This book offers the first comprehensive account of the development of the Romanian morphological system. Romanian is one of the most morphologically complex Romance languages, but has remained relatively understudied compared with better-known languages such as French and Spanish. Following an introduction that provides an outline of the history of Romanian, its writing system and major typological characteristics, and the major patterns of allomorphy, chapters in this volume explore a range of fascinatingly complex aspects of Romanian grammar whose structure and history have to date been largely inaccessible to the English-speaking world. Among the most distinctive morphological characteristics of Romanian discussed by the authors are its inflexional case system; the highly unpredictable formation of the plural; the existence of a non-finite verb form that appears to be the continuation of the Latin supine; the near-absence of distinctive subjunctive morphology; and the complex patterns of allomorphy brought about by successive sound change. The frequently controversial origins of many of these developments have important implications for broader historical Romance linguistics and indeed for morphological theory more generally.
Offering a well-balanced blend of theory and hands-on applications, this book presents a unified framework for the main dissipative phenomena in metallic materials: plasticity and damage. Based on representation theory for tensor functions and scale-bridging theorems, this framework enables the development of constitutive models that account for the influence of crystallographic structures and deformation mechanisms on the macroscopic behavior. It allows readers to develop a clear understanding of the range of applicability of any given model, as well as its capabilities and limitations, and provides procedures for parameter identification along with key concepts necessary to solve boundary value problems, making it useful to both researchers and engineering practitioners. Although the book focuses on new contributions to modeling anisotropic materials, the review of the foundations of plasticity and models for isotropic materials, completed with detailed mathematical proofs mean that it is self-consistent and accessible to graduate students in engineering mechanics and material sciences.
Plasticity of Metallic Materials presents a rigorous framework for description of plasticity phenomena, classic and recent models for isotropic and anisotropic materials, new original analytical solutions to various elastic/plastic boundary value problems and new interpretations of mechanical data based on these recent models. The book covers models for metals with both cubic and hexagonal crystal structures, presents the mechanical tests required to determine the model parameters, various identification procedures, verification, and validation tests, and numerous applications to metal forming. - Outlines latest research on plastic anisotropy and its role in metal forming - Presents characterization and validation tests for metals with various crystal structures - Compares the predictive capabilities of various models for a variety of loadings
Contemporary French writers have embarked on various quests for new sources of thematic and formal inspiration which are increasingly tied to issues of postcolonial legacies. However, French literature has never been consistently examined through the lens of race, ethnicity, and its relation to (post)coloniality. Fictions of Race in Contemporary French Literature is the first scholarly study to engage with the figure of the White writer and explore the White literary gaze in contemporary France. The book highlights the inherent postcoloniality of White Hexagonal literature in a context marked by institutionalized colour-blindness, and offers a reflection on responsible writing in and about postcolonial France. The book identifies a set of formal features, functions, and aesthetic dispositions which reveal the ways in which White writers grapple with postcolonial subjects. It focuses on seven case studies featuring texts by Marie Darrieussecq, Virginie Despentes, Annie Ernaux, Nicolas Fargues, Pierre Lemaitre, ?douard Louis, and Nicolas Mathieu. Achille and Pana?t? argue that it is imperative to recast the enduring boundedness of race and empire as a matter of equal concern to White and non-White writers.
Featuring the delightful and informative illustrations of artist Oana Befort and the inspiring expertise of conservation educator Maggie Reinbold, Drawing Wild Animals guides artists at all skill levels as they learn to draw—and learn about—a diverse array of mammals, amphibians, and reptiles from around the world. To feed your curiosity, you’ll learn the characteristics, behaviors, and habitats of animals from categories like predators, burrowers, grazers, marsupials, frogs and toads, and lizards and snakes. To nurture the artist, you'll get more than 25 step-by-step instructions that show how to develop each animal from simple shapes into richly detailed drawings. Armed with a deeper understanding of animals, you’ll be better able to capture their stunning beauty and enchanting attributes in your artwork. Some of the intriguing animals you'll encounter: Bengal tiger Yellow mongoose African bush elephant European hedgehog Black flying fox Ring-tailed lemur Blue poison frog Gold dust day gecko Russian tortoise With Drawing Wild Animals, you'll learn to see—and draw—animals in a whole new light!
This clinical guide reviews the basics of Rational Emotive Behavior Therapy and presents a quartet of tested protocols for treating anxiety disorders in children and adults. Adult applications feature REBT for treating generalized anxiety disorder and a brief REBT/virtual reality immersion approach to social anxiety disorder. For children and adolescents, a REBT and a rational-emotive educational program address anxiety with interventions tailored to age and developmental considerations. Each protocol suggests measures for screening for suitability and differential diagnosis, explains the usefulness of REBT for the problem, and includes these features: Session-by-session therapist guide with case formulation and relevant techniques. In-session evaluation scales. Client worksheets and exercises. Developmentally appropriate materials for children and adolescents. Agendas for parent sessions to supplement children's therapy. Recommended readings for clients and reference lists for therapists. REBT in the Treatment of Anxiety Disorders in Children and Adults offers a wealth of proven hands-on knowledge not only for practitioners using REBT in their work, such as therapists, clinical psychologists, and counselors, but also for researchers studying the efficacy of psychotherapy interventions for anxiety disorders.
Drawing on a data set of 696 documents – competition and state aid judgments, orders and opinions of the European Courts, and Advocates’ General opinions referring to various soft law instruments – this detailed textual and doctrinal analysis investigates the way in which the EU Courts deal with soft law, how the normative status of these instruments is acknowledged, and how their effects are recognized. It reveals that several ‘champion’ instruments feature frequently in the case law: the guidelines on fines and the leniency notice in competition law, the state aid instruments on aid to be granted to enterprises in difficulty, regional aid, de minimis aid, and aid to be granted to SMEs – all of them having in common the fact that they regulate highly litigated areas. The analysis treats issues such as the following: ; the pathway from judicial ignorance to judicial acknowledgement of soft law; ; the judicial creation of legal ‘hybrids’; the judicial review of soft law; the potential use of soft law as a ‘sword’ or as a ‘shield’ in a court of law; the distinction between legally binding force and legal effects; how soft law can produce legal effects through the operation of general principles of law such as legitimate expectations, legal certainty, or human rights; and how the Courts locate soft law on a strong constitutional pluralist background. Although the analysis might appear to relate to a fairly narrow spectrum of EU law, in fact the interaction of soft law and legal principles reaches into many diverse areas of law, and increasingly so in the twenty-first century. Consequently, this ground-breaking book will prove immeasurably valuable to any practitioner, academic, or policymaker interested in how the EU Court is fulfilling once again its constitutionalizing role, even in an area traditionally lacking formalism and conventions: that of soft instruments of governance.
This book reflects the most recent research devoted to a systematized perspective and a critical (re)construction of previous theoretical attempts of explaining, justifying and continuing Kuhn’s ingenious hypothesis in arts. Hofstadter, Clignet and Habermas revealed to be the most engaged scholars in solving this aesthetic "puzzled-problem". In this context, the structural similarities between science and arts are attentively evaluated, thus satisfying an older concern attributed to the historical Kuhn-Kubler dispute, extensively commented along the pages of this book. How can we track the matter of rationality and truth in art and aesthetics, inspired by scientific perspectives? Are artistic styles similar to scientific paradigms? Are we entitled to pursue paradigms and masterpieces as rational models in science, respectively in arts? On what possible grounds can we borrow from science notions such as progress and predictability, in the study of the evolution of art and its aesthetic backgrounds? Are the historical dynamics of science and art affected by political factors in the same manner? This book will be of interest to philosophers, but also to historians of science and historians of art alike in the reassessment it provides of recent debates on reshaping the art world using Kuhn's "paradigm shift".
Aiming at both identifying the representation of femininity as a social construct and analysing the way in which it can be translated into film adaptations of novels, this work focuses on the interpretations of a famous and, at the same time, problematic literary work, namely the 1994 film Little Women (dir. Gillian Armstrong), reworking the classic nineteenth-century American best-seller “Little Women” by Louisa May Alcott. In particular, drawing on the critical apparatus of feminism(s), the paper lays emphasis on the way in which the metafictional texture of the novel captures instances of reality into fiction, glimpses of autobiography and, of course, femininity at the level of the filmic text. Such aspects are then considered from the perspective of adaptation and translation theories: contrasting the literary translation with the audio-visual one, the undertaking means to highlight the losses in the latter mode of expression and the extent to which the defining elements aforementioned are preserved in the Romanian language.
Metro Best New Books to Read in Spring Pick Glossary Magazine Highly Anticipated Fiction Pick A road trip beneath clear blue skies and a blazing sun: a reclusive artist is forced to abandon his home and follow two young sisters across a post-pandemic Europe in search of a safe place. Is this the end of the world? Meanwhile two computer scientists have been educating their baby in a remote location. Their baby is called Talos, and he is an advanced AI program. Every week they feed him data, starting from the beginning of written history, era by era, and ask him to predict what will happen next to the human race. At the same time they're involved in an increasingly fraught philosophical debate about why human life is sacred and why the purpose for which he was built - to predict threats to human life to help us avoid them - is a worthwhile and ethical pursuit. These two strands come together in a way that is always suspenseful, surprising and intellectually provocative: this is an extraordinarily prescient and vital work of fiction - an apocalyptic road novel to frighten and thrill.
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