake of truth itself. Now, without this love of truth for itself, it is not possible to obtain true infused charity, the supernatural love of God for the sake of God Himself, nor to arrive at the infused contemplation of God sought for Himself, that is, at the contemplation that proceeds from the living faith enriched by the gifts of the Holy Spirit, first of all, knowledge and wisdom.
Redeeming Beauty explores the richness of orthodox Christian tradition, both Western and Eastern, in matters of 'sacral aesthetics' - a term used to denote the foundations, production and experience of religiously relevant beauty. Aidan Nichols investigates five principal themes: the foundation of beauty in the natural order through divine creative action; explicitly 'evangelical' beauty as a quality of biblical revelation and notably at its climax in Christ; the legitimacy of making and venerating artworks; qualities of the self in relation to objective presentation of the religiously beautiful; and the difficulties of practising a sacral aesthetic, whether as producer or consumer, in an epoch when the visual arts themselves have left behind not only Church but for the greater part the public as well. The thought of theologians such as Augustine, Aquinas, Balthasar, Ratzinger, Bulgakov, Maritain and others are explored.
This study explores the way in which, by way of the Christian mysteries, divine action impacts human life. The triune God acts in Jesus Christ by means of historical events whose effects transcend time and which are mediated through their celebration in memorial and worship. Drawing on both Evangelical and Catholic writers, Nichols provides evidence that the general portrait of Jesus found in the Pauline letters and the four Gospels rests on reliable historical witness. On this basis, he offers a concise Christology which presents Jesus Christ as the fulfillment of the Messianic hope of the Old Testament; explores his unique being as laid out in the teaching of the great Ecumenical Councils of the first Christian millennium, and describes how the classic theologian of the Latin tradition, St Thomas Aquinas, sees the chief historical events of Christ’s life as affecting humanity throughout future time. Nichols then looks at the Christian concept of God – namely, Trinitarian monotheism. God so conceived can act efficaciously in the created order and does so by the deployment of his Word and Spirit in ways which express for a fallen, historical world, the dynamics of the interaction of the divine Persons in eternity – Persons who now draw human beings within their range. Those gains in understanding are then applied to the individual mysteries of the life of Christ, from his biological conception to his coming Parousia. For each mystery, Nichols describes a biblical preamble; an account of how the mystery is seen by the Liturgy and the Fathers of the Church; illumination from the three theological masters whom the author makes his own in this work – Aquinas, Balthasar and Bulgakov;- and a visual image drawn from the treasury of sacred art.
This is the first comprehensive study of the theological significance of Paul Claudel, a poet frequently cited by literary-minded theologians in Europe and theologically-minded poets (such as von Balthasar, de Lubac and Eliot). His writing combines cosmology and history, Bible and metaphysics, liturgy and the drama of human personality. His work, which continues to arouse discussion in France, was acclaimed in his lifetime as the 'summa poetica' of a new Dante. Aidan Nichols' study demonstrates how Claudel's oeuvre, which is not only poetry but theatre and prose including biblical commentaries, constitutes a rich resource for constructive doctrine, liturgical preaching, and theological reflection. As the comparable example of Geoffrey Hill, Professor of Poetry at Oxford suggests, Aidan Nichols illuminates how Claudel's synthesis of many dimensions remains an important way of practising poetry in the Christian tradition today.
This book explores the Liturgy as the manifestation by cultic signs of Christian revelation, the 'setting' of the Liturgy in terms of architectural space, iconography and music, and the poetic response which the revelation the Liturgy carries can produce. The conclusion offers a synthetic statement of the unity of religion, cosmology and art. Aidan Nichols makes the case for Christianity's capacity to inspire high culture - both in principle and through well-chosen historical examples which draw on the best in Catholicism, Eastern Orthodoxy and Anglicanism.
The Second Vatican Council produced a charter for the church of the twentieth century and beyond. Part of the council's fascination is that it involves many "stories." The Road to Vatican II is an attempt to tell the story behind the stories of this landmark in church history. Somehow, more than 2,500 bishops, who often disagreed on the most critical issues, managed to produce sixteen documents that touched the very essence of the Catholic faith. How is it possible that so much could have been accomplished in four brief council sessions, from 1962-1965? How did the church move from Pius IX at Vatican I (1869-70), who espoused a rigid, hierarchical model of church, to John XXIII at Vatican II (1962-65), who ushered in a collegial, communio model of church? In answering these questions, Sullivan's book highlights those theologians whose efforts over the years before the council were actually the seeds of what flourished at the council. These theologians were indeed prophets among us, often suffering because of their convictions. Ultimately they were instruments of the Holy Spirit in our midst. They offered the church a renewed vision of the faith and a methodology to facilitate theological endeavor. They also rediscovered in the New Testament a language of life that could speak to contemporary men and women. Hence, this book presents the incredible theological changes that took place on the road to Vatican II; it examines the contributions of some of the key theologians on this road; and it finds evidence of their influence in key documents of the Second Vatican Council. Book jacket.
This study is an introduction to Catholic theology designed both for the theological student and for the general reader willing to make a certain effort. After introducing the idea of theology adn the virtues desirable in the budding theologian, the bulk of the book falls intro the five sections: (1) the tole of philosophy in theology; (2) the use of the Bible in theology; (3) the resources of tradition, liturgy and sacred art; Fathers, Councils and Creeds; the sense of the faithful; (4) two 'aids to discernment in short history of Catholic theology from the New Testament to the present day. The conclusion considers the features of pluralism and unity which should typify Catholic theology as a whole and suggests how unity may avoid becoming uniformity without pluralism becoming anarchy.
The Sense of Mystery highlights what is clear and what retains the character of mystery in the traditional and Thomistic solution concerning the great problems pertaining to our knowledge in general, to our knowledge of God (whether naturally or supernaturally attained), and to questions pertaining to grace. St. Thomas has fear neither for logic nor for mystery. Indeed, logical lucidity leads him to see in nature those mysteries that speak in their own particular ways of the Creator. Likewise, this same lucidity aids him in putting into strong relief other secrets of a far superior order—those of grace and of the intimate life of God, which would remain unknown were it not for Divine Revelation.
It may be surprising that the thought of a medieval theologian still informs many areas of intellectual debate, but there continues to be lively interest in the work of Thomas Aquinas. He considers the most radical questions for our thinking about education: what is a human being? what does it mean to learn? what does it mean to teach? what does it mean to know, to understand, and to search for the truth? In this text, Vivian Boland offers a short biography of Aquinas focused on his personal experiences as a student and teacher. The book then provides a critical exposition of the texts in which Aquinas develops his views about education and includes a short account of the reception and influence of his thinking. Finally, it considers in some detail the most significant points of contact between Aquinas's educational thought and current concerns – his conviction about the goodness of the world, his holistic understanding of human experience and his contributions to virtue theory – and highlights the continuing relevance and influence of this work and thinking within educational philosophy today.
In the 2020 Directory for Catechesis, the Church calls for a renewal of catechesis that focuses on bringing people to a deeper relationship with Jesus Christ. Solid formation is not only about teaching doctrine, but also, and more importantly, about forming disciples who have encountered and know Christ. In Following God’s Pedagogy, Sister Mary Michael Fox, OP, brings decades of experience in catechesis to offer a unique and proven model for children’s catechesis. She draws upon her deep catechetical experience and thorough research into the nature of the child, divine revelation, and catechetical methodology. She offers timely insight into how the Catechesis of the Good Shepherd (CGS) offers an approach to children’s catechesis that forms the mind and heart of the child, leading them into a deeper relationship with Christ and a life of discipleship. Bishops, diocesan catechetical directors, and all catechists will discover a way of faith formation of children that is sure to renew and strengthen catechesis for years to come.
“Pope Benedict XVI, writing in 1988 as Cardinal Joseph Ratzinger, described Matthias Joseph Scheeben’s theology as justly praised, but rather less read. My modest hope, through this entirely straightforward study, is to encourage some more—in a phrase Scheeben would relish—ecclesially fruitful reading of him in the English-speaking world.”—From the Author’s Preface Romance and System: The Theological Synthesis of Matthias Joseph Scheeben by Aidan Nichols, OP, is a comprehensive introduction to one of the most significant dogmatic theologians of recent centuries. Exploring the vigor, coherence, and beauty of Scheeben’s theological vision, Nichols concludes that the great German theologian’s work combines “romance and system”: a lyrical appeal to the imagination and a virile challenge to the intellect, the inspiration of metaphor and the conceptual power of an architectonic account of the revelation carried by the Church. Romance and System examines the major themes of Scheeben’s works and underscores their preeminence in Catholic dogmatic theology.
Biblical hermeneutics, the art of interpreting Scripture, is a controversial subject in the best of times. Lately the debates have been quite intense in the Roman Catholic Church. The debates deal with issues such as the role of the historical-critical method in relation to devotional use and practice, the dangers of relativism, the right relation between tradition and Scripture, the presence of women even in texts where their presence is not immediately obvious (the possibility of women magi), and the trend of theological aesthetics. Can there still be prophets? The Bible and world religions; the Bible and a theology of history; the Bible and the administration of justice; trends in biblical studies in the United States, France, and Germany--before, during, and after the world wars--are other topics treated here.
This series on the seven Sacraments provides readers with a deeper appreciation of God's gifts and call in the Sacraments through a renewed encounter with God's Word. In this volume, a leading Catholic scholar offers a biblical theology of the priesthood rooted in the Old and New Testaments. Half a millennium after the Protestant Reformation and in the midst of an ongoing clerical crisis in the Catholic Church, this book presents a comprehensive biblical vision and defense of the sacramental priesthood and an informed theological response to the problem of priestly sin. It gives expression to the ministerial priesthood's biblically grounded, sacramental share in the sacrificial ministry of Jesus Christ. Series editors are Timothy C. Gray and John Sehorn. Gray is president of the Augustine Institute, which has one million subscribers to its online content channel, Formed.org. Gray and Sehorn teach at the Augustine Institute Graduate School of Theology, which prepares students for Christian mission through on-campus and distance education programs.
Aquinas at Prayer draws attention to important aspects of Aquinas's life and work which have been all too often overlooked or forgotten. Today Aquinas is almost exclusively regarded as an outstanding scholastic philosopher and theologian. But what is little known is that Aquinas was, first and last, a teacher of the Bible - a Master of the Sacred Page. Moreover there is a distinctly mystical character to his theology. And, as a writer, he was not only a poet but, arguably, the greatest Latin poet of the Middle Ages. The primary focus of this most engaging new book is to explore the question of Aquinas's own practice of prayer and his teaching on prayer in his commentaries on the Psalms and St Paul. The book is strengthened by quotations from Aquinas in fresh translations.
This handbook offers a comprehensive and varied study of deification within Christian theology. Forty-six leading experts in the field examine points of convergence and difference on the constitutive elements of deification across different writers, thinkers, and traditions.
An entirely fresh approach to the Our Father, Jesus's own prayer, through the eyes of one of the greatest saints, Thomas Aquinas. Never before have the most important reflections by Aquinas on the Lord's Prayer been drawn together and considered in a single book. Here, Aquinas comes alive not merely as a profound speculative theologian but also as an impressive master and guide of the spiritual and moral life. And he also comes across, on occasion, as a teacher capable of saying the unexpected, openly confessing, for example, "...it is hardly possible to say a single Our Father without our minds wandering off to other things." The style of Aquinas is, for the most part, plain and expository, but evident on every page is the serene, unmistakable mark of wisdom, Aquinas's own, and that of the great tradition. Those readers who, in the past, have found the study of Aquinas especially daunting, will be grateful to the Dominican Paul Murray for the freshness and clarity he brings to his task. Praying with Confidence: Aquinas on the Lord's Prayer is both a stimulating scholarly study and an ideal introduction for the general reader.
Catholic theology has to face a certain number of fundamental questions: what is the nature and content of Christian revelation, what are the sources of revelation, how are the mysteries of the faith to be understood in relation of one to another, and how do the truths of the Catholic faith relate to the acquisitions of natural reason. In the contemporary context, Catholic theology is marked by a diversity of approaches, many of which are seemingly incompatible or estranged from one another. How might we think about the unity of Catholic theology over and above the diversity of forms? What role, if any, can Aquinas play as a common doctor in facilitating exchanges between theological traditions in the Church? Principles of Catholic Theology seeks to address directly the nature of Catholic theology and the challenge of its contemporary articulation with an eye towards its articulation in its Thomistic key. This book is also the first of a series of collections of essays by Thomas Joseph White, OP, extending over a range of fundamental topics in Catholic dogmatic theology.
Thomas Aquinas (1224–1274) is one of the most important thinkers in the history of western civilization. A philosopher and theologian, a priest and preacher, Aquinas bequeathed to the world an enduring synthesis of philosophy, theology, and Christian spirituality. Aquinas championed the integration of faith and action, sound doctrine and right living, orthodoxy and orthopraxy. From the thirteenth century through the present day, his legacy has served as a blessing for the church and beyond. In the nearly eight hundred years since Aquinas’s death, his thought has been studied, interpreted, criticized, reinvigorated, and anointed as the exemplar of Catholic theology. Thomas and the Thomists, a new volume in the Mapping the Tradition series, serves as an introduction to the life of Aquinas, the major contours of his teaching, and the lasting contribution he made to Christian thought. Romanus Cessario and Cajetan Cuddy also outline the history of the Thomist tradition—the great school of Aquinas’s interpreters—from the medieval era through the revival of the Thomist heritage in the nineteenth and twentieth centuries. This volume affords its readers a working guide to understanding the history of Aquinas and his expositors as well as to grasping their significance for us today.
This book provides a fundamental introduction to Aquinas's theology of the One Creator God. Aimed at making that thought accessible to contemporary audiences, it gives a basic explanation of his theology while showing its compatibility with contemporary science and its relevance to current theological issues. Opening with a brief account of Aquinas’s life, it then describes the purpose and nature of the Summa Theologica and gives a short review of current varieties of Thomism. Without neglecting other works, it then focuses primarily on the discussion of the One God in the first part of the Summa Theologica. God's transcendence and immanence is a recurrent theme in that discussion. Evidence of God's immanent causality in the natural world grounds Aquinas's five arguments for the existence of God (the Five Ways) which then open onto God's transcendence. The subsequent discussion of the divine attributes builds on the modes of God's causality established in the Five Ways. It also shows the need for a language of analogy to preserve God's transcendence and prevent us from reducing God to the level of creatures, even as qualities such as "goodness" and "love," which we first know from creatures, are applied to God. The discussion of God's providence and governance establishes that the transcendent Creator God is most intimately present in creation. God acts in all creatures in a way that does not diminish their proper causality, but is rather its source. As there is no contradiction between God's transcendence and immanence, so there is no competition between the primary causality of God and the secondary causality of creatures. Empirical science, which is limited by its method to the secondary causality of creatures, is shown to be compatible with the broader discipline of theology which also embraces the primary causality of the Creator.
The Church is a mystery. Believers who want to enter more deeply into that mystery will reflect on the Church's basic characteristics, the "marks of the Church": what it means for the Church to be one, holy, catholic, and apostolic. Non-Catholics and nonbelievers looking to appreciate how Catholics regard the Church also will desire to understand these "marks". In this book, renowned Dominican theologian Father Aidan Nichols explores the Church's characteristics. Drawing on insights from four theological masters-Henri de Lubac, Jean Tillard, Hans Urs von Balthasar, and Charles Journet-Father Nichols seeks to help Catholics and non-Catholics to "figure out" the Church, on at least a fundamental level. Of course the four masters in question do not claim to exhaust the mystery of the Church. Nor does Nichols. They do, however, assist the reader in going deeper into the mystery. To accomplish this goal, Father Nichols appeals to both the Scholastic tradition and authors influenced by the ressourcement movement in theology. In this way, he provides readers with a sense of Catholicism's breadth, which is at once orthodox and yet generously conceived. Ê
The new "Catechism of the Catholic Church," the first since the Council of Trent four centuries ago, will play a major part in shaping the consciousness of Roman Catholic Christians of the foreseeable future. Not only will it remain the foundational text for teaching Catholic doctrine for years to come, but it successfully consolidates the achievements of the Second Vatican Council, and presents the definitive modern synthesis of the Church's ever-living Tradition. Aidan Nichol's study introduces the reader to the doctrinal teaching of this massive text of almost three thousand clauses. Commenting on the vital first part of the Catechism section by section, he succeeds in highlighting its principal themes while drawing attention to the significance of the way they have been handled. More sympathetic to the intentions of the Catechism's authors than some other recent commentators, Nichols is sensitive to the nuances of this magisterial text, and its immense theological import.
This is the first comprehensive study of the theological significance of Paul Claudel, a poet frequently cited by literary-minded theologians in Europe and theologically-minded poets (such as von Balthasar, de Lubac and Eliot). His writing combines cosmology and history, Bible and metaphysics, liturgy and the drama of human personality. His work, which continues to arouse discussion in France, was acclaimed in his lifetime as the 'summa poetica' of a new Dante. Aidan Nichols' study demonstrates how Claudel's oeuvre, which is not only poetry but theatre and prose including biblical commentaries, constitutes a rich resource for constructive doctrine, liturgical preaching, and theological reflection. As the comparable example of Geoffrey Hill, Professor of Poetry at Oxford suggests, Aidan Nichols illuminates how Claudel's synthesis of many dimensions remains an important way of practising poetry in the Christian tradition today.
This book explores the Liturgy as the manifestation by cultic signs of Christian revelation, the 'setting' of the Liturgy in terms of architectural space, iconography and music, and the poetic response which the revelation the Liturgy carries can produce. The conclusion offers a synthetic statement of the unity of religion, cosmology and art. Aidan Nichols makes the case for Christianity's capacity to inspire high culture - both in principle and through well-chosen historical examples which draw on the best in Catholicism, Eastern Orthodoxy and Anglicanism.
Maximus the Confessor (580–662), giant among early Byzantine theologians, stands at the summit of the Greek patristic tradition. He is spokesman of the Greek-speaking “East” in something of the way Thomas Aquinas came to speak for the Latin “West.” His extreme importance as a spiritual writer is evidenced by the huge space assigned to him in the Philokalia. Believing in the intimate link between dogma and prayer, Maximus opposed the heresies of his day with his own unmatched synthesis of Christian truth. For this, he was persecuted and mutilated, and died in exile. The modern rediscovery of Maximus, begun by Western Christian scholars such as Vittorio Croce, Pierre Piret, Hans Urs von Balthasar, Lars Thunberg, and Juan-Miguel Garrigues, has led to an ever-increasing use of his theology and insights by Orthodox and Catholic theologians throughout Europe and North America. Maximus has also become a central point of reference in Catholic-Orthodox dialogue. Aidan Nichols has provided the English-speaking reader with a reliable guide to the major studies on Maximus done in Europe in the past twenty-five years: the period of “rediscovery.” He reads Maximus through the eyes of those who have studied him in depth, and builds up a multi-faceted portrait of this prince among theologians, and a comprehensive overview of his theology, his “Byzantine Gospel.” Along with a brief biography, and an account of the history of the relevant scholarship, sufficient primary texts have been included to convey a sense of Maximus’ powers both as a summarizer of the previous tradition, and as an original theologian in his own right.
Aidan Nichols' timely book is the first full-scale investigation of Joseph Ratzinger's theology, from the 1950s to the present day. It presents a chronological account of the development of Ratzinger's writing that reflects a wide range of historical and theoretical interests. A comprehensive introduction to a figure who is in his own right, quite apart from his significance in the politics of the Church, a major German Catholic theologian of the twentieth century. This new edition amplifies existing chapters by reference to books by Ratzinger between 1986/1987 and his election as Pope in 2005, and includes two new chapters - Judaism, Islam and other religions, and the secularization and future of Europe.
Redeeming Beauty explores the richness of orthodox Christian tradition, both Western and Eastern, in matters of 'sacral aesthetics' - a term used to denote the foundations, production and experience of religiously relevant beauty. Aidan Nichols investigates five principal themes: the foundation of beauty in the natural order through divine creative action; explicitly 'evangelical' beauty as a quality of biblical revelation and notably at its climax in Christ; the legitimacy of making and venerating artworks; qualities of the self in relation to objective presentation of the religiously beautiful; and the difficulties of practising a sacral aesthetic, whether as producer or consumer, in an epoch when the visual arts themselves have left behind not only Church but for the greater part the public as well. The thought of theologians such as Augustine, Aquinas, Balthasar, Ratzinger, Bulgakov, Maritain and others are explored.
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