A lively interdisciplinary study of how venereal disease was represented in eighteenth-century British literature and artIn eighteenth-century Britain, venereal disease was everywhere and nowhere: while physicians and commentators believed the condition to be widespread, it remained shrouded in secrecy, and was often represented using slang, symbolism, and wordplay. In this book, literary critic Noelle Gallagher explores the cultural significance of the “clap” (gonorrhea), the “pox” (syphilis), and the “itch” (genital scabies) for the development of eighteenth-century British literature and art.As a condition both represented through metaphors and used as a metaphor, venereal disease provided a vehicle for the discussion of cultural anxieties about gender, race, commerce, and immigration. Gallagher highlights four key concepts associated with the disease, demonstrating how the infection’s symbolic potency was enhanced by its links to elite masculinity, prostitution, foreignness, and nasal deformity. Casting light where the sun rarely shines, this study will fascinate anyone interested in the history of literature, art, medicine, and sexuality.
Historical literatures recovers a rich, vibrant and complex tradition of Restoration and early eighteenth century English historical writing. Highlighting the wide variety of historical works being printed and read in England between the years 1660 and 1740, it demonstrates that many of the genres that we now view primarily as literary – verse satire and panegyric, memoir, scandal and chronicle – were also being used to represent historical phenomena. In surveying some of this period’s 'historical literatures', it argues that many satirists, secret historians and memoirists made their choice of historical subject matter a topic of explicit commentary, presenting themselves as historians or inscribing their works in an English historical tradition. By responding to other varieties of history in this self-conscious way, writers like Andrew Marvell, John Dryden, Delarivier Manley, Daniel Defoe and John Evelyn were able to pioneer influential new techniques for representing their nation’s past.
A lively interdisciplinary study of how venereal disease was represented in eighteenth-century British literature and artIn eighteenth-century Britain, venereal disease was everywhere and nowhere: while physicians and commentators believed the condition to be widespread, it remained shrouded in secrecy, and was often represented using slang, symbolism, and wordplay. In this book, literary critic Noelle Gallagher explores the cultural significance of the “clap” (gonorrhea), the “pox” (syphilis), and the “itch” (genital scabies) for the development of eighteenth-century British literature and art.As a condition both represented through metaphors and used as a metaphor, venereal disease provided a vehicle for the discussion of cultural anxieties about gender, race, commerce, and immigration. Gallagher highlights four key concepts associated with the disease, demonstrating how the infection’s symbolic potency was enhanced by its links to elite masculinity, prostitution, foreignness, and nasal deformity. Casting light where the sun rarely shines, this study will fascinate anyone interested in the history of literature, art, medicine, and sexuality.
Historical literatures recovers a rich, vibrant and complex tradition of Restoration and early eighteenth century English historical writing. Highlighting the wide variety of historical works being printed and read in England between the years 1660 and 1740, it demonstrates that many of the genres that we now view primarily as literary – verse satire and panegyric, memoir, scandal and chronicle – were also being used to represent historical phenomena. In surveying some of this period’s 'historical literatures', it argues that many satirists, secret historians and memoirists made their choice of historical subject matter a topic of explicit commentary, presenting themselves as historians or inscribing their works in an English historical tradition. By responding to other varieties of history in this self-conscious way, writers like Andrew Marvell, John Dryden, Delarivier Manley, Daniel Defoe and John Evelyn were able to pioneer influential new techniques for representing their nation’s past.
In the aftermath of the 2008 financial crisis, more than 14 million U.S. homeowners filed for foreclosure. Focusing on the hard-hit Sacramento Valley, Noelle Stout uncovers the predacious bureaucracy that organized the largest bank seizure of residential homes in U.S. history. Stout reveals the failure of Wall Street banks’ mortgage assistance programs—backed by over $300 billion of federal funds—to deliver on the promise of relief. Unlike the programs of the Great Depression, in which the government took on the toxic mortgage debt of Americans, corporate lenders and loan servicers ultimately denied over 70 percent of homeowner applications. In the voices of bank employees and homeowners, Stout unveils how call center representatives felt about denying appeals and shares the fears of families living on the brink of eviction. Stout discloses the impacts of rising inequality on homeowners—from whites who felt their middle-class life unraveling to communities of color who experienced a more precipitous and dire decline. Trapped in a Kafkaesque maze of mortgage assistance, borrowers began to view debt refusal as a moral response to lenders, as seemingly mundane bureaucratic dramas came to redefine the meaning of debt and dispossession.
Entry-level occupational therapists are expected to have fundamental skills in splinting theory, design, and fabrication. As occupational therapy students, they gain these skills through didactic courses, fieldwork, or observations. Orthotic Intervention of the Hand and Upper Extremity: Splinting Principles and Process, Second Edition, delivers just that. Instructors need materials to teach students how to apply theory to practice in the area of splinting. This book provides instructors with the pedagogical framework necessary to help students, inexperienced therapists, and expert hand therapists make the right decision whether to fabricate a thermoplastic or neoprene splint, cast, tape, or choose an over-the-counter splint for their patient. This detailed and easy-to-use reference demonstrates splint fabrication techniques and related interventions for the upper extremity and highlights anatomical and biomechanical principles specifically related to splints"--Provided by publisher.
This work reconsiders and critically evaluates the complex international legal framework which seeks to regulate wars of national liberation in the light of two fascinating case studies. It tests the effectiveness of both the jus ad bellum and jus in bello aspects of the current legal framework by applying it to self-determination wars waged in the South Moluccas and Aceh by armed groups against Indonesia. The book highlights the various difficulties inherent in the current legal framework as well as the ad hoc and unpredictable practice of States in relation to its application. The work concludes with recommendations on how the current framework should be updated and enhanced so that it can adequately deal with modern self-determination conflicts.
I’ll be grand, girl, I’ve great faith." – Mammy, just before she died Funny, charismatic and generous; angry, vicious and hurt; in pub lounges all over Cork City, Noelle McCarthy’s mother, Carol, rages against her life and everything she’s lost. As soon as she can, Noelle runs away. All the way to New Zealand, to make a new, different kind of life. But then Mammy gets sick, and it’s time to face everything that’s waiting back home. From Catholic Ireland in the ’70s, ’80s and ’90s to sparkling Auckland in the first years of the new millennium, Grand is a story of the invisible ties that bind us, of bitter legacies handed down through the generations, and of the leap of faith it takes to change them. "Derry Girls meets An Angel at My Table is an improbable combination. Yet here it is, and it is perfect. Desperately funny, hysterically sad, so beautiful and so humane. All of life is in it. I utterly adored it. – MEG MASON, AUTHOR OF SORROW AND BLISS "In this stunning reckoning with demons, McCarthy’s mammy, Carol, lands on the page with a hilarious, indelible, appalling vivacity, stealing every scene. The trajectory of their relationship – intense, literally tooth and claw, barely survivable – takes them, in the nick of time, to something fierce and unbreakable. Grand will have you reassessing the power of love; the deep and painful channels it can cut." – DIANA WICHTEL, AUTHOR OF DRIVING TO TREBLINKA "A howl of anguish and love." – STEVE BRAUNIAS "Noelle McCarthy writes with wit, honesty and grace of that once-in-a-lifetime reality check for daughters – the dying of the mother." – RENÉE
In a quiet university town, amid the crumbling ruins of a mansion, ten aspiring writers devise a most unusual experiment. . .an experiment that goes chillingly, horrifyingly wrong. . . It begins when two of the wannabe authors challenge each other to the ultimate test of inspiration. They're Eve and Angela. They're both devastatingly beautiful. . .and devastatingly competitive. Now, a violent storm has plunged the house into darkness. The doors are locked. The phones are dead. And one writer's imagination is about to run wild. . .
Companion to the Fabrication Process Manual for Orthotic Intervention for the Hand and Upper Extremity, now published as a separate text. This comprehensive text is the perfect resource for use in the classroom, during labs, and in clinical practice for both occupational and physical therapists. Additionally, it is a great reference for those studying to become a Certified Hand Therapist (CHT). Orthotic Intervention for the Hand and Upper Extremity: Splinting Principles and Process superbly highlights anatomical and mechanical principles; discusses associated indications and precautions; and promotes clinical reasoning skills by presenting various patient examples, therefore allowing you to confidently utilize techniques in clinical practice. This updated third edition is divided into the following sections: fundamentals necessary for successful orthotic fabrication, additional intervention methods, and orthoses for specific diagnoses and patient populations. Now with a larger format for more generous pattern appreciation, as well as incorporated and revised evidence-based content from an expanded list of contributing authors, it remains the go-to resource for every level of usage.
At the crossroads between international relations and anthropology, The Migrant Passage analyzes how people from El Salvador, Honduras, and Guatemala navigate the dangerous and uncertain clandestine journey across Mexico to the United States. However much advance planning they do, they survive the journey through improvisation. Central American migrants improvise upon social roles and physical objects, leveraging them for new purposes along the way. Over time, the accumulation of individual journeys has cut a path across the socioeconomic and political landscape of Mexico, generating a social and material infrastructure that guides future passages and complicates borders. Tracing the survival strategies of migrants during the journey to the North, The Migrant Passage shows how their mobility reshapes the social landscape of Mexico, and the book explores the implications for the future of sovereignty and the nation-state. To trace the continuous renewal of the transit corridor, Noelle Brigden draws upon over two years of in-depth, multi-sited ethnographic fieldwork along human smuggling routes from Central America across Mexico and into the United States. In so doing, she shows the value of disciplinary and methodological border crossing between international relations and anthropology, to understand the relationships between human security, international borders, and clandestine transnationalism.
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