The story begins before the turn of the century. The Gillis's live a very easy and tranquil life, in spite of active and noisy boys. But soon the tranquillity is shattered. First Albert then John die within months of each other. Then six years later Lydia and her husband Joseph die within months of each other. Lydia and Joseph leave six children and rather than have them stay with their grandmother Gillis, Joseph sends them to his sister in Sault Ste Marie, Ontario, Canada, just before he dies. Before long the uncle decides he wants their inheritance so he moves them to Kit Carson, Colorado. After all the hardships they have already encountered he puts them up in a tent on the prairie. Soon the authorities are notified that the children are not being cared for and all but the oldest daughter are sent to The Home for Neglected and Abandoned Children in Denver. Janet the oldest stays with a family in Kit Carson and works for her keep while going to school. The family is good to her and they treat her like one of their own. The oldest boy Charles falls ill while in the Home and dies at the age of fourteen. John and Joseph are sent to work in the coal mines in Durango and Pueblo. Ruth the baby is adopted by a family that moves to Illinois. That leaves Rose who is fifteen to be farmed out to wealthy families in Denver to work for her keep. When she is eighteen she is emancipated from the Home and can go where she pleases. The story follows the paths of each living orphan. Each one has their own memories of the way life was on their journey and how the hardships formed their character. Rose was the only one that seemed to deny the past and so she would bury herself in romance novels and lived her life as a fantasy. She would never talk about her childhood or the years after her parents died until she was emancipated from the Home and her return to Kit Carson. Many times her comment was that she didn't deserve anything better in life.
This critical study interrogates the intersection of race and gender media representations on screen and behind the scenes. The thought-provoking investigation on the Oprah Winfrey Network’s Queen Sugar series shows the ways in which the television drama is a significant contribution to mainstream media that creates in-depth conversations concerning African American women’s social roles, social class, and social change. Ollie L. Jefferson provides a unique analysis of the television production by using the exemplary representations conceptual framework to contextualize and theorize research contributing to systemic change. Jefferson highlights the best practices used by African American female executive producers, Oprah Winfrey and Ava DuVernay, by examining Queen Sugar as a case study. The investigation shows how the decision-makers produced multidimensional female characters to illustrate the complex humanity of Black lives. This book broadens understanding of the media industry’s need for culturally sensitive and conscious inclusion of women and people of color behind the scenes—as media owners, creators, writers, directors, and producers—to put an end to the persistent and pervasive misrepresentations of African American women on screen. Scholars of television studies, film studies, media studies, race studies, and women’s studies will find this book particularly useful.
From the ultra-violent world of The Raid movies comes this all-new, brutal, no-holds barred martial arts blockbuster! Undercover cop and one-man-army RAMA, the protagonist of The RAID movies, must protect an innocent cop – and himself – in the nightmarish world of Jakartan Prison… They are both targeted by every murderer, killer and psychopath in the general population, while a gang of assassins, including HAMMER GIRL, BASEBALL BAT MAN and THE ASSASSIN, are planning to break into the prison and kill them both… Written by Ollie Masters (Sons of Anarchy, Snow Blind and The Kitchen) and Alex Paknadel (Doctor Who, Assassin’s Creed, Arcadia, and Turncoat) and drawn by Budi Setiawan (Rex Royd and Roadkill Zoo). This critically acclaimed graphic novel story captures all the bone-snapping raw energy of THE RAID movies and sees the return of their hero, Rama. Includes special foreword by The Raid creator, Gareth Evans. Collects issues 1-4 of The Raid. “Captures the movie’s bone-crushing brutality on the page.” – The A.V. Club “Brutal! 9/10” – Adventures in Poor Taste “Full of broken bones, shattered ribs, and crushed skulls. I enjoyed the hell out of it.” – Bleeding Cool
Mastering and Using Microsoft Word 2002 is the most comprehensive, instructional tool designed for the user who wants to master and use application software. This text, written by Al Napier and Philip Judd along with a panel of experienced authors and instructors, providers and all the instruction necessary to become a Core level Microsoft Office User Specialist (MOUS) of Word."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
The story begins before the turn of the century. The Gillis's live a very easy and tranquil life, in spite of active and noisy boys. But soon the tranquillity is shattered. First Albert then John die within months of each other. Then six years later Lydia and her husband Joseph die within months of each other. Lydia and Joseph leave six children and rather than have them stay with their grandmother Gillis, Joseph sends them to his sister in Sault Ste Marie, Ontario, Canada, just before he dies. Before long the uncle decides he wants their inheritance so he moves them to Kit Carson, Colorado. After all the hardships they have already encountered he puts them up in a tent on the prairie. Soon the authorities are notified that the children are not being cared for and all but the oldest daughter are sent to The Home for Neglected and Abandoned Children in Denver. Janet the oldest stays with a family in Kit Carson and works for her keep while going to school. The family is good to her and they treat her like one of their own. The oldest boy Charles falls ill while in the Home and dies at the age of fourteen. John and Joseph are sent to work in the coal mines in Durango and Pueblo. Ruth the baby is adopted by a family that moves to Illinois. That leaves Rose who is fifteen to be farmed out to wealthy families in Denver to work for her keep. When she is eighteen she is emancipated from the Home and can go where she pleases. The story follows the paths of each living orphan. Each one has their own memories of the way life was on their journey and how the hardships formed their character. Rose was the only one that seemed to deny the past and so she would bury herself in romance novels and lived her life as a fantasy. She would never talk about her childhood or the years after her parents died until she was emancipated from the Home and her return to Kit Carson. Many times her comment was that she didn't deserve anything better in life.
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