As well as taking in the well-known titles that have helped shape the world in which we live, The Secret Library brings to light more neglected items among the bookshelves of the world.
The Great War, The Waste Land and the Modernist Long Poem explores how cultural responses to the trauma of the First World War found expression in the form of the modernist long poem. Beginning with T.S. Eliot's The Waste Land, Oliver Tearle reads that most famous example of the genre in comparison with lesser known long poems, such as Hope Mirrlees's Paris: A Poem, Richard Aldington's A Fool I' the Forest and Nancy Cunard's Parallax. As well as presenting a new history of this neglected genre, the book examines the ways in which the modernist long poem represented the seminal literary form for grappling with the crises of European modernity in the wake of World War I.
As well as taking in the well-known titles that have helped shape the world in which we live, The Secret Library brings to light more neglected items among the bookshelves of the world.
Through close readings, this book explores T.E. Hulme's influence on key Modernist writers and how he might offer a new model of creative-critical practice.
What caused Dickens to leap out of bed one night and walk 30 miles from London to Kent? How did a small town on the Welsh borders become the second-hand bookshop capital of the world? Why did a jellyfish persuade Evelyn Waugh to abandon his suicide attempt in North Wales? A multitude of curious questions are answered in Britain by the Book, a fascinating travelogue with a literary theme, taking in unusual writers' haunts and the surprising places that inspired some of our favourite fictional locations. We'll learn why Thomas Hardy was buried twice, how a librarian in Manchester invented the thesaurus as a means of coping with depression, and why Agatha Christie was investigated by MI5 during the Second World War. The map of Britain that emerges is one dotted with interesting literary stories and bookish curiosities.
What caused Dickens to leap out of bed one night and walk 30 miles from London to Kent? How did a small town on the Welsh borders become the second-hand bookshop capital of the world? Why did a jellyfish persuade Evelyn Waugh to abandon his suicide attempt in North Wales? A multitude of curious questions are answered in Britain by the Book, a fascinating travelogue with a literary theme, taking in unusual writers' haunts and the surprising places that inspired some of our favourite fictional locations. We'll learn why Thomas Hardy was buried twice, how a librarian in Manchester invented the thesaurus as a means of coping with depression, and why Agatha Christie was investigated by MI5 during the Second World War. The map of Britain that emerges is one dotted with interesting literary stories and bookish curiosities.
In 1926 the Shakespeare Memorial Theatre in Stratford-on-Avon burnt down, barely five weeks before the start of the annual Festival. Rosa Greenwood and her sister Celia were devastated. They had small roles in the Festival, hoping it would lead to acting careers. While helping to remove priceless treasures from the theatre Library Rosa met Max Higham, an American architect in Europe studying theatre design. Rosa was wary of her growing attraction to Max, yet reluctant to marry Adam Thorn, a lifelong friend and distant cousin. Celia was encouraged to run away to London and audition, by the actor Gilbert Meadows, and begs the help of her friend Agnes. Furious, her father forbad Rosa to contemplate more acting, while Jack, her older brother who was a changed person since he fought in the war, spends his days driving waggons for the family carrier business. Can any of them achieve their hearts' desires?
Hallucination" was always a ghost story's elephant in the room. Even before the vogue for psychical research and spiritualism began to influence writers at the end of the 19th century, tales of horror and the supernatural, of ghosts and demons, had been haunted by the possibility of some grand deception by the senses. But, what is certainly true is that, during the 19th century, hallucination took on a new force and significance, not just in ghost stories and horror fiction, but in other forms of writing. Writers began to encourage their readers to assess whether the ghostly had its origins in some supernatural phenomenon from beyond the grave, or from some deception within our own minds. This wide-ranging book explores the many factors which contributed to this rise in the interest in hallucination and visionary experience during the 19th century and beyond. Through a series of close and often unusual readings of numerous writers - including Robert Louis Stevenson, Henry James, and Arthur Machen - this original study explores what happened when hallucination appeared in fiction, and - even more importantly - why it happened at all.
The Great War, The Waste Land and the Modernist Long Poem explores how cultural responses to the trauma of the First World War found expression in the form of the modernist long poem. Beginning with T.S. Eliot's The Waste Land, Oliver Tearle reads that most famous example of the genre in comparison with lesser known long poems, such as Hope Mirrlees's Paris: A Poem, Richard Aldington's A Fool I' the Forest and Nancy Cunard's Parallax. As well as presenting a new history of this neglected genre, the book examines the ways in which the modernist long poem represented the seminal literary form for grappling with the crises of European modernity in the wake of World War I.
Hallucination" was always a ghost story's elephant in the room. Even before the vogue for psychical research and spiritualism began to influence writers at the end of the 19th century, tales of horror and the supernatural, of ghosts and demons, had been haunted by the possibility of some grand deception by the senses. But, what is certainly true is that, during the 19th century, hallucination took on a new force and significance, not just in ghost stories and horror fiction, but in other forms of writing. Writers began to encourage their readers to assess whether the ghostly had its origins in some supernatural phenomenon from beyond the grave, or from some deception within our own minds. This wide-ranging book explores the many factors which contributed to this rise in the interest in hallucination and visionary experience during the 19th century and beyond. Through a series of close and often unusual readings of numerous writers - including Robert Louis Stevenson, Henry James, and Arthur Machen - this original study explores what happened when hallucination appeared in fiction, and - even more importantly - why it happened at all.
Through close readings, this book explores T.E. Hulme's influence on key Modernist writers and how he might offer a new model of creative-critical practice.
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