American rivers are among the most diverse and challenging in the world, and for many the excitement and escape they offer develops into a lifelong pursuit. In Downstream Toward Home, Oliver A. Houck recounts his six decades exploring America's waterways,from unnamed creeks and Louisiana swamps to the rivers of western canyons and the Alaskan tundra. This engaging travelogue leads readers down over thirty-two rivers found across the country. Along the way Houck provides quiet observations as he finds footprints of red wolves on a sandbank or paddles through an aqueous forest of cypress trees. Collectively, these moments of adventure and introspection reveal his distinct and extraordinary vision of the national landscape. From the thrill of approaching rapids to the peace of resting on a shoal, Houck's narrative draws from history and personal experience subtly to remind us how each body of water plays an outsized role in its surrounding environment. At once a journal, a primer, and a guide, Downstream Toward Home is an invitation to create our own experiences on America's rivers.
The lower Mississippi River winds past the city of New Orleans between enormous levees and a rim of sand, mud, and trees called “the batture.” On this remote and ignored piece of land thrives a humanity unique to the region—ramblers, artists, drinkers, fishers, rabbit hunters, dog walkers, sunset watchers, and refugees from immigration, alimony, and other aspects of modern life. Author Oliver A. Houck has frequented this place for the past twenty-five years. Down on the Batture describes a life, pastoral, at times marginal, but remarkably fecund and surprising. From this place he meditates on Louisiana, the state of the waterway, and its larger environs. He describes all the actors who have played lead roles on the edge of the mightiest river of the continent, and includes in his narrative plantations, pollution, murder, land grabs, keelboat brawlers, slave rebellions, the Corps of Engineers, and the oil industry. Houck draws from his experience in New Orleans since the early 1970s in the practice and teaching of law. He has been a player in many of the issues he describes, although he does not undertake to argue them here. Instead, story by story, he uses the batture to explore the forces that have shaped and spell out the future of the region. The picture emerges of a place that—for all its tangle of undergrowth, drifting humanity, shifting dimensions in the rise and fall of floodwater—provides respite and sanctuary for values that are original to America and ever at risk from the homogenizing forces of civilization.
Taking Back Eden is a set of case studies of environmental lawsuits brought in eight countries around the world, including the U.S, beginning in the 1960s. The book conveys what is in fact a revolution in the field of law: ordinary citizens (and lawyers) using their standing as citizens in challenging corporate practices and government policies to change not just the way the environment is defended but the way that the public interest is recognized in law. Oliver Houck, a well-known environmental attorney, professor of law, and extraordinary storyteller, vividly depicts the places protected, as well as the litigants who pursued the cases, their strategies, and the judges and other government officials who ruled on them. This book will appeal to upperclass undergraduates, graduate students, and to all citizens interested in protecting the environment.
Uijongbu unfolds in the wake of the Korean War, in a town left ravaged and rebuilding just beginning got recover. At the U.S. Army Base in Uijongbu, just south of the Demilitarized Zone, an unplanned economy emerges, intertwining the lives of American GIs and young Korean women. This delicate and complex connection fuels both romance and disaster, creating a tapestry of relationships that are as hopeful as they are heartbreaking. Through a series of stories that vary from humorous to heartrending, the author captures the resilience, warmth, and humanity of the Korean people. The novel paints an intimate portrait of a time and place marked by love, loss, and cultural connection. Uijongbu is a haunting reminder of war’s lasting impact, and a poignant testament to the indomitable human spirit.
Taking Back Eden is a set of case studies of environmental lawsuits brought in eight countries around the world, including the U.S, beginning in the 1960s. The book conveys what is in fact a revolution in the field of law: ordinary citizens (and lawyers) using their standing as citizens in challenging corporate practices and government policies to change not just the way the environment is defended but the way that the public interest is recognized in law. Oliver Houck, a well-known environmental attorney, professor of law, and extraordinary storyteller, vividly depicts the places protected, as well as the litigants who pursued the cases, their strategies, and the judges and other government officials who ruled on them. This book will appeal to upperclass undergraduates, graduate students, and to all citizens interested in protecting the environment.
The lower Mississippi River winds past the city of New Orleans between enormous levees and a rim of sand, mud, and trees called “the batture.” On this remote and ignored piece of land thrives a humanity unique to the region—ramblers, artists, drinkers, fishers, rabbit hunters, dog walkers, sunset watchers, and refugees from immigration, alimony, and other aspects of modern life. Author Oliver A. Houck has frequented this place for the past twenty-five years. Down on the Batture describes a life, pastoral, at times marginal, but remarkably fecund and surprising. From this place he meditates on Louisiana, the state of the waterway, and its larger environs. He describes all the actors who have played lead roles on the edge of the mightiest river of the continent, and includes in his narrative plantations, pollution, murder, land grabs, keelboat brawlers, slave rebellions, the Corps of Engineers, and the oil industry. Houck draws from his experience in New Orleans since the early 1970s in the practice and teaching of law. He has been a player in many of the issues he describes, although he does not undertake to argue them here. Instead, story by story, he uses the batture to explore the forces that have shaped and spell out the future of the region. The picture emerges of a place that—for all its tangle of undergrowth, drifting humanity, shifting dimensions in the rise and fall of floodwater—provides respite and sanctuary for values that are original to America and ever at risk from the homogenizing forces of civilization.
Rivers have played a remarkable role throughout our national history. The outcome of battles, the fate of pioneers, and the survival of early settlers were inextricable from the course and temperament of surrounding rivers. Depicted in songs, art, and fiction, these waterways found a place in the American psyche and continue to wind through the imaginations of modern adventurers. In Downstream Toward Home, Oliver A. Houck recounts his thrilling, meditative, and humorous experi-ences on these oft-neglected tributaries and streams. Spanning more than sixty years and exploring more than thirty-two.
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