Mark Rothko, the great American artist of Russian descent, is one of the chief exponents of Abstract Expressionism. His paintings, predominantly in a large format and featuring horizontal layers of pigment on a monochrome foundation, will forever be in our pictorial memory as the epitome of classical modernism. By means of Rothko's central work groups from all creative periods - among them the Rothko Room in the Phillips collection and the Harvard Murals of Harvard University -, this book looks at the artist's affinity between picture and viewer. Rothko's adamant insistence on controlling the presentation of his works set him apart from the art scene of his time as early as the beginning of the fifties. His pictures were to be hung closely together in small rooms with soft lighting and large formats were to provide an immediate experience - as a concept which has been most famously and definitively realized in the Rothko Chapel in Houston.
Il volume, realizzato in occasione della prima retrospettiva italiana di Mark Rothko, dà un quadro generale della produzione dell'artista. Viene così tracciato un ideale percorso all'interno della sua produzione, dalle prime tele figurative alle opere surrealiste, dalle "Multiforms" alle opere classiche degli anni '50 caratterizzate da grandi campi colorati, fino ai dipinti "Black form" e i "Black on Grey", e per la prima volta sono pubblicati alcuni dei dipinti esposti nella "Stanza di Mark Rothko" alla Biennale di Venezia nel 1958. Il volume è il Catalogo della mostra di Roma (Palazzo delle Esposizioni, 4 ottobre 2007 - 7 gennaio 2008).
This new book, based on a highly successful series of articles in Practical Boat Owner magazine, is a detailed practical guide to sailing around the UK - all by means of day sails. Roger Oliver, a passionate sailor, explains his in-depth passage planning, boat preparations, weather checks and log-keeping, as well as his choice of routes, detailed navigation, sail trim tips and on-passage maintenance, all for the benefit of sailors who have a yen to follow in his footsteps. Packed with a wealth of practical tips on seamanship, anchoring in high winds, coping with big seas, problem-solving, harnessing the tide, sailing short-handed and living aboard for extended cruising, this book will be a godsend to the many thousands of sailors who enjoy coastal cruising and who will discover (as did Roger) that it is perfectly possible to cruise around the whole of the UK in a series of day sails. With this book to hand, and inspired by Roger's detailed route maps and spectacular photographs, anyone can experience the thrill and enjoyment of sailing around the beautiful and varied UK coast from any starting point.
Resin craft is a great way to make beautiful items for your home and gifts for yourself or others. Hazel Oliver is the name behind Badger & Birch, whose eco-friendly practices include using solvent free and non-toxic resin, and incorporating natural waste such as mussel and oyster shells from her local restaurant, as well as natural minerals, gemstones and crystals. In this her first book, Hazel shows you the basics of resin craft, including mixing and pouring, making moulds, and finishing your pieces. The 30 projects include vases, planters, candle holders and other items for the home, as well as moulded decorations in leaf shapes and other natural forms. The soft colours, natural elements and beautiful finish of Hazel's work will inspire you to take up this flourishing new craft, or give you new ideas if you are already a keen resin crafter.
The Kitāb Taḥrīm dafn al-aḥyāʾ, the Book on the Prohibition to Bury the Living, written by the Nestorian physician ʿUbaidallāh Ibn Buḫtīšūʿ (d. c. 1060 CE), deals with the causes, signs and treatments of apparent death. Based on a short pseudo-Galenic treatise, whose Greek original is lost, ʿUbaidallāh’s Arabic commentary is a comprehensive and in many ways unique piece of scientific writing that moreover promotes a psychological understanding of physical illness. Oliver Kahl’s present book offers a critical Arabic edition with annotated English translation of ʿUbaidallāh’s work on apparent death, framed by a detailed introductory study and extensive glossaries covering all relevant terms; for comparative purposes, the Arabic and Hebrew recensions of the lost Greek prototype are presented in an appendix.
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