A “profoundly raw and gripping” novel of a girl’s life of hardship in rural Mississippi (The Baltmore Sun). As a child, Logic Harris survived a fall from a tree—an accident that precipitated her transformation into a young girl lost in her own world. Logic's mother has secretly wished that Logic had not survived, and she now ignores the increasingly apparent evidence of the aberrant attention Logic's father bestows upon his daughter in her adolescence. As her mother retreats into her work as a neighborhood midwife and Logic's father collapses into paranoia, Logic is left to navigate alone what she scarcely understands. In inspired prose, stunning in its imaginative authority, Logic is a chilling allegory about the dangers of silence and a searing portrait of a girl lost in shame and fear, and a family and community too scarred by their own wounds to save her. “Steeped in religious, surreal imagery and references to ordering principles—atoms, alphabets, life's basic materials—Vernon’s abstract language asks precise questions about the chances for survival in a lawless world.”—Booklist
“In language reminiscent of Toni Morrison and William Faulkner, Vernon weaves a powerful yet dreamlike story of our not-too-distant past.”—Booklist There is a menace in the woods of Bullock County, Mississippi, and not only for the black man destined to be lynched when a white boy comes of age. The white men who work at the plant are in danger, too, but they refuse to heed Earl Thomas’s urgent message that the factory is slowly killing them, turning a deaf ear to the black pastor. Thomas knows he should try to deliver the message again, but he hears the blood of his murdered friend calling to him from the ground, and fears that he will be the next black man to be dragged to his death. Adam Pickens, a white boy now on the eve of his thirteenth birthday, isn’t sure he wants to wear the garb being readied for him by the Klan seamstress, or participate in the town’s horrific ritual. It is only when Gill Mender—a man haunted by past sins—returns that redemption seems possible. A transfixing and pivotal work of fiction, A Killing in This Town exposes the fragile hierarchy of a society poisoned by hatred, and shows the power of an individual to stand up to the demons of history and bring the cycle of violence to an end. “At once emotionally wrenching and rewarding to read.”—The Advocate (Baton Rouge, LA)
A “profoundly raw and gripping” novel of a girl’s life of hardship in rural Mississippi (The Baltmore Sun). As a child, Logic Harris survived a fall from a tree—an accident that precipitated her transformation into a young girl lost in her own world. Logic's mother has secretly wished that Logic had not survived, and she now ignores the increasingly apparent evidence of the aberrant attention Logic's father bestows upon his daughter in her adolescence. As her mother retreats into her work as a neighborhood midwife and Logic's father collapses into paranoia, Logic is left to navigate alone what she scarcely understands. In inspired prose, stunning in its imaginative authority, Logic is a chilling allegory about the dangers of silence and a searing portrait of a girl lost in shame and fear, and a family and community too scarred by their own wounds to save her. “Steeped in religious, surreal imagery and references to ordering principles—atoms, alphabets, life's basic materials—Vernon’s abstract language asks precise questions about the chances for survival in a lawless world.”—Booklist
“In language reminiscent of Toni Morrison and William Faulkner, Vernon weaves a powerful yet dreamlike story of our not-too-distant past.”—Booklist There is a menace in the woods of Bullock County, Mississippi, and not only for the black man destined to be lynched when a white boy comes of age. The white men who work at the plant are in danger, too, but they refuse to heed Earl Thomas’s urgent message that the factory is slowly killing them, turning a deaf ear to the black pastor. Thomas knows he should try to deliver the message again, but he hears the blood of his murdered friend calling to him from the ground, and fears that he will be the next black man to be dragged to his death. Adam Pickens, a white boy now on the eve of his thirteenth birthday, isn’t sure he wants to wear the garb being readied for him by the Klan seamstress, or participate in the town’s horrific ritual. It is only when Gill Mender—a man haunted by past sins—returns that redemption seems possible. A transfixing and pivotal work of fiction, A Killing in This Town exposes the fragile hierarchy of a society poisoned by hatred, and shows the power of an individual to stand up to the demons of history and bring the cycle of violence to an end. “At once emotionally wrenching and rewarding to read.”—The Advocate (Baton Rouge, LA)
The first woman in American history to serve in both houses of a state legislature and both houses of Congress describes how to dissolve the polarization afflicting the current American government and unite both parties to work for the common good.
Becoming Carole Lombard: Stardom, Comedy and Legacy is a historical critique of the development and reception of Carole Lombard's stardom from the classical Hollywood period to present day. Based on original archival research, Olympia Kiriakou combines theoretically informed textual analyses of Lombard's performances and star image across different media (biographies, publicity materials, photography and film) with a critical engagement of the cultural, economic, social and industrial conditions that shaped her stardom. Sitting at the intersection of feminist film theory, star studies and comedy theory, this work presents Lombard as a case study to challenge the screwball canon and existent academic discourse about female physical comedy and the alleged “delicate” female body. In doing so, it formulates a new historical approach to understanding gender, femininity, and identity in Hollywood comedies of the 1930s. Moreover, this is the first research of its kind to offer a comprehensive understanding of Lombard's stardom beyond her associations with the screwball comedy genre.
When fourteen-year-old Maddy Dangerfield draws a naked woman on the pages of Genesis in fire-engine red lipstick during Sunday school, the rural black community of Pyke County, Mississippi, is scandalized."--Jacket.
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