Sincerely Yours, Norma Jean is Norma's first book. Her first few grandchildren had asked her to complete books about "My Grandma." Norma enjoyed sharing her childhood memories with them, that is, until she ended up with 18 grandchildren. That is when she embarked on a loving journey without really knowing what a huge project this book would become. She decided to make one book to share with all her grandchildren and now great grandchildren. This turned out to be a 4 year project with several health setbacks. Norma takes us through her young years before she was married and had children. She sometimes says that no one is around anymore to tell us if she is "fibbing or stretching the truth." To the best of her recollections, this book is factual. Norma takes us through her younger years with humor, truth and grace. This book is the story of a beautiful and adventurous young girl coming of age in the Iowa prairie beginning with the Depression Era through World War II.
Wit and wisdom from the innovative, influential, and empowering wellness guru and designer Norma Kamali In her first book, fashion legend Norma Kamali offers readers a stylish, inspiring, and heartfelt handbook for gliding boldly through each of life’s decades with purpose and power. Manifesto, memoir, and essential guide, its pages are informed by 50 years of Kamali’s twists, turns, triumphs, and failures experienced while ï¬?nding the courage and conviction to race after her dreams and never look back. At 75, Kamali looks—and acts—nearly half her age. The secret, she writes, is learning to age with power: Embracing a healthy lifestyle and looking forward to every milestone and the changes they bring, with the realization that reaching one’s potential has no date. With wisdom and wit, Kamali imparts her lessons on authentic beauty, timeless style, career-building, ï¬?tness, and health through personal stories, worldly insight, and actionable advice designed to help women of every age create their happiest, healthiest, most successful and fulfilling lives.
Collecting small antiques can be of absorbing interest, partly because the items are easy to display and partly because they can be found in a great variety of places, including antique shops, public auctions, bric-a-brac stalls, garage sales and flea markets. Each title in this series is written by an expert in his or her chosen subject...with a wealth of practical advice to help the novice over any initial hurdles, guidance on prices and over 100 illustrations to help with identification.
This true story being told happened in New England between 1912 and 1948. Many interesting things happened in this time period: Two World Wars, a major depression and the consequences of these events. The stories of these times as recalled from the memory of Norma are not in great detail, but come together to show how life and times affect one’s destiny. Small incidences in the area of religion seem to start out and come to the front of the story. The detailed conclusion of the story pulls everything together in a way that shows a probable design which can only be seen as time permits. An interesting part of the story is the contrast between the life of a grandmother and the life of grandchildren who seem to live in a different world. And so, destinies are still taking shape.
Norma Fox Mazer's remarkable story of two sisters fighting to survive against a world without caring.In the sad, shabby trailer where Em Thurkill lived her first fourteen years, suffering her father's alcoholic rages and her mother's deathly silence, and in the three she lived trapped with her violent, unstable sister, there seems more than enough to end even the dream of hope.Yet Em Thurkill's story is a story of how hope outlives brutality. It is a story of one girl's sweetness, and almost unbearable pain. Heartbreaking, mesmerizing, and ultimately transcendent, this novel is a tribute to the astonishing resilience of the human soul.
Bunny is funny, but that doesn’t mean she’s totally clueless when it comes to more serious matters With her quick wit and lighthearted personality, Bunny Larrabee can make people laugh about almost anything. She collects knock-knock jokes, riddles, and all kinds of comedy routines to try out on her best friend, Emily. The only thing Bunny doesn’t find humor in is her unusual name—she’s heard jokes about it her whole life, and none of them are funny. So when an impossibly gorgeous guy starts talking to her at a concert, Bunny opens her mouth and says two fateful words: “I’m Emily.” It’s just one tiny lie, but it will drive a wedge between the two best friends. And with what looks like more serious misfortune on the horizon, Bunny will need Emily’s friendship and advice more than ever.
Winner of the Premio Aztlán Literary Prize Canícula--the dog days--a particularly intense part of the summer when most cotton is harvested in South Texas. In Norma Cantú's fictionalized memoir of Laredo in the 1940s, 1950s, and early 1960s, it also represents a time between childhood and a still-unknown adulthood. Snapshots and the author's re-created memories allow readers to experience the pivotal events of this world--births, deaths, injuries, fiestas, and rites of passage. In celebration of the twentieth anniversary of the original publication, this updated edition includes newly written pieces as well as never-before-published images--culled from hundreds of the author's family photos--adding further depth and insight into this unique contribution to Chicana literature.
About the Book Norma Krieger Kueppers’ paternal grandmother Laura was thirty years old and married with a family when the Spanish flu swept through the valley, creating losses of families and friends in the Marked Tree, Arkansas, area. It was later exposed as a worldwide pandemic, reaching every continent. Laura perished from the outbreak in 1919. James Weeks, Kueppers’ father, was the historian of the Weeks family. Laura was his mother. He was eight years old when she passed. He was too young to remember much regarding his mother. However, the family kept her memory alive by sharing stories about her. Intrigued by this family history, Kueppers has brought Laura to life, and created a place for her if she had lived. A collection of her father’s memories regarding Laura sparked the spirit within and allows the readers to take this journey with her. In the book, Angela is portrayed as Laura. Enjoy the awakening as you read each chapter. About the Author Norma Krieger Kueppers was born Norma Dean Weeks in Marked Tree, Arkansas, in 1941. Her family then moved to Michigan in 1942. At every opportunity growing up, Kueppers found herself taking writing classes wherever they were offered. She attended Lansing Community College, enrolling in Creating Writing and Watercolor courses. Her poem “My Backyard” was published in Lansing Community College’s twenty-fifth anniversary publication. Kueppers recently became a widow after forty-two years of marriage. She has three grown children and is a grandmother and great-grandmother. In her spare time, she enjoys attending her writing class at the local library.
Escaping from the terrors of World War II, Karin gets the chance for a new life in America—but she can’t stop thinking about her mother, who she left behind in France Karin Levi’s life in Paris was happy and normal. She never dreamed she would find herself hiding in a cramped attic with her family, sitting silently while police went from house to house hunting for Jews and turning them over to German soldiers. Hopeless and scared, only Maman’s loving smile and caring touch give Karin the strength to keep going. But soon, Karin and her older brother, Marc, must flee the attic, crossing land and sea in search of safety, and leaving Maman behind. Longing for her mother and a return to their happy life, Karin expresses her love in letters she won’t be able to send until the war is over. Dearest Maman . . .
In From Homemakers to Breadwinners to Community Leaders, Norma Fuentes-Mayorga compares the immigration and integration experiences of Dominican and Mexican women in New York City, a traditional destination for Dominicans but a relatively new one for Mexicans. Her book documents the significance of women-led migration within an increasingly racialized context and underscores the contributions women make to their communities of origin and of settlement. Fuentes-Mayorga’s research is timely, especially against the backdrop of policy debates about the future of family reunification laws and the unprecedented immigration of women and minors from Latin America, many of whom seek human rights protection or to reunite with families in the US. From Homemakers to Breadwinners to Community Leaders provides a compelling look at the suffering of migrant mothers and the mourning of family separation, but also at the agency and contributions that women make with their imported human capital and remittances to the receiving and sending community. Ultimately the book contributes further understanding to the heterogeneity of Latin American immigration and highlights the social mobility of Afro-Caribbean and indigenous migrant women in New York.
Eight extraordinary stories of heartbreak, growing up, and the importance of finding your voice Everything changes eventually. Jessie Granatstein doesn’t think she’ll have anything to say in the journal her teacher asks her to write—until suddenly, the words come tumbling out. Zoe Eberhardt has been raised and cherished by the strong, powerful women in her family, but when she turns fourteen, she starts to see that she’ll soon have to establish an identity of her own. Marylee is quiet and thoughtful—unlike her confident, sparkling mother. But when she sees something she’s not supposed to, she realizes it might be time to start speaking out. For the young women in these stories, growing up may be complicated, but it always leads in surprising new directions.
When life imitates opera, what is a young Italian American girl to do? At the age of eleven, I lost my mother, Tosca, to cancer, and within two years, my father committed suicide by shooting himself in the head. My warm, extended Italian immigrant family began to unravel as greed and selfishness motivated the adults around me. A Heart Near Death is a memoir about how I survived the tragic events of my early childhood, which included the death of two parents, separation from my brothers, the robbery of my inheritance, and being sexually abused by my uncle. Outside readers have called A Heart Near Death plucky and evocative. Lyrical and raw, funny and poignant, the book celebrates courage, dignity, humor and endurance. Like the operas that sustained me throughout my life, it is a story I hope will uplift and inspire many others.
Danita knows that nobody’s perfect, but it’s never easy to admit that might include your own parents Danita’s parents love to remind their daughter that she weighed less than a loaf of bread when she was born, but now that she’s almost fourteen and perfectly healthy, Danita really wishes they’d give her some space. Obviously still in love and completely devoted to their family, even Danita’s best friend, Laredo, thinks Mr. and Mrs. Merritt are the ideal parents, but Danita can’t help wanting them to focus on anything—or anyone—else. Danita’s wish is about to come true, but is it more than she bargained for?
An intimate biography of Richard Avedon, the legendary fashion and portrait photographer who “helped define America’s image of style, beauty and culture” (The New York Times), by his longtime collaborator and business partner Norma Stevens and award-winning author Steven M. L. Aronson. Richard Avedon was arguably the world’s most famous photographer—as artistically influential as he was commercially successful. Over six richly productive decades, he created landmark advertising campaigns, iconic fashion photographs (as the star photographer for Harper’s Bazaar and then Vogue), groundbreaking books, and unforgettable portraits of everyone who was anyone. He also went on the road to find and photograph remarkable uncelebrated faces, with an eye toward constructing a grand composite picture of America. Avedon dazzled even his most dazzling subjects. He possessed a mystique so unique it was itself a kind of genius—everyone fell under his spell. But the Richard Avedon the world saw was perhaps his greatest creation: he relentlessly curated his reputation and controlled his image, managing to remain, for all his exposure, among the most private of celebrities. No one knew him better than did Norma Stevens, who for thirty years was his business partner and closest confidant. In Avedon: Something Personal—equal parts memoir, biography, and oral history, including an intimate portrait of the legendary Avedon studio—Stevens and co-author Steven M. L. Aronson masterfully trace Avedon’s life from his birth to his death, in 2004, at the age of eighty-one, while at work in Texas for The New Yorker (whose first-ever staff photographer he had become in 1992). The book contains startlingly candid reminiscences by Mike Nichols, Calvin Klein, Claude Picasso, Renata Adler, Brooke Shields, David Remnick, Naomi Campbell, Twyla Tharp, Jerry Hall, Mikhail Baryshnikov, Bruce Weber, Cindy Crawford, Donatella Versace, Jann Wenner, and Isabella Rossellini, among dozens of others. Avedon: Something Personal is the confiding, compelling full story of a man who for half a century was an enormous influence on both high and popular culture, on both fashion and art—to this day he remains the only artist to have had not one but two retrospectives at the Metropolitan Museum of Art during his lifetime. Not unlike Richard Avedon’s own defining portraits, the book delivers the person beneath the surface, with all his contradictions and complexities, and in all his touching humanity.
The more things change, the more Ami wishes they’d stay exactly the same Ami and her best friend, Mia, share almost everything—even the letters in their names! But when Ami’s mom and dad separate and her mom moves out, even all of the traditions she and Mia share can’t put her family back together. Ami wants everything to go back to the way it was—for her mother not to live in an apartment and have a life of her own, and for her dad not to go to dinner with the new science teacher, Ms. Linsley. At least her friendship with Mia will always be the same . . . won’t it?
Raised under the racial segregation that kept her family's southern country hotel afloat, Norma Watkins grows up listening at doors, trying to penetrate the secrets and silences of the black help and of her parents' marriage. Groomed to be an ornament to white patriarchy, she sees herself failing at the ideal of becoming a southern lady. The Last Resort, her compelling memoir, begins in childhood at Allison's Wells, a popular Mississippi spa for proper white people, run by her aunt. Life at the rambling hotel seems like paradise. Yet young Norma wonders at a caste system that has colored people cooking every meal while forbidding their sitting with whites to eat. Once integration is court-mandated, her beloved father becomes a stalwart captain in defense of Jim Crow as a counselor to fiery, segregationist Governor Ross Barnett. His daughter flounders, looking for escape. A fine house, wonderful children, and a successful husband do not compensate for the shock of Mississippi's brutal response to change, daily made manifest by the men in her home. A sexually bleak marriage only emphasizes a growing emotional emptiness. When a civil rights lawyer offers love and escape, does a good southern lady dare leave her home state and closed society behind? With humor and heartbreak, The Last Resort conveys at once the idyllic charm and the impossible compromises of a lost way of life.
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