African cinema offers a distinctive contribution to world cinema with its unique expertise of neoliberal genealogy and its opposition to those ubiquitous logics that serve only to validate injustices and regression made in the name of managerial liberalism. It provides a deft analysis of the common thread running through globalization, free-market fanaticism, corporate greed and its asymmetrical economic dominance that naturalizes a global caste system. This book shows that African cinema represents a powerful contribution to our understanding of neoliberalism’s global dominance that generates shrinking security, multiple recessions and endless austerity, and a culture of permanent anxiety and precarity.
African cinema offers a distinctive contribution to world cinema with its unique expertise of neoliberal genealogy and its opposition to those ubiquitous logics that serve only to validate injustices and regression made in the name of managerial liberalism. It provides a deft analysis of the common thread running through globalization, free-market fanaticism, corporate greed and its asymmetrical economic dominance that naturalizes a global caste system. This book shows that African cinema represents a powerful contribution to our understanding of neoliberalism’s global dominance that generates shrinking security, multiple recessions and endless austerity, and a culture of permanent anxiety and precarity.
The Poetics of Radical Hope: The Abderrhamane Sissako Experience communicates pieces of evidence that Sissako is the most talented and the most sophisticated filmmaker of his generation. This imaginative excellence emanates from new aspirations to fashion an original African cinematic aesthetic for a politic of radical hope and creative adaptation. Sissako’s contribution extends to all aspects of the indigenous motion pictures industry to help rebuild the continent’s cultural infrastructures and create intellectual and cultural spaces to mobilize narrative strategies to contribute in the making of potent African collectives. Far from being abstract, Sissako's logic of contribution resists facile reading and demands a direct and profound engagement with the text. Sissako is one of the best filmmakers working today because his cinema constitutes a generative contribution to the contemporary production of African intelligibility. This logic of contribution helps to better articulate the historical logics and practices of a continent in constant throes of situational emergencies. The cinemas confront African colonial legacies to contemporary globalization discourses that grip the contemporary global condition, notably: political instability, poverty, illiteracy, digital divide, global warming and food shortages, diseases and the so-called "clash of civilization.
This book explores Sissako's original cinematic vision, which tackles complex in-depth African realities with the power of imaginative excellence. Sissako's work defies existing normative global geopolitics and conditions of knowledge and aesthetic production in Africa through radical hope and creative adaptation.
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