Before the Fall of Imperial Rome, priests cast the internal organs of sacrificial animals on temple floors, claiming to be able to divine the future from these entrails. By probing the remains of Alberta's past sacrifices -- reading her entrails -- Norman Conrad believes that we might dimly see at apparition of Alberta's future. This controversial book vividly portrays the history of land and life in Alberta, from the Ice Ages to the present. Making no apology for his criticism of government, regulators and large corporations, Norman Conrad makes a strident plea for Alberta's dangerously imperiled environment and presents a model that can be applied anywhere.
The Little Book of Aviation is a collection of facts, figures and interesting stories from the world of flight. Sad, humorous, baffling and astounding stories abound, from the pioneering days of the Wright Brothers to the present day, and covering everything from great milestones, famous names who've served, and the greatest of aircraft icons; phantom pilots and aircraft and a glossary of slang; the origins of plane-spotting and unusual aircraft names; great feats and enduring mysteries; lucky escapes and great aircraft in the movies... the trivia is limitless and will appeal to everyone, whether you want help telling your Spitfire from your Messerschmitt or you know a Spitfire I from a Spitfire II!
A book for those interested in Conrad's life and work and/or literary detection convincingly performed. Professor Sherry establishes how well Conrad knew the East and how the original material he garnered there was supplemented from other sources; he also shows what Conrad made of his experiences, thus revealing clearly what the artist's own contribution was.
Conrad's Western World traces the sources of Heart of Darkness, Nostromo, The Secret Agent and some of the short stories related to these novels. As in his highly acclaimed Conrad's Eastern World, Professor Sherry provides an interesting blend of biographical reconstruction and investigation into the originals of the main incidents and characters - Kurtz, Nostromo, Verloc and many of the minor figures as well. It has been possible to show in the study of Conrad's source material a movement away from analyses of personal experience or the narrated experiences of others to a manipulation of material entirely outside the bounds of his own experience. This change reveals also a movement in interest from personal and private dilemmas to wider and more public concerns, and shows Conrad developing a progressive sense of the frightening underside of human society. Finally, Professor Sherry considers the play of Conrad's mind over his source material and traces the development of individual works from the given sources to the completed fiction. This reconstruction of Conrad's original materials and the tracing of their development into literary works of great distinction gives us a unique insight into Conrad's preoccupations and art.
For many, the moon landing was the defining event of the twentieth century. So it seems only fitting that Norman Mailer—the literary provocateur who altered the landscape of American nonfiction—wrote the most wide-ranging, far-seeing chronicle of the Apollo 11 mission. A classic chronicle of America’s reach for greatness in the midst of the Cold War, Of a Fire on the Moon compiles the reportage Mailer published between 1969 and 1970 in Life magazine: gripping firsthand dispatches from inside NASA’s clandestine operations in Houston and Cape Kennedy; technical insights into the magnitude of their awe-inspiring feat; and prescient meditations that place the event in human context as only Mailer could. Praise for Of a Fire on the Moon “The gift of a genius . . . a twentieth-century American epic—a Moby Dick of space.”—New York “Mailer’s account of Apollo 11 stands as a stunning image of human energy and purposefulness. . . . It is an act of revelation—the only verbal deed to be worthy of the dream and the reality it celebrates.”—Saturday Review “A wild and dazzling book.”—The New York Times Book Review “Still the most challenging and stimulating account of [the] mission to appear in print.”—The Washington Post Praise for Norman Mailer “[Norman Mailer] loomed over American letters longer and larger than any other writer of his generation.”—The New York Times “A writer of the greatest and most reckless talent.”—The New Yorker “Mailer is indispensable, an American treasure.”—The Washington Post “A devastatingly alive and original creative mind.”—Life “Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance.”—The New York Review of Books “The largest mind and imagination [in modern] American literature . . . Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book.”—Chicago Tribune “Mailer is a master of his craft. His language carries you through the story like a leaf on a stream.”—The Cincinnati Post
The information herein was accumulated of fifty some odd years. The collection process started when TV first came out and continued until today. The books are in alphabetical order and cover shows from the 1940s to 2010. The author has added a brief explanation of each show and then listed all the characters, who played the roles and for the most part, the year or years the actor or actress played that role. Also included are most of the people who created the shows, the producers, directors, and the writers of the shows. These books are a great source of trivia information and for most of the older folk will bring back some very fond memories. I know a lot of times we think back and say, "Who was the guy that played such and such a role?" Enjoy!
At every stage, environmental policy is the result of the combat of stakeholders interested in, and affected by, the problem being addressed and the range of possible solutions. The combatants include any or all of the following: the federal government, environmental advocacy groups, and business, the media, the scientific community, think tanks, NGOs of every stripe, trade associations and professional organizations, and even state and local governments, each of whom have their own interests in the resulting policy. Environmental Politics: Interest Groups, the Media, and the Making of Policy discusses political battles over the environment from ground level - as they are fought in legislative chambers, the daily newspaper, on television, and, increasingly, on the Internet. The text explores environmental politics as a clash of interests, not ideologies, and environmental policy as a result of the reconciliation of those interests. The author covers not only the conventional aspects of the policymaking process but more recent and less recognized elements and developments such as: Proliferation of legislative riders and monument designations as major environmental strategies Evolving role of the media, from science popularizer to agenda setter Growing influence on both Congress and the public of conservative and libertarian foundations and think tanks Devolution of environmental power from the Federal to state governments Metamorphosis of EPA in a business-driven regulatory revolution Effect of globalization on US environmental policy Newly emerging role of the precautionary principle in marrying science and politics Increasing role of the Internet in promoting populist issues and promoting the decentralization of the environmental power structure No other book covers the politics of the environment the way this one does. Written by an expert with 25 years of experience in environmental policymaking, Environmental Politics: Interest Groups, the Media, and the Making of Policy gives you an insider's view of how policies are forged. By examining these issues through an interest group lens, this book not only accounts for what policies have been adopted but also shows how you can influence policy and effect change.
This second edition includes all of the material from the first -- in-depth analyses of the work of such poets as George Oppen, John Ashbery, Robert Duncan, and William Bronk -- as well as a new Preface, and a lengthy chapter on the younger language poets.
The focus of this volume is on essential themes, images and generic patterns, beginning with a Talmudic legend about four scholars. They, by means of daring mystical interpretations of Scripture, entered a Paradise, representing different means of imaginative reading, perception, memory and application of the law. One of them died, one went mad, another became a heretic and the other came back as a traditional exegete and teacher. Based on that legend, this book examines a small group of late 19th and early 20th century European Jewish intellectuals and artists in the light of their dreams, writings, and moments of crisis. These men and women, comedians in both the sense of stage actors and clowns or witty performers, believed they had entered a new secular and tolerant society, but discovered that there was no escape from their Jewish heritage and way of seeing the world. This monograph looks into the imperfect mirror of cultural experience, discovers a hazy world of illusions, dreams and nightmares on the other side of the looking glass, and sometimes constructs a midrashic conceit of the comical and grotesque screen between them.
ON JANUARY 10, 1865 JOHN WILKES BOOTH, DAVID HEROLD, AND LEWIS POWELL KIDNAPPED PRESIDENT LINCOLN AS HE WALKED FROM THE NEARBY WAR DEPARTMENT OR TELEGRAPH OFFICE TO THE WHITE HOUSE. SEVERAL WEEKS EARLIER BOOTH HAD A NEARBY CARPENTER BUILD TWO LOW SLUNG WAGONS FOR TRANSPORTING THE PRESIDENT TO THE RICHMOND AREA. AFTER MANY MONTHS OF PLANNING IT WAS NOW HAPPENING. THE UPSTAIRS BEDROOM WINDOWS WERE BOARDED OVER. WHEN LINCOLN WOULD GO ON A WALK AROUND THE HOME OR WOULD CUT FIREWOOD, DAVY HEROLD WITH HIS GUN WOULD ALWAYS BE NEARBY. IN MID-FEBRUARY A NEIGHBOR CAME OVER TO BORROW SOMETHING AND WAS INTRODUCED TO LINCOLN AS BEING SOMEBODY ELSE.THE NEIGHBOR ALSO SAW THE UPSTAIRS BEDROOM BOARDED OVER. THE NEXT DAY THE NEIGHBOR TRAVELLED TO THE NEARBY BATTLE BEING FOUGHT AND MET WITH GENERAL SHERIDAN. WASHINGTON QUICKLY MADE PLANS TO RESCUE LINCOLN WHICH THEY DID BUT NOT BEFORE HEROLD AND BOOTH ESCAPED TO THE NEARBY BARN. BOOTH WAS KILLED. LINCOLN HAD ABOUT TWO WEEKS TO WRITE HIS INAUGURAL ADDRESS WHICH HE GAVE.
On the morning of April 10, 1963, the world's most advanced submarine was on a test dive off the New England coast when she sent a message to a support ship a thousand feet above her on the surface: experiencing minor problem . . . have positive angle . . . attempting to blow . . . Then came the sounds of air under pressure and a garbled message: . . . test depth . . . Last came the eerie sounds that experienced navy men knew from World War II: the sounds of a submarine breaking up and compartments collapsing.When she first went to sea in April of 1961, the U.S. nuclear submarine Thresher was the most advanced submarine at sea, built specifically to hunt and kill Soviet submarines. In The Death of the USS Thresher, renowned naval and intelligence consultant Norman Polmar recounts the dramatic circumstances surrounding her implosion, which killed all 129 men on board, in history's first loss of a nuclear submarine. This revised edition of Polmar's 1964 classic is based on interviews with the Thresher's first command officer, other submarine officers, and the designers of the submarine. Polmar provides recently declassified information about the submarine, and relates the loss to subsequent U.S. and Soviet nuclear submarine sinkings, as well as to the escape and rescue systems developed by the Navy in the aftermath of the disaster. The Death of the USS Thresher is a must-read for the legions of fans who enjoyed the late Peter Maas's New York Times best-seller The Terrible Hours.
Now in its fourth edition, this book is one of the leading texts on the evolution of electronic mass communication in the last century, giving students a clear understanding of how the media of yesterday shaped the media world of today. Now Media, Fourth Edition (formerly Electronic Media: Then, Now, Later) provides a comprehensive view of the beginnings of electronic media in broadcasting and the subsequent advancements into ‘now’ digital media. Each chapter is organized chronologically, starting with the electronic media of the past, then moving to the media of today, and finally, exploring the possibilities for the media of the future. Topics include the rise of social media, uses of personal communication devices, the film industry, and digital advertising, focusing along the way on innovations that laid the groundwork for ‘now’ television and radio and the Internet and social media. New to the fourth edition is a chapter on the amazing world of virtual reality technology, which has spawned a ‘now’ way of communicating with the world and becoming a part of video content, as well as a discussion of the impacts of the COVID-19 pandemic on media consumption habits. This book remains a key text and trusted resource for students and scholars of digital mass communication and communication history alike. The new ‘now’ edition also features updated online instructor materials, including PowerPoint slides and test banks. Please visit www.routledge.com/cw/medoff to access these support materials.
Electronic Media: Then, Now, and Later provides a synopsis of the beginnings of electronic media in broadcasting and the subsequent advancements into digital media. The Then, Now, and Later approach focuses on how past innovations laid the groundwork for changing trends in technology, providing the opportunity and demand for evolution in both broadcasting and digital media. An updated companion website provides links to additional resources, chapter summaries, study guides and practice quizzes, instructor materials, and more. This new edition features two new chapters: one on social media, and one on choosing your entertainment and information experience. The then/now/later thematic structure of the book helps instructors draw parallels (and contracts) between media history and current events, which helps get students more engaged with the material. The book is known for its clear, concise, readable, and engaging writing style, which students and instructors alike appreciate. The companion website is updated and offers materials for instructors (an IM, PowerPoint slides, and test bank)
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