The dramatic political struggle of Boris Pasternak and the continued success of his novel. Dr. Zhivago, have often taken center stage in discussions of this writer. Olga Raevsky Hughes chooses instead to focus on the aesthetics underlying Pasternak's snuggles and successes to explore the ways in which his views of art and the artist were applied in his writings. Professor Hughes examines those aspects of Pasternak's views on art that he himself considered crucial: the beginnings of poetry in his life, the relation of his art to life, his relationship to his time, and his responsibility to lite and to society. Pasternak's views on art are analyzed as he himself saw them in his autobiographies, critical essays, and letters; and also as they were reflected in his work. Pasternak is allowed to speak for himself: accordingly, all of his published works are used, including letters, little-known works, and available variants of his early poems. Originally published in 1975. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Tsvetaeva's Orphic Journeys in the Worlds of the Word explores the rich theme of the myth of Orpheus as master narrative for poetic inspiration and creative survival in the life and work of Marina Tsvetaeva. Olga Peters Hasty establishes the basic themes of the Orphic Complex--the poet's longing to mediate between the embodied physical world and an "elsewhere," the poet's inability to do so, the primacy of the voice over the visual world, the insistence on concrete imagery, the costs of the poet's gift--and orders her arguments in the tragic shape of the Orpheus myth as it worked itself out organically in Tsvetaeva's own life. Hasty delineates the connections between the Orpheus myth and other key mythological and literary figures in the poet's life--including Alexander Blok, Anna Akhmatova, Alexander Pushkin, and Rainer Maria Rilke--to make an important and original critical contribution.
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