François de Bassompierre was born at the Château of Harouel, in Lorraine, on Palm Sunday, April 12, 1579, “at four o’clock in the morning.” His family, which was one of the most ancient and illustrious of Lorraine, appears to have owed its name to the village of Betstein, or Bassompierre, near Sancy, which formed part of its possessions until 1793, when it was confiscated and sold by the Government of Revolutionary France, with the rest of the Bassompierre property. If we are to believe the very confusing documents which François de Bassompierre collected about his family, it descended from the German House of Ravensberg, but, according to the learned genealogist, Père Anselme, its origin can be traced to the latter part of the thirteenth century, to one Olry de Dompierre, who became possessed of the fief of Bassompierre by marriage, and whose son, Simon, adopted the name, which became that of his descendants. However that may be, it was undoubtedly a very old family indeed, as well as a distinguished one, and, like most old families, had its mysterious traditions; but, at any rate, the legend of the Bassompierres had nothing sinister about it. The story goes that during the transitory reign of that Adolph of Nassau who lost his Imperial crown and his life at the Battle of Spire, there lived a certain Comte d’Angerveiller, or d’Orgeveiller. This nobleman, as he was returning home one evening from hunting—it was a Monday—stopped to rest at a summer-house situated in a wood a little distance from his château. There, to his astonishment, he found a young and beautiful woman—a fairy, it is said—(She must surely have been the last of the race!)—apparently awaiting his arrival. And the pair were so well pleased with one another at this first interview, that for two whole years they failed not to meet every Monday at the same rendezvous, “the count pretending to his wife that he had gone to shoot in the wood.” However, as time went on, the countess began to conceive suspicions, “and one morning entered the summer-house, where she found her husband with a woman of perfect beauty, and both asleep. And being unwilling to awaken them, she merely spread over their feet a kerchief which she was wearing on her head, which, being perceived by the fairy, she uttered a piercing cry and began to lament, saying that she must see her lover no more, nor even be within a hundred leagues of him; and so left him, having first bestowed upon him these three gifts—a spoon, a goblet and a ring, for his three daughters, which, said she, they must carefully preserve, as, if they did this, they would bring good fortune to their families and descendants.” Well, a lord of Bassompierre, an ancestor of the marshal, married one of the three daughters of the Comte Orgeveiller, who brought him as her dowry, together with certain fat lands, the spoon; and, in memory of this tradition, the town of Épinal, of which he had been burgrave, was obliged to offer to him and his descendants, on a certain day each year, by way of quit-rent, a spoonful from every measure of corn sold within its walls.
Comedy Chararcters: 5 male, 4 female Interior set One of the "Tonight at 8:30" series produced in London and New York. In a bedroom in Mrs. Lloyd Ransome's fabulous villa on the Cote d'Azur are heiress Stella Cartwright and her husband, a gambler. They are plagued by debts and their prolonged stay at the villa is becoming embarrassing when a scandalous chauffeur attempts to rob them and ends up saving their honor.
Edgar Award Finalist: This “sensational” and “absolutely compelling” true crime tale finally answers the question: Who really killed the Lindbergh baby? (San Francisco Chronicle). On the night of March 1, 1932, celebrated aviator Charles Lindbergh’s infant son was kidnapped from his New Jersey home. The family paid $50,000 to get “Little Lindy” back, but his remains were discovered in a grove of trees four miles from the Lindbergh house. More than two years after the abduction, Bruno Hauptmann, an unemployed carpenter and illegal German immigrant, was caught with $20,000 of the ransom money. He was arrested, tried, and executed for the crime. But did he really do it? New York Times–bestselling author Noel Behn spent eight years investigating the case, revisiting old evidence, discovering new information, and shining a bright light on the controversial actions of public figures such as New Jersey Governor Harold Hoffman, FBI Director J. Edgar Hoover, New Jersey State Police Superintendent H. Norman Schwarzkopf, and Charles Lindbergh himself. The result is a fascinating and convincing new theory of the crime that exonerates Hauptmann and names a killer far closer to the Lindbergh family. A finalist for the Edgar Award, Lindbergh “not only provides answers to the riddles of the ‘Crime of the Century,’ but hurls us into time past, to a special moment in American history” (Peter Maas, New York Times–bestselling author of Underboss).
A life of glamour and tragedy, set against the watershed cultural and political movements of twentieth-century Europe. "Toto" Koopman (1908–1991) is a new addition to the set of iconoclastic women whose biographies intrigue and inspire modern-day readers. Like her contemporaries Lee Miller or Vita Sackville-West, Toto lived with an independent spirit more typical of the men of her generation, moving in the worlds of fashion, society, art, and politics with an insouciant ease that would stir both admiration and envy even today. Sphinxlike and tantalizing, Toto conducted her life as a game, driven by audacity and style. Jean-Noël Liaut chases his enigmatic subject through the many roles and lives she inhabited, both happy and tragic. Though her beauty, charisma, and taste for the extraordinary made her an exuberant fixture of Paris fashion and café society, her intelligence and steely sense of self drove her toward bigger things, culminating in espionage during WWII, for which she was imprisoned by the Nazis in Ravensbruck. After the horrors of the camp, she found solace in Erica Brausen, the German art dealer who launched the career of Francis Bacon, and the two women lived out their lives together surrounded by cultural luminaries like Edmonde Charles-Roux and Luchino Visconti. But even in her later decades, Toto remained impossible for anyone to possess. The Many Lives of Miss K explores the allure of a freethinking and courageous woman who, fiercely protective of her independence, was sought after by so many but ultimately known by very few.
Luxury is in fashion and is now to be found within almost every retail, manufacturing and service sector. New terms qualifying luxury regularly appear such as 'premium', 'ultra-premium' and 'hyperluxe'. Today, luxury is everywhere - but if everything is 'luxury' then surely the term itself has no meaning? What really is a luxury product, a luxury brand or a luxury company? The Luxury Strategy is a definitive new work that sets the record straight. Luxury is as old as humanity and it is only by a thorough understanding of the genuine concept, that it is possible to define a rigorous set of rules for the effective management of luxury brands and products. The Luxury Strategy rationalizes the management of this new business concept based on the highly original methods that were used to transform small family businesses such as Ferrari, Louis Vuitton, Cartier, Chanel, Bulgari, Gucci and Prada, into global brands. The Luxury Strategy explains the difference between 'premium' and 'luxury', and sets out the rules to be applied to the luxury marketing mix (the opposite of those for classic marketing). It describes how to implement a luxury strategy within a company and delivers clear principles for becoming - and remaining - 'luxury'.
This unique book is about freeing psychology's poetic imagination from the dead weight of unconscious assumptions about the soul. Whether we think of the soul scientifically or medically, behaviorally or in terms of inner development, all of us are used to thinking of it in an individual context, as something personal. In this book, however, we are asked to consider psychology from a truly transpersonal perspective as a cultural, universal-human phenomenon. Cobb teaches us to look at the world as a record of the soul's struggles to awaken and as the soul's poetry. From this perspective, the real basis of the mind is poetic. Beauty, love, and creativity are as much instincts of the soul as sexuality or hunger. Cobb shows us how artists and mystics can teach us the meaning of love, death, and beauty, if only we can awaken to their creations. The exemplars here are Dante, Rumi, Rilke, Munch, Lorca, Schumann, and Tarkovsky.
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