This book blends biography with military and social history. But it is also a tribute, driven by gratitude. If the story had ended differently the author would never have existed. After Dr Beale retired, he took up family history. For some years he managed to backtrack only one generation - there was so much to discover about his late father, Ron. Ron Swore begins with a teenager taking an oath to serve 'king and country' in the British Army. It ends a decade later, in 1945; a young man having lost his youth to battle trauma, cruelty and slavery. Such was 'Ron's war'. His unit, the 2nd 'Glosters', had been part of the forgotten Dunkirk rearguard, sacrificed to allow more than 300,000 other Allied soldiers to be evacuated from France and to fight another day. Ron survived five years as a prisoner of war, calling on stoicism and survival instinct and saved from starvation by the International Red Cross. When he escaped - from a death march - he and a comrade were secreted and supported by a Czech family who showed incredible courage and humanity. Eventually, back in England, he did as so many of his generation - he promptly closed this chapter of his life. There would be no reminiscences, no reunions and, if possible, no recollections. It was all too painful. Putting the lid down and sitting on it was the only therapy for what we now call 'post-traumatic stress disorder'. This made the story a difficult salvage exercise - for the author, but hopefully not for the reader.
Biography of Jan Ingen Housz (1730-1799), brilliant but almost forgotten Dutch scientist, who discovered photosynthesis, pioneered inoculation, and associated with the most distinguished thinkers and philosophers of the European enlightenment, in Britain, Austria and Holland.
History and description of a Victorian gentleman's house in Potterne, a village near Devizes, Wiltshire, with biographical details of its owners and occupiers. Author lives in the former stable block. Profusely illustrated.
On November 17, 1938, Great Britain, the United States, and Canada, after four years of discussion and manoeuvre, signed two wide–ranging and interlocking trade agreements. A few large elements dominated the talks. The Americans wanted to breach the walls of the British imperial preferential tariff system. The British were anxious to retain markets and political support in the British dominions and the Baltic, while protecting their domestic agriculture and improving political relations with the United States. Canada, whose acquiescence and co–operation were necessitated by the pre–existing network of trade agreements, hoped to win new export markets, to retain old ones, and to achieve international political tranquility through economic means. Although the negotiations began with a mixture of lofty and ignoble motives, in the end the latter predominated. The authors have drawn on archival and statistical materials in all three countries to provide a clear and detailed account of the economic context of the mid–1930s, the process of negotiations, the issues, and the political and economic significance, both then and now, of the final agreements. Their work is a valuable case–study of the problems that face any country that tries to negotiate freer trade. It is therefore full of contemporary resonance and relevance, and will be of interest to students of and specialists in modern history (European, British, and North American), international relations, and international economic policy.
According to the authors, the doctrine of inerrancy has been standard, accepted teaching for more than 1,000 years. In 1978, the famous "Chicago Statement" on inerrancy was adopted by the Evangelical Theological Society, and for decades it has been the accepted conservative evangelical doctrine of the Scriptures. However, in recent years, some prominent evangelical authors have challenged this statement in their writings. Now eminent apologist and bestselling author Norman L. Geisler, who was one of the original drafters of the "Chicago Statement," and his coauthor, William C. Roach, present a defense of the traditional understanding of inerrancy for a new generation of Christians who are being assaulted with challenges to the nature of God, truth, and language. Pastors, students, and armchair theologians will appreciate this clear, reasoned response to the current crisis.
The rural Midwest is undergoing fundamental changes with increased competition from foreign agriculture; employment shifts from higher-paying manufacturing to lower-paying service industries; the displacement of local small town business by large discount stores and shopping malls; overall population declines that threaten the viability of schools, hospitals, and other public institutions, along with an influx of minority groups that has led to strife in some communities. Using data from the 2000 Census, this collection examines the major demographic and employment trends in the rural Midwestern states with special attention to the issues that state and local policy makers must address in the near future. The contributors are well known experts in their fields, and in these original, previously unpublished materials they offer suggestions on how the Internet and other technological advances offer new opportunities for rural economies that local leaders can build on.
What do three hundred years of African American history look like in a small, southern town? Virginia Shade depicts just thata sometimes brutal, sometimes uplifting, but always human tapestry of two societies struggling through and beyond slavery. African Americans have been part of the town of Falmouths history since its founding in 1727. Some were free, but most were slavesan African king and princess among them. During the Civil War, thousands of slaves crossed into the Union lines at Falmouth to claim freedom for themselves. After the war, however, fundamental equality remained elusive. Falmouths African American children endured separate and unequal schooling during the Jim Crow era, and even the towns cemetery was segregated. Even so, it wasnt a simple matter of black versus white. From a slave owner who tried but was unable to manumit her slaves to a local churchs public rebuke of a black member whod run away from his owner, committing the sin of stealing himself, Falmouths history reflects the contrasting attitudes and actions among its white citizens and institutions throughout the years. Author Norman Schools blends first-person accounts, contemporary poetry, and biblical allegory to give a vivid sense of time, place, and personal connection to Falmouth and its remarkable African American heritage.
Originally published in 1986, this stimulating and unorthodox book integrates the major findings of hemispheric research with the larger questions of how the brain stores and transmits information – the ‘brain code’. Norman Cook emphasizes how the two cerebral hemispheres communicate information over the corpus callosum, the largest single nerve tract of the human brain. Excitatory mechanisms are involved in the duplication of information between the hemispheres; in contrast, inhibitory mechanisms are implicated in the production of hemispheric asymmetries and, crucially, in high-level cognitive phenomena such as the right hemisphere’s role in providing the ‘context’ within which left hemispheric verbal information is placed. These callosal mechanisms of information transfer are not only fundamental to the brain code; they are the simplest and most easily demonstrated ways in which the neocortex ‘talks to itself’. The Brain Code demonstrates how popular topics within psychology at the time, such as laterality, hemisphere differences and the psychology of left and right, are central to further progress in understanding the human brain. This book provides stimulating reading for students of psychology, artificial intelligence and neurophysiology, as well as anyone interested in the broader question of how the brain works.
Screenwriters have always been viewed as Hollywood’s stepchildren. Silent-film comedy pioneer Mack Sennett forbade his screenwriters from writing anything down, for fear they’d get inflated ideas about themselves as creative artists. The great midcentury director John Ford was known to answer studio executives’ complaints that he was behind schedule by tearing a handful of random pages from his script and tossing them over his shoulder. And Ken Russell was so contemptuous of Paddy Chayefsky’s screenplay for Altered States that Chayefsky insisted on having his name removed from the credits. Of course, popular impressions aside, screenwriters have been central to moviemaking since the first motion picture audiences got past the sheer novelty of seeing pictures that moved at all. Soon they wanted to know: What happens next? In this truly fresh perspective on the movies, veteran Oscar-winning screenwriter Marc Norman gives us the first comprehensive history of the men and women who have answered that question, from Anita Loos, the highest-paid screenwriter of her day, to Robert Towne, Quentin Tarantino, Charlie Kaufman, and other paradigm-busting talents reimagining movies for the new century. The whole rich story is here: Herman Mankiewicz and the telegram he sent from Hollywood to his friend Ben Hecht in New York: “Millions are to be grabbed out here and your only competition is idiots.” The unlikely sojourns of F. Scott Fitzgerald and William Faulkner as Hollywood screenwriters. The imposition of the Production Code in the early 1930s and the ingenious attempts of screenwriters to outwit the censors. How the script for Casablanca, “a disaster from start to finish,” based on what James Agee judged to be “one of the world’s worst plays,” took shape in a chaotic frenzy of writing and rewriting—and how one of the most famous denouements in motion picture history wasn’t scripted until a week after the last scheduled day of shooting—because they had to end the movie somehow. Norman explores the dark days of the Hollywood blacklist that devastated and divided Hollywood’s screenwriting community. He charts the rise of the writer-director in the early 1970s with names like Coppola, Lucas, and Allen and the disaster of Michael Cimino’s Heaven’s Gate that led the studios to retake control. He offers priceless portraits of the young William Hurt, Steven Spielberg, and Steven Soderbergh. And he describes the scare of 2005 when new technologies seemed to dry up the audience for movies, and the industry—along with its screenwriters—faced the necessity of reinventing itself as it had done before in the face of sound recording, color, widescreen, television, and other technological revolutions. Impeccably researched, erudite, and filled with unforgettable stories of the too often overlooked, maligned, and abused men and women who devised the ideas that others brought to life in action and words on-screen, this is a unique and engrossing history of the quintessential art form of our time.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.