This collection of 160 photographs captures the essence of John Lennon, showing him in a wide spectrum of moods--boyish, sardonic, comical, and pensive--and documenting the force of his fascination
In the fall of 1941, the Philippines was a gardenia-scented paradise for the American Army and Navy nurses stationed there. War was a distant rumor, life a routine of easy shifts and dinners under the stars. On December 8 all that changed, as Japanese bombs began raining down on American bases in Luzon, and this paradise became a fiery hell. Caught in the raging battle, the nurses set up field hospitals in the jungles of Bataan and the tunnels of Corregidor, where they tended to the most devastating injuries of war, and suffered the terrors of shells and shrapnel. But the worst was yet to come. After Bataan and Corregidor fell, the nurses were herded into internment camps where they would endure three years of fear, brutality, and starvation. Once liberated, they returned to an America that at first celebrated them, but later refused to honor their leaders with the medals they clearly deserved. Here, in letters, diaries, and riveting firsthand accounts, is the story of what really happened during those dark days, woven together in a deeply affecting saga of women in war. Praise for We Band of Angels “Gripping . . . a war story in which the main characters never kill one of the enemy, or even shoot at him, but are nevertheless heroes . . . Americans today should thank God we had such women.”—Stephen E. Ambrose “Remarkable and uplifting.”—USA Today “[Elizabeth M. Norman] brings a quiet, scholarly voice to this narrative. . . . In just a little over six months these women had turned from plucky young girls on a mild adventure to authentic heroes. . . . Every page of this history is fascinating.”—Carolyn See, The Washington Post “Riveting . . . poignant and powerful.”—The Dallas Morning News Winner of the Lavinia Dock Award for historical scholarship, the American Academy of Nursing National Media Award, and the Agnes Dillon Randolph Award
A miracle of still-plentiful hair, raw sex appeal, and strutting talent. The frontman of one of the most influential and controversial groups of all time. A brilliant musician with a career spanning over four decades. A testament at once to British glamour and sensual decline. The ultimate demigod of rock. Bestselling biographer Philip Norman offers an unparalleled account of the life of a living legend, Mick Jagger. From middle-class schoolboy to rebel without a cause to Sixties rock sensation and global idol, the myth of the inimitable frontman of the Rolling Stones is unravelled by Norman with astonishing intimacy. Jagger charts his extraordinary journey through scandal-ridden conspiracy, infamous prison spell, hordes of female admirers and a knighthood while stripping away the colossal fame, wealth and idolatry to reveal a story of talent and promise unfulfilled. Jagger is shown in all his paradoxical glory: understated yet ostentatious; the ultimate incarnation of modern man's favourite fantasy--"sex, drugs and rock 'n' roll"--yet blessed with taste and intelligence; a social chameleon who couldn't blend in if he tried; always moving with the Jagger swagger, yet modest enough to be self-deprecating. This revelatory tour de force is ample tribute to a flawed genius who reconfigured the musical landscape.
The tempestuous years of Margaret Thatcher and John Major. An insider's account of the rivalries and battles that eventually brought down the Conservative government. The Best of Enemies is the political diaries of Norman Fowler, one of the most significant politicians of the late twentieth century. Covering the entire Thatcher/Major era – from the former's election in 1979 to the latter's defeat in 1997 – during which time Fowler held prominent positions in the Cabinet. As Transport Secretary he was responsible for making seat belts compulsory and later, as Health Secretary, he worked to draw public attention to the dangers of Aids. He was Chairman of the party from 1992–94. His diaries observe both Prime Ministers, and their Cabinet colleagues, at close quarters and Fowler brings his training as a journalist to bear on them. The diaries are full of insights and anecdotes and they resonate powerfully with the situation facing the Conservative Party today, including industrial strife, waning authority and a Labour Party looking like a government in waiting. The entries raise other issues that remain unresolved. They range from the effect that a minister's private sexual conduct should have on their career to whether an entirely 'hands-off' approach to industrial strategy is in the national interest. Fowler's diaries provide a ringside seat to the struggles of their time. These are not the diaries of an ex-minister seeking to justify their own record. They are the story of how two Prime Ministers rose and fell and caused their party to split apart, told by someone who was there.
As almost every aspect of making and viewing movies is replaced by digital technologies, even the notion of "watching a film" is fast becoming an anachronism. With the likely disappearance of celluloid film stock as a medium, and the emergence of new media, what will happen to cinema--and to cinema studies? In the first of two books exploring this question, Rodowick considers the fate of film and its role in the aesthetics and culture of the twenty-first century.
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