One of the final works in the nine play cycle entitled The Orphan's Home, which follows the lives of the Robedaux family of Harrison, Texas. Others in the cycle include Lily Dale, Courtship, Roots in a Parched Ground, The Widow claire, Valentine's Day
One of the final works in the nine play cycle entitled The Orphan's Home, which follows the lives of the Robedaux family of Harrison, Texas. Others in the cycle include Lily Dale, Courtship, Roots in a Parched Ground, The Widow claire, Valentine's Day
THE STORY: John Lawrence, who has been overseas three years, is welcomed home by the charming Mary McKinley. These two are and have been in love with each other. John's life had been saved while he was overseas by his buddy Fred Taylor. Fred return
THE STORY: Being a young intern, Howard is overworked and underpaid, but fortunately his girlfriend, Amy, has both a job teaching school and an apartment directly under his--which solves the problems of entertainment and transportation (not to menti
THE STORY: John McClain outlines, The author's consideration here is the plight of a young lady from Albany who comes to visit her brother in New York, having discovered that she has exhausted the supply of eligible young men at home because she w
THE STORY: Cathy and David are two young theatre hopefuls who, despite the fact that neither thought they gave a good reading, have been cast in a Broadway play. After rehearsing together, and then acting together, they decide to live together as w
Welcome aboard the sex-drive void ship . . . Captain Genro commands the giant spaceship Dragon Zephyr - on board are ten thousand passengers in electrocoma, a smaller number of conscious passengers eagerly utilising the ship's dream chambers - and a Pilot. In the context of space travel, the Pilot is merely a biological component in the machine. Always a woman, her function is to launch the ship into the Jump by means of a cosmic orgasm. She is a pariah, shunned by all. Void Captain Genro should never even have spoken to his Pilot, let alone tried to embark on a relationship with her. When he did so, the result was every space traveller's nightmare. A Blind Jump into the Void . . .
Screenwriters have always been viewed as Hollywood’s stepchildren. Silent-film comedy pioneer Mack Sennett forbade his screenwriters from writing anything down, for fear they’d get inflated ideas about themselves as creative artists. The great midcentury director John Ford was known to answer studio executives’ complaints that he was behind schedule by tearing a handful of random pages from his script and tossing them over his shoulder. And Ken Russell was so contemptuous of Paddy Chayefsky’s screenplay for Altered States that Chayefsky insisted on having his name removed from the credits. Of course, popular impressions aside, screenwriters have been central to moviemaking since the first motion picture audiences got past the sheer novelty of seeing pictures that moved at all. Soon they wanted to know: What happens next? In this truly fresh perspective on the movies, veteran Oscar-winning screenwriter Marc Norman gives us the first comprehensive history of the men and women who have answered that question, from Anita Loos, the highest-paid screenwriter of her day, to Robert Towne, Quentin Tarantino, Charlie Kaufman, and other paradigm-busting talents reimagining movies for the new century. The whole rich story is here: Herman Mankiewicz and the telegram he sent from Hollywood to his friend Ben Hecht in New York: “Millions are to be grabbed out here and your only competition is idiots.” The unlikely sojourns of F. Scott Fitzgerald and William Faulkner as Hollywood screenwriters. The imposition of the Production Code in the early 1930s and the ingenious attempts of screenwriters to outwit the censors. How the script for Casablanca, “a disaster from start to finish,” based on what James Agee judged to be “one of the world’s worst plays,” took shape in a chaotic frenzy of writing and rewriting—and how one of the most famous denouements in motion picture history wasn’t scripted until a week after the last scheduled day of shooting—because they had to end the movie somehow. Norman explores the dark days of the Hollywood blacklist that devastated and divided Hollywood’s screenwriting community. He charts the rise of the writer-director in the early 1970s with names like Coppola, Lucas, and Allen and the disaster of Michael Cimino’s Heaven’s Gate that led the studios to retake control. He offers priceless portraits of the young William Hurt, Steven Spielberg, and Steven Soderbergh. And he describes the scare of 2005 when new technologies seemed to dry up the audience for movies, and the industry—along with its screenwriters—faced the necessity of reinventing itself as it had done before in the face of sound recording, color, widescreen, television, and other technological revolutions. Impeccably researched, erudite, and filled with unforgettable stories of the too often overlooked, maligned, and abused men and women who devised the ideas that others brought to life in action and words on-screen, this is a unique and engrossing history of the quintessential art form of our time.
A detailed and highly illustrated account of the Polish II Corps' (or 'Anders Army') perilous journey to fight side by side with Allied forces at the height of World War II. Following the conquest of Poland by Nazi Germany and the Soviet Union in 1939, hundreds of thousands of Polish families were torn from their homes and sent eastwards to the arctic wastes of Siberia. Prisoners of war, refugees, those regarded as 'social criminals' by Stalin's regime, and those rounded up by sheer chance were all sent 'to see the Great White Bear'. However, with Hitler's invasion of the Soviet Union in Operation Barbarossa just two years later, Russia and the Allied powers found themselves on the same side once more. Turning to those that it had previously deemed 'undesirable', Russia sought to raise a Polish army from the men, women and children that it had imprisoned within its labour camps. In this remarkable work, renowned historian Professor Norman Davies draws from years of meticulous research to recount the compelling story of this unit, the Polish II Corps or 'Anders Army', and their exceptional journey from the Gulag of Siberia through Iran, the Middle East and North Africa to the battlefields of Italy to fight shoulder-to-shoulder with Allied forces. Complete with previously unpublished photographs and first-hand accounts from the men and women who lived through it, this is a unique visual and written record of one of the most fascinating episodes of World War II.
One of the most comprehensive baby name reference guides available, featuring more than 30,000 baby names, has been revised and expanded. Each chapter focuses on names from specific countries, regions, and ethnicities, including details about traditional naming customs. Each entry contains various spellings and pronunciations, as well as the name's meaning, history, etymology, and derivations.
Dour-faced Moe Howard with his sugar-bowl haircut, his bald, chubby brother Curly and frizzy-haired Larry have poked, slapped, ear-yanked and nose-twisted their way into people's hearts across the world - and into film history. Their nearly 200 two-reel comedies, made between 1933 and 1958, have been translated into over 25 languages, entertained nearly six generations of fans and are seen somewhere in the world every single day. The Three Stooges Scrapbook is a historical overview of their time in showbusiness.
THE STORY: John Lawrence, who has been overseas three years, is welcomed home by the charming Mary McKinley. These two are and have been in love with each other. John's life had been saved while he was overseas by his buddy Fred Taylor. Fred return
THE STORY: Being a young intern, Howard is overworked and underpaid, but fortunately his girlfriend, Amy, has both a job teaching school and an apartment directly under his--which solves the problems of entertainment and transportation (not to menti
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