Now this publication is available in English as Mexican Suite. Olivier Debroise and Stella de Sa Rego have revised this edition to include more current material and explanatory notes for an audience less familiar with Mexican history. They have also eliminated some of the general history of photography and added more of the early history of photography in Mexico, as well as many new, previously unpublished images. The book is organized both chronologically and thematically, which allows viewer/readers to follow the evolution of major photographic genres and styles. Debroise also examines the role of photography in the development of modern Mexico and the influence of prominent foreign photographers such as Edward Weston, Tina Modotti, and Henri Cartier-Bresson.
Now this publication is available in English as Mexican Suite. Olivier Debroise and Stella de Sa Rego have revised this edition to include more current material and explanatory notes for an audience less familiar with Mexican history. They have also eliminated some of the general history of photography and added more of the early history of photography in Mexico, as well as many new, previously unpublished images. The book is organized both chronologically and thematically, which allows viewer/readers to follow the evolution of major photographic genres and styles. Debroise also examines the role of photography in the development of modern Mexico and the influence of prominent foreign photographers such as Edward Weston, Tina Modotti, and Henri Cartier-Bresson.
Oscar Masotta (Buenos Aires, 1930- Barcelona, 1979) is all but forgotten now, except perhaps in the field of Lacanian studies. This is because in the 1970s, Masotta would challenge the master psychoanalyst on his own turf, creating his own post-Lacanian school of psychoanalysisin Barcelona. But in 1965, aged just 27, Masotta taught at the University of Buenos Aires, lectured at the Di Tella, and edited a book series on communication and media. A product of the newly open post-Perón era"--Page 91.
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