This book provides comprehensive analysis of the social-environmental situation and sustainability issues in Russian megacities based on a large-scale mixed method original empirical research conducted in 2015–2019.
This book provides comprehensive analysis of the social-environmental situation and sustainability issues in Russian megacities based on a large-scale mixed method original empirical research conducted in 2015–2019.
It is perhaps a little superfluous for one of my years to write an introduction for one so well known and so much esteemed and admired as Madame Novikoff. And yet it may seem just, if it does not seem vain, that a full-hearted tribute should come to her from this generation which profits by the result of her life and her work—the great new friendship between England and Russia. She is one of the most interesting women in European diplomatic circles. She is a picturesque personality, but more than that she is one who has really done a great deal in her life. You cannot say of her, as of so many brilliant women, "She was born, she was admired, she passed!" Destiny used her to accomplish great ends. For many in our society life, she stood for Russia, was Russia. For the poor people of England Russia was represented by the filth of the Ghetto and the crimes of the so-called "political" refugees; for the middle classes who read Seton Merriman, Russia was a fantastic country of revolutionaries and bloodthirsty police; but fortunately the ruling and upper classes always have had some better vision, they have had the means of travel, they have seen real representative Russians in their midst. {2} "They are barbarians, these Russians!" says someone to his friend. But the friend turns a deaf ear. "I happen to know one of them," says he. A beautiful and clever woman always charms, whatever her nationality may be, and it is possible for her to make conquests that predicate nothing of the nation to which she belongs. That is true, and therein lay the true grace and genius of Madame Novikoff. She was not merely a clever and charming woman, she was Russia herself. Russia lent her charm. Thus her friends were drawn from serious and vital England. Gladstone learned from her what Russia was.
The diaries reveal details of a remarkable life of a woman born in Imperial Russia who refused to complain about the luxurious life she left behind. CTV National News Its a miraculous tale that takes the readers through revolutions and world wars and chronicles Hendrikoffs transformation from a wealthy privileged lady in-waiting for the Russian empresses to desperate survivor scavenging for coal in a Nazi-occupied France. Calgary Herald Countess Olga Lala Hendrikoff was born into the Russian aristocracy, serving as lady-in-waiting to the empresses and enjoying a life of great privilege. But on the eve of her wedding in 1914 came the first rumors of an impending wara war that would change her life forever and force her to flee her country as a stateless person with no country to call home. In A Countess in Limbo, Countess Hendrikoff tells her remarkable true story that includes the loss of her brother in the Russian gulag, her sister-in-law murdered with the Russian Imperial family, and herself being robbed at gunpoint and accused of being a spy by the Nazis. She also speaks of the daily life that continues during wartime: ration cards and food restrictions, the black market, and the struggle just to get by another day. Her gripping story and thoughtful analysis provide a valuable look at life and humanity in the face of war. Spanning two of the most turbulent times in modern historyWorld War I in Russia and World War II in ParisCountess Hendrikoffs journals demonstrate the uncertainty, horror, and hope of daily life in the midst of turmoil. Her razor-sharp insight, wit, and sense of humor create a fascinating eyewitness account of the Russian Revolution and the occupation and liberation of Paris.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Novikoff (1840-1925) was a Russian political writer who worked tirelessly to promote good relations between Russia and England forming a close friendship with W E Gladstone. In addition to her many newspaper articles and magazine essays, usually signed "OK," she wrote a number of books including 'Is Russia Wrong?' and 'Friends or Foes?' (both 1878), and 'Russia and England' (1880). She continued writing articles in the British press during WWI and also published several pamphlets. This book of memoirs, illustrated with photographs, was first published in 1916.
Countess Hendrikoff was born into the Russian aristocracy, serving as lady-in-waiting to the Empresses and enjoying a life of great privilege. Spanning two of the most turbulent times in modern historyNWorld War I in Russia and World War II in ParisNher journals demonstrate the uncertainty, horror, and hope of daily life in the midst of turmoil.
Formed in Soviet Russia in 1962, by the design visionary Yuri Soloviev, this vast network contained Moscow?s most progressive designers. The ?Vniitians?, as they were called, designed for the future and developed new theories and approaches to design in the USSR.0But more than ?fty years later, the organisation is all but forgotten. It?s hard to fathom how such an institution, dedicated to the promotion of utopian design, in theory and in practice, and the improvement of design standards within the Soviet Union, could have faded so far from view. After the disintegration of the USSR, the VNIITE and its library of images and prototypes were presumed lost. 0Until now, that is. Thanks to the efforts of the Moscow Design Museum ? and the discovery of the personal archives of some of the VNIITE designers ? the story of this remarkable organisation is being pieced back together.0Alongside images of sketches, models and prototypes, the book also includes a selection of covers of one of the USSR?s hidden gems of graphic design ? the VNIITE?s monthly journal, 'Technical Aesthetics'. Showcased together for the first time, these covers chart Soviet graphic trends from the 1960s to the early 1990s.
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