Collecting small antiques can be of absorbing interest, partly because the items are easy to display and partly because they can be found in a great variety of places, including antique shops, public auctions, bric-a-brac stalls, garage sales and flea markets. Each title in this series is written by an expert in his or her chosen subject...with a wealth of practical advice to help the novice over any initial hurdles, guidance on prices and over 100 illustrations to help with identification.
This true story being told happened in New England between 1912 and 1948. Many interesting things happened in this time period: Two World Wars, a major depression and the consequences of these events. The stories of these times as recalled from the memory of Norma are not in great detail, but come together to show how life and times affect one’s destiny. Small incidences in the area of religion seem to start out and come to the front of the story. The detailed conclusion of the story pulls everything together in a way that shows a probable design which can only be seen as time permits. An interesting part of the story is the contrast between the life of a grandmother and the life of grandchildren who seem to live in a different world. And so, destinies are still taking shape.
Florence Kate Upton (1873-1922) was among the earliest illustrators of children's picture books. Her Golliwogg character, immediately loved by children, was the first fictional character to be mass-produced. This is the first complete and accurate account of the original Golliwogg, filling a void in the history of children's literature and in the history of dolls. Upton was also a respected artist, settling in London after studies in Paris, and this biography is a comprehensive study of her artistic career, bringing together for the first time reproductions of her major works. It therefore adds a rich and formerly unexplored chapter to the history of women in the arts.
A long-needed corrective and alternative view of Western art history, these seventeen essays by respected scholars are arranged chronologically and cover every major period from the ancient Egyptian to the present. While several of the essays deal with major women artists, the book is essentially about Western art history and the extent to which it has been distorted, in every period, by sexual bias. With 306 illustrations.
For those of us who lived through the Cold War years in Dallas, this book is a sometimes-painful journey through a past we would most like to forget. For younger people, it fills in gaps in our local history that had national and international dimensions. At the same time, it is a reminder of the integrity, tenacity, and courage of the few brave souls who kept faith in the sure knowledge that right will win out and whose leadership has led us to a new day in our citywarts and all! This is the story of the Dallas Chapter United Nations Association, long overdue. Norma and Bill Matthews, both of whom are past presidents of DUNA, have done a masterful job of probing the past, ferreting out nuggets of history tucked into boxes and stashed away in family attics, backroom nooks, and office storerooms. For much of the time since its founding in 1953, DUNA has had no permanent home or office, and its records have been at the mercy of whoever was its leader, always with the possibility that succeeding generations of its founders would not recognize the merits of those sealed boxes and would destroy them. Using endless newspaper files, mostly from the Dallas Morning News and some from the late Dallas Times Herald and Fort Worth Star-Telegram, the Matthews writing team has been able to follow the founding, development, and leadership of DUNA, vastly enriched by personal stories of individuals who kept the flame alive in good times and bad. Norma and Bill Matthews teamed their professional degrees in education, communication, music, and theology to serve as volunteer activists for human rights and peace endeavors. Married 63 years, and retiring as teacher and minister, they committed themselves to research and preserve the history of advocacy for support of sustainable goals of individual and universal dignity and freedom.
Explores language practices and discourse patterns of Mexican-origin mothers and the language socialization of their children. Drawing on women's own experiences as both mothers and borderland residents, the author combines personal odyssey with ethnographic research to show new ways to connect language to issues of education, political economy, and social identity.
Book Description: When the Dutch psychic Peter Hurkos approached Norma Lee Browning to write his story, her reply was blunt: "You know better than to ask me … I'm the one who exposes people like you." Norma Lee Browning is a professional skeptic -- a journalist with a reputation for exposing frauds and charlatans. Hurkos persisted. The result is this incredible book in which Browning, skeptic, proves beyond a reasonable doubt that Peter Hurkos is a man with phenomenal psychic powers -- a man who can conjure up the past, envision the future and describe people and places he has never seen. Hurkos has also participated in missing persons and murder investigations across the United States. To fully describe a man like Peter Hurkos is not possible. Ms. Browning deals in facts -- in names and places and dates -- and these facts speak for themselves. Author's Bio: A well-known columnist and reporter, Norma Lee Browning has written numerous books including the fascinating FACELIFTS: Everything You Always Wanted to Know. She lives in Palm Springs, California.
A noteworthy study in the history of ideas, this is the first systematic account of an idea that was born with the concept of science itself in ancient Greece and that has been vital to its evolution ever since. The book traces the development of the concept of form—one of the most important and persistent elements in natural philosophy—from its origins in Plato and Aristotle to the beginnings of the nineteenth century. Norma Emerton depicts the transformation of the form concept as it was transferred from a philosophical to a scientific context, and she explains how it was reinterpreted and used especially in particle theory, chemical doctrine, and crystallography in the sixteenth, seventeenth, and eighteenth centuries. Throughout she emphasizes the philosophical, linguistic, and theological context of scientific theories, supporting her argument with evidence from a wide variety of primary sources, some of them little known, and many of them specially translated by the author. In form and style her book treats the history of a "unit-idea " in the grand tradition of A. 0. Lovejoy's Great Chain of Being. ''The story is a fascinating one,'' writes L. Pearce Williams in the Foreword. "This is 'internal' history of science which illustrates well the fact that scientific ideas have lives of their own worth investigating, describing, and analyzing. The result is a history that introduces one of the most important and central concerns of modern science." The Scientific Reinterpretation of Form will be of particular interest to historians and philosophers of science, intellectual historians, and others concerned with the dynamic interaction between philosophy, theology, and science.
Teach students about Hmong culture, build appreciation of diversity, and extend learning across the curriculum with engaging activities based on Hmong folktales and traditions. After a fascinating overview of the history and customs of the Hmong, Dia shares her experience of emigrating from Vietnam to the U.S. The book also offers a profusion of lively activities and project ideas, covering themes of Farming and Food, Stories and Storytelling, Writing and Illustrating Stories, Hmong Folk Arts, and Customs. Students will enjoy learning about Hmong traditions such as their musical instruments, the beautiful Pa Ndau story cloths, and more. Many projects relate directly to Hmong folktales, making this a wonderful companion to Folk Stories of the Hmong.
Oliver Goldsmith arrived in England in 1756 a penniless Irishman. He toiled for years in the anonymity of Grub Street—already a synonym for impoverished hack writers—before he became one of literary London’s most celebrated authors. Norma Clarke tells the extraordinary story of this destitute scribbler turned gentleman of letters as it unfolds in the early days of commercial publishing, when writers’ livelihoods came to depend on the reading public, not aristocratic patrons. Clarke examines a network of writers radiating outward from Goldsmith: the famous and celebrated authors of Dr. Johnson’s “Club” and those far less fortunate “brothers of the quill” trapped in Grub Street. Clarke emphasizes Goldsmith’s sense of himself as an Irishman, showing that many of his early literary acquaintances were Irish émigrés: Samuel Derrick, John Pilkington, Paul Hiffernan, and Edward Purdon. These writers tutored Goldsmith in the ways of Grub Street, and their influence on his development has not previously been explored. Also Irish was the patron he acquired after 1764, Robert Nugent, Lord Clare. Clarke places Goldsmith in the tradition of Anglo-Irish satirists beginning with Jonathan Swift. He transmuted troubling truths about the British Empire into forms of fable and nostalgia whose undertow of Irish indignation remains perceptible, if just barely, beneath an equanimous English surface. To read Brothers of the Quill is to be taken by the hand into the darker corners of eighteenth-century Grub Street, and to laugh and cry at the absurdities of the writing life.
Organized to help the reader find needed information quickly and easily, this book emphasizes psychophysical experiments which measure the detection and identification of near-threshold patterns and the mathematical models used to draw inferences from experimental results.
Heart of darkness tells of a powerful European, Kurtz, who reverts to awful savagery on an isolated native trading post. The secret sharer describes the conflict of a young captain torn between his duty to his ship and his loyalty to a young officer.
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