Is this Alfred Jarry finally writing Oakley Hall III's autobiography or the other way around? It reads--magnificently--as both at the same time, thus as another instance of that hidden wisdom: we are never only one, but always the occasion of many. Maybe it is Ubu himself fondling the hen, I mean holding the pen? Was there ever pathos in Pataphysics? If not, here it is: one bridge further, Oakley Hall III is at it again, biosplicing his & Jarry s life in the theater and Jarry and his theater in life. You are hereby introduced into the Hall of Post-Pataphysics. -- Prof. Pierre Joris, author of Poasis and A Nomad Poetics
The legendary lost crime novel from Pulitzer Prize finalist Oakley Hall, instructor of Ann Rice, Amy Tan, Richard Ford, and Michael Chabon, who calls SO MANY DOORS "Beautiful, powerful, even masterful." It begins on Death Row, with a condemned man refusing the services of the lawyer assigned to defend him. It begins with a beautiful woman dead, murdered - Vassilia Caroline Baird, known to all simply as V. That's where this extraordinary novel begins. But the story it tells begins years earlier, on a struggling farm in the shadow of the Great Depression and among the brawling "cat skinners" of Southern California, driving graders and bulldozers to tame the American West. And the story that unfolds, in the masterful hands of acclaimed author Oakley Hall, is a lyrical outpouring of hunger and grief, of jealousy and corruption, of raw sexual yearning and the tragedy of the destroyed lives it leaves in its wake. Unpublished for more than half a century, So Many Doors is Hall's masterpiece, an excoriating vision of human nature at its most brutal, and one of the most powerful books you will ever read.
The Sweeping Novel of a Twentieth-Century California Life Love and War in California tells the story, through the eyes of Payton Daltrey, of the last sixty years of an evolving America. The award-winning author Oakley Hall begins his newest work in 1940s San Diego, where his endearing, wide-eyed narrator must define his identity in terms of self, family, and World War II. As his classmates disappear into the war one by one, he becomes obsessed with abuses of power and embroiled with the charming, dangerous Errol Flynn; with the Red Baiting of the American Legion; with the House Un-American Activities Committee; and with the Japanese interment at Manzanar. Nevertheless, Payton, too, must go to the war, where he is a part of the invasion of Europe and that proving of the American soldier: the Battle of the Bulge. After war's end and time in New York, he returns to California as a writer and a seeker, whose old, long-lost love rises from the ashes to show him who he really is. Hall has been called a "master craftsman" (Amy Tan) with "one of the finest prose styles around" (Michael Chabon), and he has received the PEN Center USA West Award of Honor and the P&W Writers for Writers Award. Coming on the heels of Hall's San Francisco Chronicle bestseller (a reissue of his classic Western, Warlock), Love and War in California is more than a novel about a young boy who grows old. It's about how the passions of youth become the verities of age, and how we evolve as a nation, a country, and a people during times that are all at once turbulent, dangerous, and stirring.
Is this Alfred Jarry finally writing Oakley Hall III's autobiography or the other way around? It reads--magnificently--as both at the same time, thus as another instance of that hidden wisdom: we are never only one, but always the occasion of many. Maybe it is Ubu himself fondling the hen, I mean holding the pen? Was there ever pathos in Pataphysics? If not, here it is: one bridge further, Oakley Hall III is at it again, biosplicing his & Jarry s life in the theater and Jarry and his theater in life. You are hereby introduced into the Hall of Post-Pataphysics. -- Prof. Pierre Joris, author of Poasis and A Nomad Poetics
Drawing on the vast archival resources of its Architecture and Design Collection, the UCSB Art, Design & Architecture Museum (University of California, Santa Barbara) presents an assessment of 50 years of design by Barton Myers (b. 1934), beginning with his work in the Toronto firm A.J. Diamond and Barton Myers (1967-1975) to his own offices in Toronto and Los Angeles, Barton Myers Associates (1975-present). Myers's strongest architectural ideas come out of the planning strategies of his early neighborhood activism in 1970s Toronto, his grounding in history, and his training in the classical traditions of site and space planning. Barton Myers is an avowed urbanist--a self-described radical in his early advocacy of old-fashioned qualities like density, mixed-use of new and re-purposed materials, and contextual planning in the late 1960s when that fundamentally conservative position was considered counter-culture. Myers' urban manifesto was codified in "Vacant Lottery," the title of the Design Quarterly issue co-edited by Myers and Canadian architect and educator George Baird in 1978 and which led to a renewal of interest in urban planning and offered a strategy for increasing population densities within cities while preserving the existing residential fabric. The term lived on long past the journal's circulation cycle as both an urban infill strategy and an acknowledgment of the ceding of city planning responsibility to the "lottery" of private developers. Myers's design practice has thus always been a social justice practice as well. Myers is also a brilliant designer of residential houses that take advantage of local landscape contexts and adaptive reuse of building materials, including steel and glass. Five essays - on urban planning, civic structures, reuse of historic buildings, single- and multi-family housing, and theaters - reinforce Myers's commitment to urbanism and reveal his flexibility with modes of modernism. Natalie Shivers introduces the early planning work in Toronto and traces the "vacant lottery" idea of neighborhood infill to the influential Grand Avenue project in Los Angeles. Howard Shubert examines the architectural and planning strategies, and political complexities, of several civic structures in Canada and the United States. Luis Hoyos explores Myers's additions and adaptations to historic buildings in diverse urban contexts. Lauren Bricker focuses on the use of steel and other industrial materials in Myers's houses and analyses the neighborhood-based designs of his multi-family housing. Charles Oakley describes the technical innovations, site planning, and historical underpinnings of Myers's theaters and performance complexes.
The structure of the MRCPsych examination has changed significantly. This book is specifically written for the new exam, providing 250 practice best-of-five multiple choice questions (MCQs) and 100 extended matching item (EMI) questions for Paper II. It contains clear, concise answers to questions, along with explanatory notes and further reading for each topic. It gives practical advice on the format and content of the examination and techniques for answering questions. It is comprehensive and authoritative: both authors are members of the Psychiatric Trainees' Committee of the Royal College of Psychiatrists. This is an essential revision aid for candidates sitting Paper II of the MRCPsych examination.
The Phenomenon of Architecture in Cultures in Change focuses on the study of architectural design and its impact in the developing world. The book first elaborates on architectural function and problems and building problems. Discussions focus on a unified form of classification to characterize building context, architecture and society, development process and the building process, understanding of architectural form, and exploring architecture. The text then ponders on economy, intentions, ideas, and method in design. Topics include method in design work, formal articulation and architectural expression, synthesis of critical approaches, architectural ideas, search for system in design work, and economy and the design process. The manuscript examines education and architecture and community, as well as urbanizing rural region, residential urban renewal, and town design service. The book is a dependable source of data for architects and researchers interested in the phenomenon of architecture.
The structure of the MRCPsych examination has changed significantly. This book is specifically written for the new exam, providing 250 practice best-of-five multiple choice questions (MCQs) and 100 extended matching item (EMI) questions for Paper III. It contains clear, concise answers to questions, along with explanatory notes and further reading for each topic. It gives practical advice on the format and content of the examination and techniques for answering questions. It is comprehensive and authoritative: both authors are members of the Psychiatric Trainees' Committee of the Royal College of Psychiatrists. This is an essential revision aid for candidates sitting Paper III of the MRCPsych examination.
After his death in 1768, the famous novelist Laurence Sterne did not rest undisturbed in his grave. While rumours of the theft and dissection of Sternes corpse circulated in the anatomy schools, numerous writers took possession of his literary body of work. New forms of Sternean entertainment were produced by literary mimics who impersonated the author through the medium of print, impersonations which included startling and unique interpretations of Sternes character and fiction. Warren Oakley introduces two new critical concepts to eighteenth-century literary study, bodysnatching and mimicry, to understand these texts that have been neglected and overlooked in Sterne studies. This lucid account reveals the personal stories of such literary mimics, the creative techniques they employed and the consequences of their actions upon the posthumous perception of Sterne, the man and his cadaverous goods.
This book is composed of a series of studies in the history of political thought from late antiquity to the early-eighteenth century. They range broadly across theories of kingship, political theology, constitutional ideas, natural-law thinking, and consent theory.
The concluding volume of Francis Oakley's authoritative trilogy moves on to engage the political thinkers of the later Middle Ages, Renaissance, Age of Reformation and religious wars, and the era that produced the Divine Right Theory of Kingship. Oakley's ground-breaking study probes the continuities and discontinuities between medieval and early modern modes of political thinking and dwells at length on the roots and nature of those contract theories that sought to legitimate political authority by grounding it in the consent of the governed.
Livy's ninth book, one of his finest and most interesting, begins with his celebrated account of the Roman disaster in the Caudine Forks and its aftermath and contains also the famous digression on Alexander and our longest account of the censorship of Appius Claudius Caecus. This new commentary, which is a sequel to those on Books VI-VIII published in 1997 and 1998, deals comprehensively with all aspects of Livy's work, including the literary structure of his narrative, the purpose of the digression on Alexander, the historical and topographical problems of the Samnite Wars, Roman politics in the age of Appius Claudius Caecus, the poetical and archaic language sometimes affected by Livy, and the numerous textual problems posed by the extant manuscripts.
A People and US Weekly Pick “An impressive feat…an immensely entertaining, moving, and believable read” (Atlanta Journal-Constitution), this debut novel in the bestselling tradition of P.S. I Love You revolves around a young woman with breast cancer who undertakes a mission to find a new wife for her husband before she passes away. Twenty-seven-year-old Daisy already beat breast cancer four years ago. How can this be happening to her again? On the eve of what was supposed to be a triumphant “Cancerversary” with her husband Jack to celebrate four years of being cancer-free, Daisy suffers a devastating blow: her doctor tells her that the cancer is back, but this time it’s an aggressive stage four diagnosis. She may have as few as four months left to live. Death is a frightening prospect—but not because she’s afraid for herself. She’s terrified of what will happen to her brilliant but otherwise charmingly helpless husband when she’s no longer there to take care of him. It’s this fear that keeps her up at night, until she stumbles on the solution: she has to find him another wife. With a singular determination, Daisy scouts local parks and coffee shops and online dating sites looking for Jack’s perfect match. But the further she gets on her quest, the more she questions the sanity of her plan. As the thought of her husband with another woman becomes all too real, Daisy’s forced to decide what’s more important in the short amount of time she has left: her husband’s happiness—or her own?
This book focuses on cultural policy in the UK between 1997 and 2010 under the Labour party (or 'New Labour', as it was temporarily rebranded). It is based on interviews with major figures and examines a range of policy areas including the arts, creative industries, copyright, film policy, heritage, urban regeneration and regional policy.
The new MRCPsych examination has changed significantly. Instead of two distinct parts, there are now three written papers and one clinical exam. This book is completely up-to-date and takes into account the new format. It provides 250 practice best-of-five multiple choice questions (MCQs) and 100 extended matching items questions (EMIs) for Paper I. It contains clear, concise solutions to each question as an aid to revision. It is comprehensive and authoritative, with both authors being members of the Psychiatric Trainee's Committee of the Royal College of Psychiatrists. As well as being an essential revision aid for candidates sitting Paper I, it is also useful when preparing for Papers II and III because of the many similarly themed questions.
The Cheltenham Festival is nowadays the biggest event in the racing year – in visitor numbers eclipsing Royal Ascot, the Grand National or the Derby. In 2011 it is a hundred years since the 1911 running of the National Hunt Chase marked the birth of the Festival, providing the perfect occasion for Robin Oakley's new history. This is a work of both history and celebration – telling the story of how three days of jump racing beneath Cleeve Hill in Cheltenham became a vast sporting event attracting an average of 50,000 spectators per day. Before the War it saw legendary horses like Golden Miller; after the War the Irish invasion began – both horses and spectators; in the Sixties, Arkle, the greatest jumps horse of all time duelling with Mill House in the Gold Cup. In recent years there have been Cheltenham favourites like Desert Orchid, winning a gruelling Gold Cup in the mud, Dawn Run, Best Mate (2 Gold Cups), hurdlers like Istabraq and Persian War, and the grey hero One Man. But also it is a story of the craic and the characters, like the Irishman who won enough on Istabraq to pay off his mortgage, then lost it again on the Champion Chase, and reflected, "Ach, it was only a small house anyway…" This is a book for both the committed Festival-goer, Guinness in hand, and every armchair racing fan.
First published in 1998. This book attempts to contribute a new framework for social research in the welfare field. As such, it engages with new theories, new approaches and new methods, alongside a constructive critique of both the old and the new. It attempts to illustrate approaches to conceptualization and operationalization within policy-relevant research, to reflect and explore both “new” thinking in social theory and in welfare policy, as well as to maintain a connection with “old” concerns. Our concern is with welfare research—both theory and method— broadly defined as the wider landscape of policy and provision captured, in the past at least, by the notion of the “welfare state”. The “new” thinking with which the book is primarily concerned involves a shift away from seeing people as the passive beneficiaries of “welfare” provided through state interventions and professional expertise and from seeing them as fixed single social categories of “poor”, “old”, “single parent” or as one dimensional, objective socio-economic classifications.
Since 1966, when James Diggle was elected to his Fellowship at Queen's College, Cambridge, his teaching and scholarly example have inspired many of his pupils to embark on their own academic careers. In this volume fourteen former pupils have contributed essays to mark his retirement. The contributions cover many of the diverse disciplines of Classics: Greek literature, Greek language, Latin literature, Textual Criticism, Greek and Roman Culture and the History of Scholarship. James Diggle has always excelled in the teaching of Greek and Latin composition and included are two offerings in Greek verse by former pupils. The volume concludes with a bibliography of the honorand's published writings.
This volumes offers a study of all known manuscripts and incunabular editions of four classical texts: Vitruvius' De architectura, Cato's De agri cultura, Varro's De re rustica, Porphyrio's Commentary on Horace, and Priscian's Periegesis. The total number of witnesses involved comes to over 200; many of the manuscripts were produced in France or Italy, but English, German, Polish, and Swiss manuscripts also feature. For each text, the genealogical affiliations of its manuscript copies are determined (in many cases for the first time), as is the manner in which each was dispersed throughout medieval Europe and transmitted from antiquity through the Middle Ages to the first printed editions. S. P. Oakley shows that clear and decisive results can be achieved by application of the so-called stemmatic method and establishes which manuscripts future editors should use in editing these texts. Manuscripts that are not needed by future editors are discussed as fully as those that are, and many localizations and derivations are established. The result is a detailed study that deepens knowledge of the transmission of classical Latin texts, especially in the Renaissance, of scribal practice, and of techniques that can be deployed in the genealogical study of manuscripts and incunables.
Author of THE GLORY DAYS OF BUFFALO EGBERT a.k.a People of the Whistling Waters Henrytown, Louisiana… It’s barely on the map. It wasn’t until 1962 that it was even considered a viable speed-trap. And yet… In 1934 Georgia aristocrat Aaron Brooks graduated from the Atlanta Seminary. The son of a wealthy family, surely Aaron wouldn’t actually accept the pastorate of some backwater Louisiana town, especially in the height of the Great Depression. And yet…Aaron boarded the train… The people of Henrytown were struck by his startling good looks and gracious manner. The consensus was that he was too pretty and too helpless to survive inside a hardscrabble town. But when they heard him preach, they stopped praying for a new pastor. Henrytown and its people, in all their varied and wondrous forms, gradually became Aaron’s family. His life was rich and content. But then it radically changed in 1941 when America was thrust into WWII. American service men and women needed chaplains. Aaron boarded a train, but this time he was leaving behind his adored wife and children, and the many treasured souls of Henrytown, Louisiana.
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