Named as One of Financial Times's Best Summer Poetry Books of 2024 The poems in Oksana Maksymchuk’s debut English-language collection meditate on the changing sense of reality, temporality, mortality, and intimacy in the face of a catastrophic event. While some of the poems were composed in the months preceding the full-scale invasion of the poet’s homeland, others emerged in its wake. Navigating between a chronicle, a chorus, and a collage, Still City reflects the lived experiences of liminality, offering different perspectives on the war and its aftermath. The collection engages a wide range of sources, including social media posts, the news reports, witness accounts, recorded oral histories, photographs, drone video footage, intercepted communication, and official documents, making sense of the transformations that war effects in individuals, families, and communities. Now ecstatic, now cathartic, these poems shine a light on survival, mourning, and hope through moments of terror and awe.
Still City, Oksana Maksymchuk's debut in English, reflects life in the wake of extreme and unpredictable violence. Inevitably, there are dramatic shifts in perspective: this diary of an invasion recreates the mood and tone of the context within which a poet's imagination must make sense of the change. Drawing on various sources, including social media, the news, witness accounts, recorded oral histories, photographs, drone video footage, intercepted communication, and official documents, Maksymchuk tells the shared experience. The book began 'as a poetic journal I started keeping in my hometown of Lviv, Ukraine in 2021–22. In the months leading up to the full-scale invasion, my writing has been registering how ways of living, thinking, and feeling have been changing due to the anticipation of a catastrophe, imbuing the everyday rituals with the sense of finality and precarity. While we, as a family and a community, made preparations for air strikes, as well as nuclear, chemical, and biological warfare, our relationships transformed, as did our sense of time, fate, and personhood.
Named as One of Financial Times's Best Summer Poetry Books of 2024 The poems in Oksana Maksymchuk’s debut English-language collection meditate on the changing sense of reality, temporality, mortality, and intimacy in the face of a catastrophic event. While some of the poems were composed in the months preceding the full-scale invasion of the poet’s homeland, others emerged in its wake. Navigating between a chronicle, a chorus, and a collage, Still City reflects the lived experiences of liminality, offering different perspectives on the war and its aftermath. The collection engages a wide range of sources, including social media posts, the news reports, witness accounts, recorded oral histories, photographs, drone video footage, intercepted communication, and official documents, making sense of the transformations that war effects in individuals, families, and communities. Now ecstatic, now cathartic, these poems shine a light on survival, mourning, and hope through moments of terror and awe.
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