This book aims to extract a kind of Critical Humanism from the works of prominent members of the Frankfurt School. Oliver Kozlarek argues that what is compelling about this kind of restitution of humanism is the fact that it sought to be understood not as a conceptual-theoretical construction, but as a practice of critical social and cultural research. This means that it does not orient itself to an ideal image of the human being, but to making inhuman conditions of our current societies visible. It is above all in this sense that humanism is no longer understood in a Humboldtian, educational sense. Rather, it is about using critical social research as a political practice.
This book presents a close reading of the work of the Mexican writer and Nobel Prize Laureate, Octavio Paz. It does so from the specific perspective of sociology and the more general perspective of the social sciences. The book identifies opportunities for relating Paz’ sociological ideas to contemporary debates, arguing that Paz’ sociology is linked very closely to his assessment of what could be called the post-colonial condition that Mexico has been experiencing. The book thus advances the understanding of the differences between post-colonial experiences in Latin America and those of other areas of the world. In addition to revealing Paz’ sociology, the book focuses on Modernity and examines Paz’ critique of Modernity and his “project of Modernity”. It shows that a close examination of the works of Octavio Paz helps redefine Modernity from a Latin American perspective as an experience in which the global and local are intertwined, and helps to point in the direction of a new kind of humanism.
This book presents a close reading of the work of the Mexican writer and Nobel Prize Laureate, Octavio Paz. It does so from the specific perspective of sociology and the more general perspective of the social sciences. The book identifies opportunities for relating Paz’ sociological ideas to contemporary debates, arguing that Paz’ sociology is linked very closely to his assessment of what could be called the post-colonial condition that Mexico has been experiencing. The book thus advances the understanding of the differences between post-colonial experiences in Latin America and those of other areas of the world. In addition to revealing Paz’ sociology, the book focuses on Modernity and examines Paz’ critique of Modernity and his “project of Modernity”. It shows that a close examination of the works of Octavio Paz helps redefine Modernity from a Latin American perspective as an experience in which the global and local are intertwined, and helps to point in the direction of a new kind of humanism.
This book aims to extract a kind of Critical Humanism from the works of prominent members of the Frankfurt School. Oliver Kozlarek argues that what is compelling about this kind of restitution of humanism is the fact that it sought to be understood not as a conceptual-theoretical construction, but as a practice of critical social and cultural research. This means that it does not orient itself to an ideal image of the human being, but to making inhuman conditions of our current societies visible. It is above all in this sense that humanism is no longer understood in a Humboldtian, educational sense. Rather, it is about using critical social research as a political practice.
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