Olga Mukhina is one of the most talented, young playwrights in Russia. These works, Tanya-Tanya, and You combine atmosphere, struggles with dignity, humour, happiness and sorrow, the second work being a love poem to her home town, Moscow.
Olga Mukhina is one of the most talented, young playwrights in Russia. Born in Moscow in 1970, she has already garnered enviable praise from critics and audiences throughout Russia and Europe since her first play, Tanya-Tanya, was performed in 1996. Tanya-Tanyais an atmospheric, poetic tale that observes three couples at a suburban Moscow home who dance, drink champagne, kiss, fall in and out of love, and struggle with dignity and humor to keep some semblance of control over their lives. The parallels with Chekhovian drama are undeniable and clearly intended by the author. You, Mukhina's most recent work, is a love poem to her hometown of Moscow as well as a scathing attack on the apathy of people blindly wrapped up in their own happiness and sorrow.
The first generation of Russian modernists experienced a profound sense of anxiety resulting from the belief that they were living in an age of decline. What made them unique was their utopian prescription for overcoming the inevitability of decline and death both by metaphysical and physical means. They intertwined their mystical erotic discourse with European degeneration theory and its obsession with the destabilization of gender. In Erotic Utopia, Olga Matich suggests that same-sex desire underlay their most radical utopian proposal of abolishing the traditional procreative family in favor of erotically induced abstinence. 2006 Winner, CHOICE Award for Outstanding Academic Titles, Current Reviews for Academic Libraries Honorable Mention, Aldo and Jean Scaglione Prize for Studies in Slavic Languages and Literatures, Modern Language Association “Offers a fresh perspective and a wealth of new information on early Russian modernism. . . . It is required reading for anyone interested in fin-de-siècle Russia and in the history of sexuality in general.”—Bernice Glatzer Rosenthal, Slavic and East European Journal “Thoroughly entertaining.”—Avril Pyman, Slavic Review
It is perhaps a little superfluous for one of my years to write an introduction for one so well known and so much esteemed and admired as Madame Novikoff. And yet it may seem just, if it does not seem vain, that a full-hearted tribute should come to her from this generation which profits by the result of her life and her work—the great new friendship between England and Russia. She is one of the most interesting women in European diplomatic circles. She is a picturesque personality, but more than that she is one who has really done a great deal in her life. You cannot say of her, as of so many brilliant women, "She was born, she was admired, she passed!" Destiny used her to accomplish great ends. For many in our society life, she stood for Russia, was Russia. For the poor people of England Russia was represented by the filth of the Ghetto and the crimes of the so-called "political" refugees; for the middle classes who read Seton Merriman, Russia was a fantastic country of revolutionaries and bloodthirsty police; but fortunately the ruling and upper classes always have had some better vision, they have had the means of travel, they have seen real representative Russians in their midst. {2} "They are barbarians, these Russians!" says someone to his friend. But the friend turns a deaf ear. "I happen to know one of them," says he. A beautiful and clever woman always charms, whatever her nationality may be, and it is possible for her to make conquests that predicate nothing of the nation to which she belongs. That is true, and therein lay the true grace and genius of Madame Novikoff. She was not merely a clever and charming woman, she was Russia herself. Russia lent her charm. Thus her friends were drawn from serious and vital England. Gladstone learned from her what Russia was.
Olga Mukhina is one of the most talented, young playwrights in Russia. Born in Moscow in 1970, she has already garnered enviable praise from critics and audiences throughout Russia and Europe since her first play, Tanya-Tanya, was performed in 1996. Tanya-Tanyais an atmospheric, poetic tale that observes three couples at a suburban Moscow home who dance, drink champagne, kiss, fall in and out of love, and struggle with dignity and humor to keep some semblance of control over their lives. The parallels with Chekhovian drama are undeniable and clearly intended by the author. You, Mukhina's most recent work, is a love poem to her hometown of Moscow as well as a scathing attack on the apathy of people blindly wrapped up in their own happiness and sorrow.
The diaries reveal details of a remarkable life of a woman born in Imperial Russia who refused to complain about the luxurious life she left behind. CTV National News Its a miraculous tale that takes the readers through revolutions and world wars and chronicles Hendrikoffs transformation from a wealthy privileged lady in-waiting for the Russian empresses to desperate survivor scavenging for coal in a Nazi-occupied France. Calgary Herald Countess Olga Lala Hendrikoff was born into the Russian aristocracy, serving as lady-in-waiting to the empresses and enjoying a life of great privilege. But on the eve of her wedding in 1914 came the first rumors of an impending wara war that would change her life forever and force her to flee her country as a stateless person with no country to call home. In A Countess in Limbo, Countess Hendrikoff tells her remarkable true story that includes the loss of her brother in the Russian gulag, her sister-in-law murdered with the Russian Imperial family, and herself being robbed at gunpoint and accused of being a spy by the Nazis. She also speaks of the daily life that continues during wartime: ration cards and food restrictions, the black market, and the struggle just to get by another day. Her gripping story and thoughtful analysis provide a valuable look at life and humanity in the face of war. Spanning two of the most turbulent times in modern historyWorld War I in Russia and World War II in ParisCountess Hendrikoffs journals demonstrate the uncertainty, horror, and hope of daily life in the midst of turmoil. Her razor-sharp insight, wit, and sense of humor create a fascinating eyewitness account of the Russian Revolution and the occupation and liberation of Paris.
A highly significant movement within the Silver Age, harlequinade did not surface in Russian high culture until the turn of the twentieth century, when it suddenly began to attract the close attention of symbolist authors. In the present work, an attempt is made to show that the proliferation of the new cultural idiom was indicative of the fundamental concerns of the time and intimately related to the development of artistic thought. Although the theme is considered in its cultural totality (visual arts, literature and drama), the work is focused on symbolist poetry. It provides a close analysis of the 'harlequinade' verse of Blok and Belyi - two leading figures of the movement, in whose writings the symbolist theory found its maturity and perfection. The poems in question are conceptually centred on the dialectical unity of self and other - one of the key-notes in the new symbolist outlook. This is traced at various levels of poetic representation: in the imagery system and the principles of text construction, in linguistic features and poetic devices employed by the authors. Special attention is given to the sound organization of the poems, which heightens considerably the semantic potential of the text.
Russian Mosaic is the true story of a young girl from a Russian mining town above the Arctic Circle, whose coming of age is marked by tragedy and hardship, but ultimately survival. She spent her childhood and college years under the structured control of the state. With always a bit of rebellion for the lack of freedom and self-expression, she learned to "play along" to get by. As a young adult, she witnessed the fall of communism and the Soviet Union, and with it, the change of lifestyle for all Russians. The daughter of a miner father and an accountant mother, Olga endures a number of ordeals that would have broken others less resilient. From the untimely passing of her father, and through a variety of early life experiences, she learns from her mother not to rely on others, but to be self-sufficient and to make her own way in the world. She not only survives but succeeds and writes with the hope of inspiring other women who face adversity in life.
Olga Mukhina is one of the most talented, young playwrights in Russia. These works, Tanya-Tanya, and You combine atmosphere, struggles with dignity, humour, happiness and sorrow, the second work being a love poem to her home town, Moscow.
Ultrananocrystalline Diamond: Synthesis, Properties, and Applications is a unique practical reference handbook. Written by the leading experts worldwide it introduces the science of UNCD for both the R&D community and applications developers using UNCD in a diverse range of applications from macro to nanodevices, such as energy-saving ultra-low friction and wear coatings for mechanical pump seals and tools, high-performance MEMS/NEMS-based systems (e.g. in telecommunications), the next generation of high-definition flat panel displays, in-vivo biomedical implants, and biosensors. This work brings together the basic science of nanoscale diamond structures, with detailed information on ultra-nanodiamond synthesis, properties, and applications. The book offers discussion on UNCD in its two forms, as a powder and as a chemical vapor deposited film. Also discussed are the superior mechanical, tribological, transport, electrochemical, and electron emission properties of UNCD for a wide range of applications including MEMS/ NEMS, surface acoustic wave (SAW) devices, electrochemical sensors, coatings for field emission arrays, photonic and RF switching, biosensors, and neural prostheses, etc. Ultrananocrystalline Diamond summarises the most recent developments in the nanodiamond field, and presents them in a way that will be useful to the R&D community in both academic and corporate sectors Coverage of both nanodiamond particles and films make this a valuable resource for both the nanotechnology community and the field of thin films / vacuum deposition Written by the world’s leading experts in nanodiamond, this second edition builds on its predecessor’s reputation as the most up-to-date resource in the field
First published in 1997. Image and Concept: Mythopoetic Roots of Literature here - finally - available in English, is devoted to the origins of Greek tragedy. In it, Freidenberg develops the notion that it was the very transition from thinking based on mythological images to the kind of thinking that makes use of formal-logical concepts that resulted in the appearance of literature. With the transition from mythological thinking to conceptual thought, the content of mythological images became the texture of the new concepts. The inherited mythological forms now were reinterpreted conceptually: causalized, ethicized, generalized, abstracted. This reinterpretation, in turn, brought about poetic figurality. Folkloric material began to be differentiated from the mythological images of the past into various disciplines such as religion, philosophy, ethics, literature, and art. Yet, differentiated and reinterpreted as it was, the folkloric material remained formally preserved in poetic image, structure, and plot.
Olga Bakich's biography of Valerii Pereleshin (19131992) follows the turbulent life and exquisite poetry of one of the most remarkable Russian émigrés of the twentieth century. Born in Irkutsk, Pereleshin lived for thirty years in China and for almost forty years in Brazil. Multilingual, he wrote poetry in Russian and in Portuguese and translated Chinese and Brazilian poetry into Russian and Russian and Chinese poetry into Portuguese. For many years he struggled to accept and express his own identity as a gay man within a frequently homophobic émigré community. His poems addressed his three homelands, his religious struggles, and his loves. InValerii Pereleshin: The Life of a Silkworm, Bakich delves deep into Pereleshin's poems and letters to tell the rich life story of this underappreciated writer.
The first generation of Russian modernists experienced a profound sense of anxiety resulting from the belief that they were living in an age of decline. What made them unique was their utopian prescription for overcoming the inevitability of decline and death both by metaphysical and physical means. They intertwined their mystical erotic discourse with European degeneration theory and its obsession with the destabilization of gender. In Erotic Utopia, Olga Matich suggests that same-sex desire underlay their most radical utopian proposal of abolishing the traditional procreative family in favor of erotically induced abstinence. 2006 Winner, CHOICE Award for Outstanding Academic Titles, Current Reviews for Academic Libraries Honorable Mention, Aldo and Jean Scaglione Prize for Studies in Slavic Languages and Literatures, Modern Language Association “Offers a fresh perspective and a wealth of new information on early Russian modernism. . . . It is required reading for anyone interested in fin-de-siècle Russia and in the history of sexuality in general.”—Bernice Glatzer Rosenthal, Slavic and East European Journal “Thoroughly entertaining.”—Avril Pyman, Slavic Review
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.