Maritime travelers and tillers of the soil: reading the landscape(s) of Batur / Kaja McGowan -- More than a picture: the instrumental quality of the shadow puppet / Jan Mrz̀ek -- Modern Indonesian ceramic art / Hilda Soemantri -- Memories of a ceramic expert / Barbara Harrisson -- Lucia Hartini, Javanese painter: against the grain, towards herself / Astri Wright -- In the image of the king: two photographs from nineteenth-century Siam / Caverlee Cary -- Whose art are we studying? writing Vietnamese art history from colonialism to the present / Nora A. Taylor -- Telling lives: narrative allegory on a Burmese silver bowl / Robert S. Wicks -- Development of Buddhist traditions in peninsular Thailand: a study based on votive tablets (seventh to eleventh centuries) / M.L. Pattaratorn Chirapravati -- Chinese ceramics and local cultural statements in fourteenth-century southeast Asia / John N. Miksic -- Buddhism and the Pre-Islamic archaeology of Kutei in the Mahakam Valley of east Kalimantan / E. Edwards McKinnon.
Painting has played a significant role in modern Vietnam. Postage stamps, billboards, and annual national exhibitions attest to its fundamental place in a country where painters may be hailed as national heroes and include among their number fervent nationalists, propagandists, even dissidents. As Vietnamese painting has gained prominence in the contemporary transnational art circuits of Southeast Asia, many artists have become millionaires, yet Vietnamese painting is generally overlooked in art history surveys of the region. Nora Taylor sets out here to change that. Painters in Hanoi engages with twentieth-century Vietnam through its artists and their works, providing a new angle on a country most often portrayed through the lens of war and politics. Drawing on interviews with artists, cultural officers, curators, art critics, and others in Hanoi, Taylor surveys the impact artists have had on intellectual life in Vietnam. The book shows them within their own complex community, one fraught with tensions, politicking, and favoritism, yet also a sense of belonging. It describes their education, the role of the government in the arts, the rise and fall of individual artists, their influence as active players in the politics of place and gender, the audience for their work, and how tourism and the international art market have influenced it.
Advertising and Violence identifies and analyzes the important issues related to violence in advertising and its overall effects on society. The book is based on a widely cited special issue of the Journal of Advertising and includes eight new chapters that expand the book's coverage. The objective of the book is to compile a compendium of current thinking, perspectives, theoretical viewpoints, and research relevant to the violence and advertising interface. The chapter authors, all notable experts in the field, take a multidisciplinary approach that incorporates perspectives from disciplines other than marketing in order to provide a broad-based view of how advertising and violence coalesce and the policy implications of this juxtaposition.
These eight volumes contain the works of Mary Shelley and include introductions and prefatory notes to each volume. Included in this edition are "Frankenstein" (1818), "Matilda" ((1819), "Valperga" (1823), "The Last Man" (1826), "Perkin Warbeck" (1830) and "Lodore" (1835).
A New Keynesian model allowing for an active monetary and passive fiscal policy (AMPF) regime and a passive monetary and active fiscal policy (PMAF) regime is fit to various U.S. samples from 1955 to 2007. Data in the pre-Volcker periods strongly prefer an AMPF regime, but the estimation is not very informative about whether the inflation coefficient in the interest rate rule exceeds one in pre-Volcker samples. Also, whether a government spending increase yields positive consumption in a PMAF regime depends on price stickiness. An income tax cut can yield a negative labor response if monetary policy aggressively stabilizes output.
Adam Haines was an artist visiting the Fairchild mansion to do some undercover digging, and that was a problem for a man who preferred to be straightforward. An even bigger problem was Kirby Fairchild, daughter of the world–famous painter he'd been sent to investigate. She was part child, part elf, and the most fascinating woman he'd ever encountered. However, Kirby had a disconcertingly fluid sense of right and wrong –– one completely at odds with Adam's own code of ethics. Adam wished he wasn't wrapped quite so tightly around her little finger....
AVAILABLE DIGITALLY FOR THE FIRST TIME Cartoonist Grant Campbell has shunned the outside world, preferring to live and work alone. And then one fateful night a storm brings artist Geneviève Grandeau to the door of his lighthouse. Gruff and guarded, he offers her shelter for one night only. But Gennie is no pushover and she sees beyond Grant's rude, surly exterior. There's a tender and secretive side that intrigues her... One Man's Art can be enjoyed as a hugely entertaining standalone novel. It is also the fourth instalment in the classic The MacGregors series, which begins with Playing the Odds, Tempting Fate and All the Possibilities and continues with The MacGregor Brides, The Winning Hand, The MacGregor Grooms and The Perfect Neighbour - all available as Ebooks for the first time. And look out for the prequel For Now, Forever, plus the historical MacGregor novel Rebellion and its companion novella In from the Cold. Includes a preview of The MacGregor Brides
From No. 1 New York Times bestselling author Nora Roberts comes two stories where the laws of attraction are passionately tested. The laws of attraction are passionately tested in these stories by No. 1 New York Times bestselling author Nora Roberts. One Summer Shade Colby was America's greatest celebrity photographer. Bryan Mitchell was one of the world's most respected photojournalists. Working together, travelling across the country, recording two views of one American summer - they were complete opposites. And yet they each felt a passion that was destined to draw them together. It took the eye of the camera to show them how close they could become. And it took their mounting desire to lower their defences and allow them to revel in the fulfilment of love... Partners Laurel Armand's competition with fellow reporter Matthew Bates went beyond professional rivalry; she fought the spark of sexual attraction as well. But when the two of them became unwilling partners investigating a mysterious death, Laurel found herself fighting for her own life. Protecting Laurel was Matt's self-appointed task. He had to find out who was out to kill her - and why. But Laurel wasn't helping him one bit, and his feelings were getting in the way. Could he solve the mystery that haunted Heritage Oak and win the woman he loved?
Lila Emerson is fascinated by other people's lives. As a house-sitter, she loves looking after the glamorous, sophisticated homes she could never afford herself. And as a writer, she enjoys watching the world go by, dreaming up stories for the people she sees from her window. But then one day she witnesses something only too real - the brutal and shocking murder of a young woman living across the street in New York. And now, because of what she saw, Lila's own life is in immediate danger from an audacious, single-minded assassin who kills for profit and for pleasure. With the police following a false lead, Lila is on her own. Her only hope is to team up with Ashton Archer, an artist with his own complicated reasons for getting involved. Lila wants to trust the passionate, quick-witted Ash - but is she letting her feelings blind her to his motives? Either way, Lila will never watch from the sidelines again...
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