An award–winning “satirical political thriller follows the . . . adventures of a Russian gem cutter . . . and the consequences of his affair with a virtual stranger.”(Publishers Weekly) Professor Anfilogov, a wealthy and emotionless man, sets out on an expedition to unearth priceless rubies that no one else has been able to locate. His expedition reveals ugly truths about man’s disregard for nature and the disasters created by insatiable greed. In 2017, winner of the Russian Booker Prize, Olga Slavnikova stuns with a witty, engaging, and remarkable tale of love, obsession, murder, and the lengths people will go to get what they want. “Slavnikova’s characters are magnetizing, and her crystal clear vision of a world in which ‘commercial infinities’ choke off humanism and art is salubriously caustic.” —Booklist
Light-Headed is a zany, anarchic black comedy which satirises life in contemporary Russia. At its heart is the question what is important in life and what sacrifices an individual should be expected to make for the good of others. Maxim T. Yermakov was born with an empty space in his head above his brain. As a child this led to him being four kilos less than the normal weight until his mother force-fed him. Always aware of feeling light-headed Maxim was good at school, acquiring information not from books but out of the air. He left the provinces for Moscow where he worked as a brand manager for a chocolate manufacturer. He was contemplating buying his first flat when one day two sinister individuals turned up at the factory to see him. His light head was causing all sorts of problems, it was an alpha object which created natural disasters, terrorist outrages and buildings to collapse. Maxim T. Yermakov's existence threatened the well-being of the state and its citizens. He should do the decent thing and commit suicide. Maxim T. Yermakov refused and began his unequal struggle with the organs of the state.
In 1990s Russia, the wife and stepdaughter of a paralyzed veteran conceal the Soviet Union’s collapse from him in order to keep him—and his pension—alive. Olga Slavnikova’s The Man Who Couldn’t Die tells the story of how two women try to prolong a life—and the means and meaning of their own lives—by creating a world that doesn’t change, a Soviet Union that never crumbled. After her stepfather’s stroke, Marina hangs Brezhnev’s portrait on the wall, edits the Pravda articles read to him, and uses her media connections to cobble together entire newscasts of events that never happened. Meanwhile, her mother, Nina Alexandrovna, can barely navigate the bewildering new world outside, especially in comparison to the blunt reality of her uncommunicative husband. As Marina is caught up in a local election campaign that gets out of hand, Nina discovers that her husband is conspiring as well—to kill himself and put an end to the charade. Masterfully translated by Marian Schwartz, The Man Who Couldn’t Die is a darkly playful vision of the lost Soviet past and the madness of the post-Soviet world that uses Russia’s modern history as a backdrop for an inquiry into larger metaphysical questions. “Darkly sardonic…oddly timely, for there are all sorts of understated hints about voter fraud, graft, payoffs, and the endless promises of politicians who have no intention of keeping them…. Slavnikova is a writer American readers will want to have more of.”—Kirkus Reviews (starred review) “A funhouse mirror worth looking into, especially in today’s United States with its alternative facts, unpoetic assertions, and morbid relationship with the past.”—Leeore Schnairsohn, Los Angeles Review of Books
Light-Headed is a zany, anarchic black comedy which satirises life in contemporary Russia. At its heart is the question what is important in life and what sacrifices an individual should be expected to make for the good of others. Maxim T. Yermakov was born with an empty space in his head above his brain. As a child this led to him being four kilos less than the normal weight until his mother force-fed him. Always aware of feeling light-headed Maxim was good at school, acquiring information not from books but out of the air. He left the provinces for Moscow where he worked as a brand manager for a chocolate manufacturer. He was contemplating buying his first flat when one day two sinister individuals turned up at the factory to see him. His light head was causing all sorts of problems, it was an alpha object which created natural disasters, terrorist outrages and buildings to collapse. Maxim T. Yermakov's existence threatened the well-being of the state and its citizens. He should do the decent thing and commit suicide. Maxim T. Yermakov refused and began his unequal struggle with the organs of the state.
An award–winning “satirical political thriller follows the . . . adventures of a Russian gem cutter . . . and the consequences of his affair with a virtual stranger.”(Publishers Weekly) Professor Anfilogov, a wealthy and emotionless man, sets out on an expedition to unearth priceless rubies that no one else has been able to locate. His expedition reveals ugly truths about man’s disregard for nature and the disasters created by insatiable greed. In 2017, winner of the Russian Booker Prize, Olga Slavnikova stuns with a witty, engaging, and remarkable tale of love, obsession, murder, and the lengths people will go to get what they want. “Slavnikova’s characters are magnetizing, and her crystal clear vision of a world in which ‘commercial infinities’ choke off humanism and art is salubriously caustic.” —Booklist
In 1990s Russia, the wife and stepdaughter of a paralyzed veteran conceal the Soviet Union’s collapse from him in order to keep him—and his pension—alive. Olga Slavnikova’s The Man Who Couldn’t Die tells the story of how two women try to prolong a life—and the means and meaning of their own lives—by creating a world that doesn’t change, a Soviet Union that never crumbled. After her stepfather’s stroke, Marina hangs Brezhnev’s portrait on the wall, edits the Pravda articles read to him, and uses her media connections to cobble together entire newscasts of events that never happened. Meanwhile, her mother, Nina Alexandrovna, can barely navigate the bewildering new world outside, especially in comparison to the blunt reality of her uncommunicative husband. As Marina is caught up in a local election campaign that gets out of hand, Nina discovers that her husband is conspiring as well—to kill himself and put an end to the charade. Masterfully translated by Marian Schwartz, The Man Who Couldn’t Die is a darkly playful vision of the lost Soviet past and the madness of the post-Soviet world that uses Russia’s modern history as a backdrop for an inquiry into larger metaphysical questions. “Darkly sardonic…oddly timely, for there are all sorts of understated hints about voter fraud, graft, payoffs, and the endless promises of politicians who have no intention of keeping them…. Slavnikova is a writer American readers will want to have more of.”—Kirkus Reviews (starred review) “A funhouse mirror worth looking into, especially in today’s United States with its alternative facts, unpoetic assertions, and morbid relationship with the past.”—Leeore Schnairsohn, Los Angeles Review of Books
The diaries reveal details of a remarkable life of a woman born in Imperial Russia who refused to complain about the luxurious life she left behind. CTV National News Its a miraculous tale that takes the readers through revolutions and world wars and chronicles Hendrikoffs transformation from a wealthy privileged lady in-waiting for the Russian empresses to desperate survivor scavenging for coal in a Nazi-occupied France. Calgary Herald Countess Olga Lala Hendrikoff was born into the Russian aristocracy, serving as lady-in-waiting to the empresses and enjoying a life of great privilege. But on the eve of her wedding in 1914 came the first rumors of an impending wara war that would change her life forever and force her to flee her country as a stateless person with no country to call home. In A Countess in Limbo, Countess Hendrikoff tells her remarkable true story that includes the loss of her brother in the Russian gulag, her sister-in-law murdered with the Russian Imperial family, and herself being robbed at gunpoint and accused of being a spy by the Nazis. She also speaks of the daily life that continues during wartime: ration cards and food restrictions, the black market, and the struggle just to get by another day. Her gripping story and thoughtful analysis provide a valuable look at life and humanity in the face of war. Spanning two of the most turbulent times in modern historyWorld War I in Russia and World War II in ParisCountess Hendrikoffs journals demonstrate the uncertainty, horror, and hope of daily life in the midst of turmoil. Her razor-sharp insight, wit, and sense of humor create a fascinating eyewitness account of the Russian Revolution and the occupation and liberation of Paris.
It is perhaps a little superfluous for one of my years to write an introduction for one so well known and so much esteemed and admired as Madame Novikoff. And yet it may seem just, if it does not seem vain, that a full-hearted tribute should come to her from this generation which profits by the result of her life and her work—the great new friendship between England and Russia. She is one of the most interesting women in European diplomatic circles. She is a picturesque personality, but more than that she is one who has really done a great deal in her life. You cannot say of her, as of so many brilliant women, "She was born, she was admired, she passed!" Destiny used her to accomplish great ends. For many in our society life, she stood for Russia, was Russia. For the poor people of England Russia was represented by the filth of the Ghetto and the crimes of the so-called "political" refugees; for the middle classes who read Seton Merriman, Russia was a fantastic country of revolutionaries and bloodthirsty police; but fortunately the ruling and upper classes always have had some better vision, they have had the means of travel, they have seen real representative Russians in their midst. {2} "They are barbarians, these Russians!" says someone to his friend. But the friend turns a deaf ear. "I happen to know one of them," says he. A beautiful and clever woman always charms, whatever her nationality may be, and it is possible for her to make conquests that predicate nothing of the nation to which she belongs. That is true, and therein lay the true grace and genius of Madame Novikoff. She was not merely a clever and charming woman, she was Russia herself. Russia lent her charm. Thus her friends were drawn from serious and vital England. Gladstone learned from her what Russia was.
Novikoff (1840-1925) was a Russian political writer who worked tirelessly to promote good relations between Russia and England forming a close friendship with W E Gladstone. In addition to her many newspaper articles and magazine essays, usually signed "OK," she wrote a number of books including 'Is Russia Wrong?' and 'Friends or Foes?' (both 1878), and 'Russia and England' (1880). She continued writing articles in the British press during WWI and also published several pamphlets. This book of memoirs, illustrated with photographs, was first published in 1916.
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