This first book-length study of the Cheng-Zhu School of Confucianism in the early Qing period explores the thought of Li Guangdi, a powerful official in the court of the Kangxi emperor. On-cho Ng undertakes close readings of Li's ideas of ultimate truths and first principles, while situating them in the context of the intellectual concerns of sixteenth- and seventeenth-century China. Addressing philosophical issues neglected in scholarship on early Qing learning, the author offers a new angle from which to view the Ming-Qing intellectual transition and the formation of early Qing thought. He argues that Cheng-Zhu learning, far from being out of step with the epochal climate of thought because of its putative preoccupation with the ultimate and the transcendent, was actually a dated reflection of, and active contributor to, early Qing thought. By tracing the contour and development of Li Guangdi's thought formulated within the bounds of inherited Cheng-Zhu teachings, this book reveals how philosophic discourses in traditional China were often dynamic, hermeneutic endeavors of reinterpreting and renewing received tradition.
China is known for its deep veneration of history. Far more than a record of the past, history to the Chinese is the magister vitae (teacher of life): the storehouse of moral lessons and bureaucratic precedents. Mirroring the Past presents a comprehensive history of traditional Chinese historiography from antiquity to the mid-Qing period. Organized chronologically, the book traces the development of historical thinking and writing in Imperial China, beginning with the earliest forms of historical consciousness and ending with adumbrations of the fundamentally different views engendered by mid-nineteenth-century encounters with the West. The historiography of each era is explored on two levels: first, the gathering of material and the writing and production of narratives to describe past events; second, the thinking and reflecting on meanings and patterns of the past. Significantly, the book embeds within this chronological structure integrated views of Chinese historiography, bringing to light the purposive, didactic, and normative uses of the past. Examining both the worlds of official and unofficial historiography, the authors lay bare the ingenious ways in which Chinese scholars extracted truth from events and reveal how schemas and philosophies of history were constructed and espoused. They highlight the dynamic nature of Chinese historiography, revealing that historical works mapped the contours of Chinese civilization not for the sake of understanding history as disembodied and theoretical learning, but for the pragmatic purpose of guiding the world by mirroring the past in all its splendor and squalor.
In Greek tragedy, women constantly struggle to control language. This book shows how aspects of womena (TM)s communicationa "song, silence and secret-keeping as female verbal genres, and the challenges of speaking out of placea "constitute a decisive factor in Euripidesa (TM) portrayal of gender.
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