Oakley Hall's legendary Warlock revisits and reworks the traditional conventions of the Western to present a raw, funny, hypnotic, ultimately devastating picture of American unreality. First published in the 1950s, at the height of the McCarthy era, Warlock is not only one of the most original and entertaining of modern American novels but a lasting contribution to American fiction. "Tombstone, Arizona, during the 1880's is, in ways, our national Camelot: a never-never land where American virtues are embodied in the Earps, and the opposite evils in the Clanton gang; where the confrontation at the OK Corral takes on some of the dry purity of the Arthurian joust. Oakley Hall, in his very fine novel Warlock has restored to the myth of Tombstone its full, mortal, blooded humanity. Wyatt Earp is transmogrified into a gunfighter named Blaisdell who . . . is summoned to the embattled town of Warlock by a committee of nervous citizens expressly to be a hero, but finds that he cannot, at last, live up to his image; that there is a flaw not only in him, but also, we feel, in the entire set of assumptions that have allowed the image to exist. . . . Before the agonized epic of Warlock is over with—the rebellion of the proto-Wobblies working in the mines, the struggling for political control of the area, the gunfighting, mob violence, the personal crises of those in power—the collective awareness that is Warlock must face its own inescapable Horror: that what is called society, with its law and order, is as frail, as precarious, as flesh and can be snuffed out and assimilated back into the desert as easily as a corpse can. It is the deep sensitivity to abysses that makes Warlock one of our best American novels. For we are a nation that can, many of us, toss with all aplomb our candy wrapper into the Grand Canyon itself, snap a color shot and drive away; and we need voices like Oakley Hall's to remind us how far that piece of paper, still fluttering brightly behind us, has to fall." —Thomas Pynchon
The legendary lost crime novel from Pulitzer Prize finalist Oakley Hall, instructor of Ann Rice, Amy Tan, Richard Ford, and Michael Chabon, who calls SO MANY DOORS "Beautiful, powerful, even masterful." It begins on Death Row, with a condemned man refusing the services of the lawyer assigned to defend him. It begins with a beautiful woman dead, murdered - Vassilia Caroline Baird, known to all simply as V. That's where this extraordinary novel begins. But the story it tells begins years earlier, on a struggling farm in the shadow of the Great Depression and among the brawling "cat skinners" of Southern California, driving graders and bulldozers to tame the American West. And the story that unfolds, in the masterful hands of acclaimed author Oakley Hall, is a lyrical outpouring of hunger and grief, of jealousy and corruption, of raw sexual yearning and the tragedy of the destroyed lives it leaves in its wake. Unpublished for more than half a century, So Many Doors is Hall's masterpiece, an excoriating vision of human nature at its most brutal, and one of the most powerful books you will ever read.
From the acclaimed author of Warlock comes “an elegiac, incandescent 1880s Dakota badlands Western that bears comparison to the greats” (Kirkus). It’s 1883 in Johnson County, in the old Dakota Territory—a rugged, wide-open landscape of rolling red earth, prairie, and cattle as far as the eye can see. But the land is closing, the “Beef Bonanza” is ending, and the free-range cattlemen are stuck watching their way of life disappear in a blaze of drought and gunfire. An action-packed western from one of the masters of the genre, Oakley Hall’s The Bad Lands blends roundups and rustlers, whorehouses and land grabs, shoot-outs and the threat of hangings in a tale of the war between the cowboys and the cattle barons. But more than this, it is an elegy to the wild beauty of the badlands before the ranchers moved in, chased off the free-rangers, the trappers, and the tribes, and fenced it all in. “Readers unable to suppress an unfashionable yearning for a good story will be delighted with The Bad Lands.”—Larry McMurtry, The New York Times
Drawing on the vast archival resources of its Architecture and Design Collection, the UCSB Art, Design & Architecture Museum (University of California, Santa Barbara) presents an assessment of 50 years of design by Barton Myers (b. 1934), beginning with his work in the Toronto firm A.J. Diamond and Barton Myers (1967-1975) to his own offices in Toronto and Los Angeles, Barton Myers Associates (1975-present). Myers's strongest architectural ideas come out of the planning strategies of his early neighborhood activism in 1970s Toronto, his grounding in history, and his training in the classical traditions of site and space planning. Barton Myers is an avowed urbanist--a self-described radical in his early advocacy of old-fashioned qualities like density, mixed-use of new and re-purposed materials, and contextual planning in the late 1960s when that fundamentally conservative position was considered counter-culture. Myers' urban manifesto was codified in "Vacant Lottery," the title of the Design Quarterly issue co-edited by Myers and Canadian architect and educator George Baird in 1978 and which led to a renewal of interest in urban planning and offered a strategy for increasing population densities within cities while preserving the existing residential fabric. The term lived on long past the journal's circulation cycle as both an urban infill strategy and an acknowledgment of the ceding of city planning responsibility to the "lottery" of private developers. Myers's design practice has thus always been a social justice practice as well. Myers is also a brilliant designer of residential houses that take advantage of local landscape contexts and adaptive reuse of building materials, including steel and glass. Five essays - on urban planning, civic structures, reuse of historic buildings, single- and multi-family housing, and theaters - reinforce Myers's commitment to urbanism and reveal his flexibility with modes of modernism. Natalie Shivers introduces the early planning work in Toronto and traces the "vacant lottery" idea of neighborhood infill to the influential Grand Avenue project in Los Angeles. Howard Shubert examines the architectural and planning strategies, and political complexities, of several civic structures in Canada and the United States. Luis Hoyos explores Myers's additions and adaptations to historic buildings in diverse urban contexts. Lauren Bricker focuses on the use of steel and other industrial materials in Myers's houses and analyses the neighborhood-based designs of his multi-family housing. Charles Oakley describes the technical innovations, site planning, and historical underpinnings of Myers's theaters and performance complexes.
First published in 1998. This book attempts to contribute a new framework for social research in the welfare field. As such, it engages with new theories, new approaches and new methods, alongside a constructive critique of both the old and the new. It attempts to illustrate approaches to conceptualization and operationalization within policy-relevant research, to reflect and explore both “new” thinking in social theory and in welfare policy, as well as to maintain a connection with “old” concerns. Our concern is with welfare research—both theory and method— broadly defined as the wider landscape of policy and provision captured, in the past at least, by the notion of the “welfare state”. The “new” thinking with which the book is primarily concerned involves a shift away from seeing people as the passive beneficiaries of “welfare” provided through state interventions and professional expertise and from seeing them as fixed single social categories of “poor”, “old”, “single parent” or as one dimensional, objective socio-economic classifications.
Our colonial ancestors knew how to build houses as well as constitutions. It may even be that they built the one as enduringly as the other, for many of their mansions still stand, firm in joist and beam, having required in nearly two centuries no more serious repairs than shingles and paint. As the Constitution did not spring, a magic structure, fresh from the minds of its builders, but was a welding together of ideas as old as the Magna Carta, so the style of architecture known as Colonial was not a new creation but an adaptation of the Georgian to new material and new social conditions. While there were no architects among our early ancestors, there were master builders who had served apprenticeship to the creators of the manor houses of Georgian England or of the small chateaux of France. Accustomed to work lavishly in stone and brick, these master builders adapted their methods to wood and unconsciously developed the style we know as Colonial. They kept the type pure whether they applied it to the mansion of the East Indian merchants of New England or to the hospitable home of the owners of the plantations of Virginia and the Carolinas, but in detail they yielded to climate and personality. In this volume, Imogen Oakley meticulously examines the historical climate and the personalities that influenced the construction of six examples of colonial architecture—three in New England and one each in New York, Pennsylvania, and Maryland: The Moffatt-Ladd House, Portsmouth, New Hampshire The Quincy Mansion, Quincy, Massachusetts The Webb House, Wethersfield, Connecticut The Jumel House, New York, New York Stenton, Philadelphia, Pennsylvania Mount Clare, Baltimore, Maryland By relating the character of the homesteads as they stand today to the circumstances under which they were built and the personalities who built and occupied them, the author illuminates these monuments of our American past and demonstrates the relationship of their design to their function. In addition, she traces the history of these homes and shows how it happened that they still stand today, their interior decor completely preserved in every detail. With the aid of over twenty photographs, the reader is able to gain an intimate view of many of the magnificent rooms that grace these famous old mansions. This volume represents a valuable and entertaining contribution to American colonial history and the study of an architectural style that has withstood the vicissitudes of time and taste. It will also prove of great interest to the antique enthusiast, who will be able to see many of the finest examples of colonial interior design in their original setting and thus gain a picture of a style of living that reflects the unique personality of a hardy and practical society and which compares favorably with so much of what has grown up around and threatened to displace it.
This book focuses on cultural policy in the UK between 1997 and 2010 under the Labour party (or 'New Labour', as it was temporarily rebranded). It is based on interviews with major figures and examines a range of policy areas including the arts, creative industries, copyright, film policy, heritage, urban regeneration and regional policy.
From the Cast-Iron Shore is part personal memoir and part participant-observer’s educational history. As president emeritus at Williams College in Massachusetts, Francis Oakley details its progression from a fraternity-dominated institution in the 1950s to the leading liberal arts college it is today, as ranked by U.S. News and World Report. Oakley’s own life frames this transformation. He talks of growing up in England, Ireland, and Canada, and his time as a soldier in the British Army, followed by his years as a student at Yale University. As an adult, Oakley’s provocative writings on church authority stimulated controversy among Catholic scholars in the years after Vatican II. A Fellow of the American Academy of Arts and Sciences and the Medieval Academy of America, and an Honorary Fellow of Corpus Christi College, Oxford, he has written extensively on medieval intellectual and religious life and on American higher education. Oakley combines this account of his life with reflections on social class, the relationship between teaching and research, the shape of American higher education, and the challenge of educational leadership in the late twentieth and early twenty-first century. The book is an account of the life of a scholar who has made a deep impact on his historical field, his institution, his nation, and his church, and will be of significant appeal to administrators of liberal arts colleges and universities, historians, medievalists, classicists, and British and American academics.
Originally published in 1964, this book tells the history of the British cinematograph industry for the first time. It describes moments of splendid triumph and others of shattering failure. The mood switches from reckless optimism to demoralising pessimism, from years in which British films won the highest international awards to those when they were dismissed with scorn. It recalls a score of productions still ranked among the world's best, and the stars whose reputation was established in them. Attention is focused on the directors, those who kept to the fore during two and three decades and those with only one major success to their name. Behind them the men are identified who strove, often to their considerable financial loss, to gain a worthy place for British films in the world’s markets.
Barbara Wootton was one of the extraordinary public figures of the twentieth century. She was an outstanding social scientist, an architect of the welfare state, an iconoclast who challenged conventional wisdoms and the first woman to sit on the Woolsack in the House of Lords. Ann Oakley has written a fascinating and highly readable account of the life and work of this singular woman, but the book goes much further. It is an engaged account of the making of British social policy at a critical period seen through the lens of the life and work of a pivotal figure. Oakley tells a story about the intersections of the public and the private and about the way her subject's life unfolded within, was shaped by, and helped to shape a particular social and intellectual context.
What does it really take to make the podium? Which of the biological, environmental and psychological factors really shape a champion's route to the top? To answer these questions, Ben Oakley has taken the original step of combining existing research with a study of leading athletes' autobiographies. Looking at the early histories and initial challenges of serial champions in their own words, Podium sheds new light on their commonalities. A similar focus in training, similar influences around them and, above all, similar mental attributes are revealed – and tales of individual brilliance are given a fresh twist. From Ian Thorpe, Usain Bolt and Chrissie Wellington to Victoria Pendleton, Lionel Messi and Roger Federer, all we see is a smooth progression to glory, but each is a rocky path punctuated by critical episodes, and it is the response to these events that can transform talented people into winners. Podium is fascinating reading for anyone interested in the big names at the peak of their respective sports, and essential for coaches or parents of the next budding star. This enthralling read will enrich your interpretation of champions' lives and provide a map of the complex paths through sport to the podium.
Rev. George Robert Oakley (1864-1932) was born in Dublin but his family moved to Yorkshire when he was an infant. He was educated at Sheffield Royal Grammar School and St. Aidan's Theological College, Birkinhead. When the church of St. Andrew's, Dearnley was completed in 1895 he became the first vicar of that church. During this time he collected together the myths and legends of the local area for this book. In 1923 he became the Vicar of St. Mary the Virgin, Illingworth returning over the border into Yorkshire until his death.
The structure of the MRCPsych examination has changed significantly. This book is specifically written for the new exam, providing 250 practice best-of-five multiple choice questions (MCQs) and 100 extended matching item (EMI) questions for Paper III. It contains clear, concise answers to questions, along with explanatory notes and further reading for each topic. It gives practical advice on the format and content of the examination and techniques for answering questions. It is comprehensive and authoritative: both authors are members of the Psychiatric Trainees' Committee of the Royal College of Psychiatrists. This is an essential revision aid for candidates sitting Paper III of the MRCPsych examination.
After his death in 1768, the famous novelist Laurence Sterne did not rest undisturbed in his grave. While rumours of the theft and dissection of Sternes corpse circulated in the anatomy schools, numerous writers took possession of his literary body of work. New forms of Sternean entertainment were produced by literary mimics who impersonated the author through the medium of print, impersonations which included startling and unique interpretations of Sternes character and fiction. Warren Oakley introduces two new critical concepts to eighteenth-century literary study, bodysnatching and mimicry, to understand these texts that have been neglected and overlooked in Sterne studies. This lucid account reveals the personal stories of such literary mimics, the creative techniques they employed and the consequences of their actions upon the posthumous perception of Sterne, the man and his cadaverous goods.
The new MRCPsych examination has changed significantly. Instead of two distinct parts, there are now three written papers and one clinical exam. This book is completely up-to-date and takes into account the new format. It provides 250 practice best-of-five multiple choice questions (MCQs) and 100 extended matching items questions (EMIs) for Paper I. It contains clear, concise solutions to each question as an aid to revision. It is comprehensive and authoritative, with both authors being members of the Psychiatric Trainee's Committee of the Royal College of Psychiatrists. As well as being an essential revision aid for candidates sitting Paper I, it is also useful when preparing for Papers II and III because of the many similarly themed questions.
Providing a balance of empirical research and practical concerns, this book explores the definitions and historical context of spiritual abuse, outlines a process model for the different stages of spiritual abuse and includes strategies for therapists working with survivors of spiritual abuse.
Before Bill Clinton became president, no reporter in America knew him better than Little Rock reporter Meredith Oakley. Time and again she watched him make campaign promises, break them, then lie to save face. Now, in this biography based on 12 years of personal files, Oakley presents the first factual, critical answer to the question, "What makes Bill Clinton tick?
A land rich with oil, alive with passion, stained with tears—and the family who embraced it all. Duty and desire warred in May Rose Fallen Hawk when she made the fateful decision to marry Claude Rainwater. No decent woman had ever married a Rainwater—a brawling, hell-raising clan of dirt-poor Osage—but May Rose had adored Claude ever since she was a child. Now she would defy her family to belong to him, risking her future on a wild, unpredictable man whose spirit could never be tamed. Across three decades—and an Oklahoma seared by dust and scarred by oil rigs—May Rose and Claude fought to make a place of their own. Through boom times, depression, and war . . . through years of sacrifice, triumph, and joy, May Rose found strength and sorrow in her five sons. Together and apart, this remarkable family gathered courage from the age-old traditions of the Osage—and embraced all the passions of the rugged, enduring land they called home. The spellbinding saga of a Native American family through three generations of triumph, tragedy, and love.
Winner of the Western Writers of America’s Medicine Pipe Bearer’s Award Tall, vain, elegant, the Crow were perhaps the most handsome of the Plains tribes. They were superb horsemen and fierce mystic warriors, implacable enemies, unshakable friends. A French-Canadian trapper, Renee DeGeer was a loner before he came to the Crow. He became one of them when he married the beautiful Tall Willow, only daughter of the principal chief, and started their magnificent family. But all too soon they and the whole Whistling Water clan found themselves in a fight to the death with other tribes competing for dwindling land and facing a white culture that threatened to overwhelm them like a river in flood. Now, as surely as the sun must set, the glory days of noble warriors and roaming hunters were coming to an end. THE GLORY DAYS OF BUFFALO EGBERT A magnificent novel that brings to life the moving story of the Crow nation “A must read. If you haven’t yet read it, get it. It’s a fine reading experience.” —Allan W. Eckert, author of That Dark and Bloody River
The structure of the MRCPsych examination has changed significantly. This book is specifically written for the new exam, providing 250 practice best-of-five multiple choice questions (MCQs) and 100 extended matching item (EMI) questions for Paper II. It contains clear, concise answers to questions, along with explanatory notes and further reading for each topic. It gives practical advice on the format and content of the examination and techniques for answering questions. It is comprehensive and authoritative: both authors are members of the Psychiatric Trainees' Committee of the Royal College of Psychiatrists. This is an essential revision aid for candidates sitting Paper II of the MRCPsych examination.
Between 1880 and 1920 many women researched the conditions of social and economic life in Western countries. They were driven by a vision of a society based on welfare and altruism, rather than warfare and competition. Ann Oakley, a leading sociologist, undertook extensive research to uncover this previously hidden cast of forgotten characters. She uses the women’s stories to bring together the histories of social reform, social science, welfare and pacifism. Her fascinating account reveals how their efforts, connected through thriving transnational networks, lie behind many features of modern welfare states and reminds us of their powerful vision of a more humane way of living – a vision that remains relevant today.
Shakespeare on the Ecological Surface uses the concept of the ‘surface’ to examine the relationship between contemporary performance and ecocriticism. Each section looks, in turn, at the 'surfaces' of slick, smoke, sky, steam, soil, slime, snail, silk, skin and stage to build connections between ecocriticism, activism, critical theory, Shakespeare and performance. While the word ‘surface’ was never used in Shakespeare’s works, Liz Oakley-Brown shows how thinking about Shakespearean surfaces helps readers explore the politics of Elizabethan and Jacobean culture. She also draws surprising parallels with our current political and ecological concerns. The book explores how Shakespeare uses ecological surfaces to help understand other types of surfaces in his plays and poems: characters’ public-facing selves; contact zones between characters and the natural world; surfaces upon which words are written; and physical surfaces upon which plays are staged. This book will be an illuminating read for anyone studying Shakespeare, early modern culture, ecocriticism, performance and activism.
In Ovid and the Cultural Politics of Early Modern England, Liz Oakley-Brown considers English versions of the Metamorphoses - a poem concerned with translation and transformation on a multiplicity of levels - as important sites of social and historical difference from the fifteenth to the early eighteenth centuries. Through the exploration of a range of canonical and marginal texts, from Shakespeare's Titus Andronicus to women's embroideries of Ovidian myths, Oakley-Brown argues that translation is central to the construction of national and gendered identities.
In 1982, a young couple with small children received devastating news. Jim Oakley and his wife, Beverly, were told he had a rare chest tumora malignant thymomaone known not to respond to treatment. He was given three to six months to live. Though their world had been turned upside down, the couple chose to remain hopeful. With the love and support of friends, family, and our Lord, the two were able to face seemingly insurmountable odds with great faith and courage. As you read this story, you will feel the weight of their struggle and the joy of their victory over cancer. Hanging On for Dear Life is a true story, one of faith, of hope, and of great love. Beverly Fetzer Oakley will take you on a journey through pain, uncertainty, and heartache, but on a road paved with joy and peace. Learn to: Cope through the illness of a loved one Visit terminally ill patients Offer support to caregivers Trust the Lord to carry you through mountains and valleys In my forty-five years of medical practice I was never involved with a more incredible case, the amazing outcome of which was greatly influenced by Jims determination and grit, and the tremendous loving support of Beverly. -Dr. Ben J. Birdwell, MD, Internal Medicine, Summit Medical Associates, Hermitage, TN
Of all the tasks you perform, perhaps none is more consequential for the performance of other tasks than paying attention. When you attend, you perceive. When you attend and perceive, you remember. When you attend, perceive, and remember, you learn. When you learn, you have the option of acting deliberately. Perceiving, thinking, learning, deciding, and acting require the constant adjustment of the attention system. The author proposes a model of the greater attention system as comprising three distinct but interdependent sub-systems: the signal system, the selection system, and the interperso.
The most significant factor in the career of Aaron “T-Bone” Walker was his ability to bridge the worlds of blues and jazz. The guitar artistry of this early exponent of urban blues was not only admired by blues musicians like B.B. King, Gatemouth Brown, Albert King, and Albert Collins, and rock guitarists such as Eric Clapton, Jimi Hendrix, Duane Allman, and Stevie Ray Vaughan, but by such jazz greats as Billie Holiday, Dizzy Gillespie, Lester Young, and many others with whom he recorded. Stormy Monday is the first biography of T-Bone Walker to be published. Using dozens of interviews with Walker, as well as with members of his family, close friends, fellow musicians, and business associates, the book offers a remarkable frank insider’s account of the life of a blues musician and compulsive gambler, from the wild living and hard drinking on the road to a solid and contented family life at home. “In a very real sense the modern blues is largely his creation.” blues authority Pete Welding has written about T-Bone Walker. “The blues was different before he came on the scene, and it hasn’t been the same since, and few men can lay claim to that kind of distinction. No one has contributed as much, as long, or as variously to the blues.”
Tall, dark and dangerous--the man from Mont Avellana... Black-hearted billionaire Domenic Vincini wants the lush riches of rival island Niroli, including the jewel in Niroli's crown--Princess Isabella Fierezza. She's forbidden, but to Domenic, a man scarred inside and out, that makes her innocence all the more appealing. If Isabella gives in to temptation she'll tie herself--and her kingdom--to its sworn enemy...
One convenient download. One bargain price. Get all October Harlequin Presents with one click! A Spanish prince, an Italian Billionaire, an Australian playboy...this collection from Harlequin Presents has it all! Get all eight October titles in one convenient bundle: The Tycoon's Princess Bride by Natahsa Oakley, The Spanish Prince's Virgin Bride by Sandra Marton, The Greek Tycoon's Virgin Wife by Helen Bianchin, Innocent on Her Wedding Night by Sara Craven, The Boss's Wife for a Week by Anne McAllister, The Mediterranean Billionaire's Secret Baby by Diana Hamilton, Willingly Bedded, Forcibly Wedded by Melanie Milburne, and The Italian's Defiant Mistress by India Grey.
A People and US Weekly Pick “An impressive feat…an immensely entertaining, moving, and believable read” (Atlanta Journal-Constitution), this debut novel in the bestselling tradition of P.S. I Love You revolves around a young woman with breast cancer who undertakes a mission to find a new wife for her husband before she passes away. Twenty-seven-year-old Daisy already beat breast cancer four years ago. How can this be happening to her again? On the eve of what was supposed to be a triumphant “Cancerversary” with her husband Jack to celebrate four years of being cancer-free, Daisy suffers a devastating blow: her doctor tells her that the cancer is back, but this time it’s an aggressive stage four diagnosis. She may have as few as four months left to live. Death is a frightening prospect—but not because she’s afraid for herself. She’s terrified of what will happen to her brilliant but otherwise charmingly helpless husband when she’s no longer there to take care of him. It’s this fear that keeps her up at night, until she stumbles on the solution: she has to find him another wife. With a singular determination, Daisy scouts local parks and coffee shops and online dating sites looking for Jack’s perfect match. But the further she gets on her quest, the more she questions the sanity of her plan. As the thought of her husband with another woman becomes all too real, Daisy’s forced to decide what’s more important in the short amount of time she has left: her husband’s happiness—or her own?
A Good Morning America Buzz Pick * A Marie Claire Book Club Pick for April * A Reader's Digest Book Club Pick for April * A LibraryReads Pick * One of Southern Living's Most Anticipated 2023 Releases * One of Today's Most Anticipated 2023 Releases An unforgettable pairing of a college dropout and an eighty-four-year-old woman on the run from the law in this story full of tremendous heart, humor, and wit from the USA Today bestselling author of The Invisible Husband of Frick Island. Twenty-one-year-old Tanner Quimby needs a place to live. Preferably one where she can continue sitting around in sweatpants and playing video games nineteen hours a day. Since she has no credit or money to speak of, her options are limited, so when an opportunity to work as a live-in caregiver for an elderly woman falls into her lap, she takes it. One slip on the rug. That’s all it took for Louise Wilt’s daughter to demand that Louise have a full-time nanny living with her. Never mind that she can still walk fine, finish her daily crossword puzzle, and pour the two fingers of vodka she drinks every afternoon. Bottom line: Louise wants a caretaker even less than Tanner wants to be one. The two start off their living arrangement happily ignoring each other until Tanner starts to notice things—weird things. Like, why does Louise keep her garden shed locked up tighter than a prison? And why is the local news fixated on the suspect of one of the biggest jewelry heists in American history who looks eerily like Louise? And why does Louise suddenly appear in her room, with a packed bag at 1 a.m. insisting that they leave town immediately? Thus begins the story of a not-to-be-underestimated elderly woman and an aimless young woman who—if they can outrun the mistakes of their past—might just have the greatest adventure of their lives.
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