A whopping big celebration of the work of the late, great Nora Ephron, America’s funniest—and most acute—writer, famous for her brilliant takes on life as we’ve been living it these last forty years. Everything you could possibly want from Nora Ephron is here—from her writings on journalism, feminism, and being a woman (the notorious piece on being flat-chested, the clarion call of her commencement address at Wellesley) to her best-selling novel, Heartburn, written in the wake of her devastating divorce from Carl Bernstein; from her hilarious and touching screenplay for the movie When Harry Met Sally . . . (“I’ll have what she’s having”) to her recent play Lucky Guy (published here for the first time); from her ongoing love affair with food, recipes and all, to her extended takes on such controversial women as Lillian Hellman and Helen Gurley Brown; from her pithy blogs on politics to her moving meditations on aging (“I Feel Bad About My Neck”) and dying. Her superb writing, her unforgettable movies, her honesty and fearlessness, her nonpareil humor have made Nora Ephron an icon for America’s women—and not a few of its men.
For fans of When Harry Met Sally and readers of I Feel Bad About My Neck comes an indispensable collection of wit and wisdom from the late, great writer-filmmaker A hilarious and revealing look at one of America’s most beloved screenwriters. From the beginning of her career as a young journalist to her final interview—a warm, wise, heartbreaking reflection originally published in the Believer—this is a sparkling look at the life and work of a great talent.
Is it possible to write a sidesplitting novel about the breakup of the perfect marriage? If the writer is Nora Ephron, the answer is a resounding yes. For in this inspired confection of adultery, revenge, group therapy, and pot roast, the creator of "Sleepless in Seattle" reminds us that comedy depends on anguish as surely as a proper gravy depends on flour and butter. Seven months into her pregnancy, Rachel Samstat discovers that her husband, Mark, is in love with another woman. The fact that the other woman has " a neck as long as an arm and a nose as long as a thumb and you should see her legs" is no consolation. Food sometimes is, though, since Rachel writes cookbooks for a living. And in between trying to win Mark back and loudly wiching him dead, Ephron's irrepressible heroine offers some of her favorite recipes. "Heartburn "is a sinfully delicious novel, as soul-satisfying as mashed potatoes and as airy as a perfect soufflé .
NATIONAL BESTSELLER • Here is the beloved, bestselling author of I Feel Bad About My Neck at her funniest, wisest, and best, taking a hilarious look at the past and bemoaning the vicissitudes of modern life—and recalling with her signature clarity and wisdom everything she hasn’t (yet) forgotten. In these pages she takes us from her first job in the mailroom at Newsweek to the six stages of email, from memories of her parents’ whirlwind dinner parties to her own life now full of Senior Moments (or, as she calls them, Google moments), from her greatest career flops to her most treasured joys. Filled with insights and observations that instantly ring true, I Remember Nothing is a delightful, poignant gift from one of our finest writers.
Memories, aphorisms and stern good advice from America's favourite naughty aunt' Independent on Sunday 'This book is as grown-up as a dirty martini' Sunday Times 'Sharp as a knife' Daily Express ___ In her final book, Nora Ephron reflects on life, growing older, and everything she will and won't miss. Filled with Nora's trademark wit, wisdom and warmth. * No one actually likes to admit they're old. The most they will cop to is that they're older. Or oldish. * Freedom of the press belongs to the man who owns one. * I have been forgetting things for years-at least since I was in my thirties. I know this because I wrote something about it at the time. I have proof. Of course, I can't remember exactly where I wrote about it, or when, but I could probably hunt it up if I had to. ___ Praise for Nora Ephron 'So bold and so vulnerable at the same time. I don't know how she did it' Phoebe Waller-Bridge 'Oh how I loved Nora Ephron' Nigella Lawson 'Funny, knowing and smart' India Knight 'Nora's exacting, precise, didactic, tried-and-tested, sophisticated-woman-wearing-all-black wisdom is a comfort and a relief' Dolly Alderton
LUCKY GUY marks a return to Nora Ephron's journalistic roots. The charismatic and controversial tabloid columnist Mike McAlary covered the scandal- and graffiti-ridden New York of the 1980s. From his sensational reporting of New York's major police corruption to the libel suit that nearly ended his career, the play dramatizes the story of McAlary's meteoric rise, fall and rise again, ending with his coverage of the Abner Louima case for which he won the Pulitzer Prize, shortly before his untimely death on Christmas Day, 1998.
A bitingly funny, provocative, and revealing look at our foibles, passions, and pasttimes—from one of the most creative minds of our time. “Nora Ephron can write about anything better than anybody else can write about anything.”—The New York Times From her Academy Award–nominated screenplays to her bestselling fiction and essays, Nora Ephron is one of America’s most gifted, prolific, and versatile writers. In this classic collection of magazine articles, Ephron does what she does best: embrace American culture with love, cynicism, and unmatched wit. From tracking down the beginnings of the self-help movement to dressing down the fashion world’s most powerful publication to capturing a glimpse of a legendary movie in the making, these timeless pieces tap into our enduring obsessions with celebrity, food, romance, clothes, entertainment, and sex. Whether casting her ingenious eye on renowned director Mike Nichols, Cosmopolitan magazine founder Helen Gurley Brown—or herself, as she chronicles her own beauty makeover—Ephron deftly weaves her journalistic skill with the intimate style of an essayist and the incomparable talent of a great storyteller.
With her disarming, intimate, and dry sense of humor, Ephron shares her ups and downs in this bestselling look at women who are getting older and dealing with the tribulations of maintenance, menopause, empty nests, and life itself.
From the bestselling author of I Feel Bad About My Neck: two classic collections of uproarious essays tackling everything from feminism to the media, from politics to beauty products, with her inimitable charm and distinctive wit. This edition brings together some of Ephron’s most famous writing on a generation of women (and men) who helped shape the way we live now, and on events ranging from the Watergate scandal to the Pillsbury Bake-Off. In these sharp, hilariously entertaining, and vividly observed pieces, Ephron illuminates an era with wicked honesty and insight. From the famous “A Few Words About Breasts” to important pieces on her time working for the New York Post and Gourmet Magazine, these essays show Ephron at her very best.
The bestselling author of I Feel Bad About My Neck brilliantly and hilariously resuscitates Lillian Hellman and Mary McCarthy—two bigger-than-life feuding writers—to give them a post-mortem second act, and the chance to really air their differences. Although Lillian Hellman and Mary McCarthy probably only met once in their lives, their names will be linked forever in the history of American literary feuds: they were legendary enemies, especially after McCarthy famously announced to the world that every word Hellman wrote was a lie, “including ‘and’ and ‘the.’” The public battle, and the legal squabbling, that ensued ended, unsatisfactorily for all, with Hellman’s death. “A sharp-eyed and even sharper-clawed memory-play.... Provides...guilty pleasures, keeping the repartee both snappy and snappish.” —The Wall Street Journal
Gathers humorous essays about feminism, sex fantasies, beauty, college life, feminine hygiene, cooking competitions, women in Washington, divorce, and sex roles."--
For fans of When Harry Met Sally and readers of I Feel Bad About My Neck comes an indispensable collection of wit and wisdom from the late, great writer-filmmaker A hilarious and revealing look at one of America’s most beloved screenwriters. From the beginning of her career as a young journalist to her final interview—a warm, wise, heartbreaking reflection originally published in the Believer—this is a sparkling look at the life and work of a great talent.
The complete screenplay of Rob Reiner's enormously funny and moving film, When Harry Met Sally—a romantic comedy about the difficult, frustrating, awful, funny search for happiness in an American city, where the primary emotion is unrequited love. "A winner, a lavishly romantic lark, brimming over with style, intelligence and flashing wit." —Peter Travers, Rolling Stone Written by Nora Ephron, author of screenplays for Silkwood and Heartburn (from her own bestselling novel)—When Harry Met Sally is as hilarious on the page as it is on the screen. The book includes an introduction by the author.
A whopping big celebration of the work of the late, great Nora Ephron, America’s funniest—and most acute—writer, famous for her brilliant takes on life as we’ve been living it these last forty years. Everything you could possibly want from Nora Ephron is here—from her writings on journalism, feminism, and being a woman (the notorious piece on being flat-chested, the clarion call of her commencement address at Wellesley) to her best-selling novel, Heartburn, written in the wake of her devastating divorce from Carl Bernstein; from her hilarious and touching screenplay for the movie When Harry Met Sally . . . (“I’ll have what she’s having”) to her recent play Lucky Guy (published here for the first time); from her ongoing love affair with food, recipes and all, to her extended takes on such controversial women as Lillian Hellman and Helen Gurley Brown; from her pithy blogs on politics to her moving meditations on aging (“I Feel Bad About My Neck”) and dying. Her superb writing, her unforgettable movies, her honesty and fearlessness, her nonpareil humor have made Nora Ephron an icon for America’s women—and not a few of its men.
Scenes from the City: Filmmaking in New York is a celebration of the rise of New York-shot films, particularly after the Mayor's Office of Film, Theatre and Broadcasting was formed in 1966. This revised and expanded edition, edited by James Sanders, includes a new decade of filmmaking in NYC, a section on women filmmakers and rare, behind-the-scenes shots directly from studio archives. It also explores the recent growth of the City's television industry with more episodic series being produced in New York City now than ever before. Today's the City's entertainment industry employs 130,000 New Yorkers and contributes more than $7 billion to the local economy each year.
A 40th anniversary reissue of the national bestselling author's hilarious first novel that memorably mixed food, heartbreak, and revenge into a comic masterpiece—now with a new foreword by Stanley Tucci. • "Touching and funny.... Proof that writing well is the best revenge." —Chicago Tribune Is it possible to write a sidesplitting novel about the breakup of the perfect marriage? If the writer is Nora Ephron, the answer is a resounding yes. In this inspired confection of adultery, revenge, group therapy, and pot roast, the creator of Sleepless in Seattle and When Harry Met Sally... reminds us that comedy depends on anguish as surely as a proper gravy depends on flour and butter. Seven months into her pregnancy, Rachel Samstat discovers that her husband, Mark, is in love with another woman. The fact that the other woman has "a neck as long as an arm and a nose as long as a thumb and you should see her legs" is no consolation. Food sometimes is, though, since Rachel writes cookbooks for a living. And in between trying to win Mark back and loudly wishing him dead, Ephron's irrepressible heroine offers some of her favorite recipes. Heartburn is a sinfully delicious novel, as soul-satisfying as mashed potatoes and as airy as a perfect soufflé.
A bitingly funny, provocative, and revealing look at our foibles, passions, and pasttimes—from one of the most creative minds of our time. “Nora Ephron can write about anything better than anybody else can write about anything.”—The New York Times From her Academy Award–nominated screenplays to her bestselling fiction and essays, Nora Ephron is one of America’s most gifted, prolific, and versatile writers. In this classic collection of magazine articles, Ephron does what she does best: embrace American culture with love, cynicism, and unmatched wit. From tracking down the beginnings of the self-help movement to dressing down the fashion world’s most powerful publication to capturing a glimpse of a legendary movie in the making, these timeless pieces tap into our enduring obsessions with celebrity, food, romance, clothes, entertainment, and sex. Whether casting her ingenious eye on renowned director Mike Nichols, Cosmopolitan magazine founder Helen Gurley Brown—or herself, as she chronicles her own beauty makeover—Ephron deftly weaves her journalistic skill with the intimate style of an essayist and the incomparable talent of a great storyteller.
The bestselling author of I Feel Bad About My Neck brilliantly and hilariously resuscitates Lillian Hellman and Mary McCarthy—two bigger-than-life feuding writers—to give them a post-mortem second act, and the chance to really air their differences. Although Lillian Hellman and Mary McCarthy probably only met once in their lives, their names will be linked forever in the history of American literary feuds: they were legendary enemies, especially after McCarthy famously announced to the world that every word Hellman wrote was a lie, “including ‘and’ and ‘the.’” The public battle, and the legal squabbling, that ensued ended, unsatisfactorily for all, with Hellman’s death. “A sharp-eyed and even sharper-clawed memory-play.... Provides...guilty pleasures, keeping the repartee both snappy and snappish.” —The Wall Street Journal
From the bestselling author of I Feel Bad About My Neck: two classic collections of uproarious essays tackling everything from feminism to the media, from politics to beauty products, with her inimitable charm and distinctive wit. This edition brings together some of Ephron’s most famous writing on a generation of women (and men) who helped shape the way we live now, and on events ranging from the Watergate scandal to the Pillsbury Bake-Off. In these sharp, hilariously entertaining, and vividly observed pieces, Ephron illuminates an era with wicked honesty and insight. From the famous “A Few Words About Breasts” to important pieces on her time working for the New York Post and Gourmet Magazine, these essays show Ephron at her very best.
The complete screenplay of Rob Reiner's enormously funny and moving film, When Harry Met Sally—a romantic comedy about the difficult, frustrating, awful, funny search for happiness in an American city, where the primary emotion is unrequited love. "A winner, a lavishly romantic lark, brimming over with style, intelligence and flashing wit." —Peter Travers, Rolling Stone Written by Nora Ephron, author of screenplays for Silkwood and Heartburn (from her own bestselling novel)—When Harry Met Sally is as hilarious on the page as it is on the screen. The book includes an introduction by the author.
As Canada was in the grips of the worst pandemic in a century, Canadian media struggled to tell the story. Newsrooms, already run on threadbare budgets, struggled to make broader connections that could allow their audience to better understand what was really happening, and why. Politicians and public health officials were mostly given the benefit of the doubt that what they said was true and that they acted in good faith. This book documents each month of the first year of the pandemic and examines the issues that emerged, from racialized workers to residential care to policing. It demonstrates how politicians and uncritical media shaped the popular understanding of these issues and helped to justify the maintenance of a status quo that created the worst ravages of the crisis. Spin Doctors argues alternative ways in which Canadians should understand the big themes of the crisis and create the necessary knowledge to demand large-scale change.
The Growth of Literature is a key work for all scholars and students of comparative literature, and will also interest those involved with other fields of literary studies as well as sociology, anthropology and related disciplines. The three volumes, hailed as classics when they first appeared between 1932 and 1940, were last reprinted in 1968. Now available for the first time in paperback, they remain the definitive study of their subject. The work contains an examination of comparative literatures in various countries and at various times, with a view to demonstrating what literature (oral and written) consists of at different stages of its growth and what, if any, general principles can be applied to its development under diverse conditions. In the first volume Professor and Mrs Chadwick establish the categories of literature which are used throughout as a means of classification, and discuss the heroic age in Europe, focusing on Classical, Anglo-Saxon and Celtic cultures. In the second volume they deal with Russian oral literature, Yugoslav oral poetry, early Indian literature and early Hebrew literature. Volume III examines the oral literature of the Tatars, of Polynesia, and of Africa, concluding with a general survey which makes use of the categories developed in the first volume.
A wonderfully engaging memoir from the woman who founded America’s first certified organic restaurant, My Organic Life is the story of an unheralded culinary pioneer who made it her mission to bring delicious, wholesome foods to the American table. While growing up on a farm in the Austrian Alps and later in Vienna, Nora Pouillon was surrounded by fresh and delicious foods. So when she and her French husband moved to Washington, D.C., in the 1960s, she was horrified to discover a culinary culture dominated by hormone-bloated meat and unseasonal vegetables. The distance between good, healthy produce and what even the top restaurants were serving was vast, and Nora was determined to bridge that gap. First as a cooking teacher, then as a restaurant owner, and eventually as the country’s premier organic restaurateur, she charted a path that forever changed our relationship with what we eat. Since it opened in 1979, her eponymous restaurant has been a hot spot for reporters, celebrities, and politicians—from Jimmy Carter to the Obamas—alike. Along the way, Nora redefined what food could be, forging close relationships with local producers and launching initiatives to take the organic movement mainstream. As much the story of America’s postwar culinary history as it is a memoir, My Organic Life encompasses the birth of the farm-to-table movement, the proliferation of greenmarkets across the country, and the evolution of the chef into social advocate. Spanning the last forty years of our relationship with food, My Organic Life is the deeply personal, powerfully felt story of the organic revolution—by the unlikely heroine at its forefront.
An Entertainment Weekly Pick of Summer’s Best New Books Wren’s closest friend, her anchor since childhood, is dead. Stewart Beasley. Gone. She can’t quite believe it and she definitely can’t bring herself to google what causes an aneurysm. Instead of weeping or facing reality, Wren has been dreaming up the perfect funeral plans, memorial buffets, and processional songs for everyone from the corner bodega owner to her parents (none of whom show signs of imminent demise). Stewart was a rising TV star, who—for reasons Wren struggles to understand—often surrounded himself with sycophants, amusing in his life, but intolerable in his death. When his icy mother assigns Wren the task of disseminating his possessions alongside George (Stewart’s maddening, but oddly charming lawyer), she finds herself at the epicenter of a world in which she wants no part, where everyone is competing to own a piece of Stewart’s memory (sometimes literally). Remembering the boy Stewart was and investigating the man he became, Wren finds herself wondering, did she even know this person who she once considered an extension of herself? Can you ever actually know anyone? How well does she really know herself? Through laughter and tears, Nora Zelevansky’s Competitive Grieving shines a light on the universal struggle to grieve amidst the noise, to love with a broken heart, and to truly know someone who is gone forever.
From the host of the podcast Terrible, Thanks for Asking—called “a gift” by The New York Times—a raw and humorous essay collection in the spirit of Jenny Lawson and Samantha Irby. Nora McInerny does not dance like no one is watching. In fact, she dances like everyone is watching, which is to say, she does not dance at all. A bestselling author and host of the beloved podcast Terrible, Thanks for Asking, she has captured the hearts of millions with her disarming and earnest approach to discussing grief and loss. Now, with Bad Vibes Only, she turns her eye on our aggressively, oppressively optimistic culture, our obsession with self-improvement, and what it really means to live authentically in the online age. In essays that revisit her cringey past and anticipate her rapidly approaching, early middle-aged future, McInerny lays bare her own chaos, inviting us to drop the façade of perfection and embrace the truth: that we are all—at best—slightly unhinged. Socrates claimed that the unexamined life is not worth living. Bad Vibes Only is for people who have taken that dictum a bit too far—the overthinkers, the analyzers, the recovering Girl Bosses, and the burned-out personal brand—reminding us that a life worth living is about more than just “good vibes.”
Acclaimed Hollywood filmwriter and director Nora Ephron turns her sharp powers of observation back onto herself in these autobiographical essays as she examines the indignities of ageing for the Baby Boom generation. Filled with witty and biting essays like 'I Hate My Handbag', 'Blind as a Bat' and 'What I Wish I'd Known' this book offers the consolation that no matter how much your neck sags, your boobs droop, your skin wrinkles and your children don't appreciate you, someone has been there before you.
Gathers humorous essays about feminism, sex fantasies, beauty, college life, feminine hygiene, cooking competitions, women in Washington, divorce, and sex roles."--
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