Norman Scarfe explores place names, the Sutton Hoo ship burial, the coming of Christianity, and the abbey at Bury St Edmunds, concluding with an evocative study of five Suffolk places - Southwold, Dunwich, Yoxford, and Wingfield and Fressingfield. The modern landscape of Suffolk is still essentially a medieval one, though much of it is even earlier: the five hundred medieval churches and ten thousand 'listed' houses 'of historic or architectural interest', and the 'Hundred'lanes going back at least to the tenth century, are often found to be set in a landscape created before the Roman conquest. Suffolk in the Middle Ages opens with a discussion of the earliest written records, the place-names, as a guide to settlement-patterns, including the setting of Sutton Hoo. Among the grave-goods found in that celebrated ship and discussed here was the whetstone-sceptre; asked to carry it from its showcase in the British Museum to the laboratory, the author acknowledges a closer feeling of involvement even than helping to re-open the ship in its mound in 1966. His explanation of the presence of the whetstone-sceptre, printed here, has never been challenged. The identification of a carved Anglo-Saxon cross at Iken in 1977 prompted the essay here on St Botolph and the coming of East Anglian Christianity. This leads to a consideration of the Danish invasion of East Anglia, and a reexamination of the posthumous victory of King Edmund and Christianity as portrayed in an imaginary Breckland warren on the front of this book. Scarfe's carefully reasoned argument that the Metropolitan Museum's famous walrusivory cross was made for the monks' choir at Bury has never been refuted. Life in Bury abbey is vividly reconstructed: it was the most richly documented flowering of the work of East Anglia's apostles, Felix and Fursa, which alsoled to the phenomenal establishment in Suffolk by 1086 of four hundred of the five hundred medieval churches. In four East Suffolk essays, Southwold, Dunwich, Yoxford and Wingfield are exposed to Norman Scarfe's interpretativeskills. He reveals a past few could have guessed at, often quite as curious as the 'Two Strange Tales' unravelled in his concluding pages.
Looking at England in the early months of 1785, covering twenty or even thirty miles a day and making detailed and intelligent notes at night, the two La Rochefoucauld brothers, Francois and Alexandre, and their tutor, saw landscapes still visible today; but the world of momentous industrial invention and optimism that they envied, as patriots, is one we can now only envy them for knowing and admire them for recording. Norman Scarfe presents the three documentary sources of the book (all previously unpublished) in his own spirited translation, while the many illustrations bring the travellers' experiences vividly to life. His epilogue traces the divergent attitudes of the brothers at the onset of the Revolution and beyond: the elder loyally serving Louis XVI, the younger establishing his cotton-mill on English lines, then joining the entourage of Napoleon.
The first book with this title appeared 30 years ago, whose author, a much honoured historian, is a native of Suffolk and has been involved in research into its history since 1945. Now, he has made a fresh approach to his subject, with the benefit of three more decades of research to provide a new interpretation of the history and evolution of the Suffolk landscape. He scans the county's varied faces and explains its successive makers, from the earliest to the present inhabitants who have left their mark ... on coasts, estuaries, fields, hedgerows and vernacular buildings.
In 1786 Alexandre de La Rochefoucauld & his precepteur Lazowski journeyed to Scotland to learn about farming improvements. This record of places & people, the terrain they travelled & houses they visited, is full of contemporary details.
Looking at England in the early months of 1785, covering twenty or even thirty miles a day and making detailed and intelligent notes at night, the two La Rochefoucauld brothers, Francois and Alexandre, and their tutor, saw landscapes still visible today; but the world of momentous industrial invention and optimism that they envied, as patriots, is one we can now only envy them for knowing and admire them for recording. Norman Scarfe presents the three documentary sources of the book (all previously unpublished) in his own spirited translation, while the many illustrations bring the travellers' experiences vividly to life. His epilogue traces the divergent attitudes of the brothers at the onset of the Revolution and beyond: the elder loyally serving Louis XVI, the younger establishing his cotton-mill on English lines, then joining the entourage of Napoleon.
Norman Scarfe explores place names, the Sutton Hoo ship burial, the coming of Christianity, and the abbey at Bury St Edmunds, concluding with an evocative study of five Suffolk places - Southwold, Dunwich, Yoxford, and Wingfield and Fressingfield. The modern landscape of Suffolk is still essentially a medieval one, though much of it is even earlier: the five hundred medieval churches and ten thousand 'listed' houses 'of historic or architectural interest', and the 'Hundred'lanes going back at least to the tenth century, are often found to be set in a landscape created before the Roman conquest. Suffolk in the Middle Ages opens with a discussion of the earliest written records, the place-names, as a guide to settlement-patterns, including the setting of Sutton Hoo. Among the grave-goods found in that celebrated ship and discussed here was the whetstone-sceptre; asked to carry it from its showcase in the British Museum to the laboratory, the author acknowledges a closer feeling of involvement even than helping to re-open the ship in its mound in 1966. His explanation of the presence of the whetstone-sceptre, printed here, has never been challenged. The identification of a carved Anglo-Saxon cross at Iken in 1977 prompted the essay here on St Botolph and the coming of East Anglian Christianity. This leads to a consideration of the Danish invasion of East Anglia, and a reexamination of the posthumous victory of King Edmund and Christianity as portrayed in an imaginary Breckland warren on the front of this book. Scarfe's carefully reasoned argument that the Metropolitan Museum's famous walrusivory cross was made for the monks' choir at Bury has never been refuted. Life in Bury abbey is vividly reconstructed: it was the most richly documented flowering of the work of East Anglia's apostles, Felix and Fursa, which alsoled to the phenomenal establishment in Suffolk by 1086 of four hundred of the five hundred medieval churches. In four East Suffolk essays, Southwold, Dunwich, Yoxford and Wingfield are exposed to Norman Scarfe's interpretativeskills. He reveals a past few could have guessed at, often quite as curious as the 'Two Strange Tales' unravelled in his concluding pages.
In 1786 Alexandre de La Rochefoucauld & his precepteur Lazowski journeyed to Scotland to learn about farming improvements. This record of places & people, the terrain they travelled & houses they visited, is full of contemporary details.
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