The multitudinous nature of African literature has always been an issue but really not a problem, although its oral base has been used by expatriate critics to accuse African literature of thin plots, superficial characterisation, and narrative structures. African literature also, it is observed, is a mixed grill: it is oral; it is written in vernacular or tribal tongues; written in foreign tongues English, French, Portuguese and within the foreign language in which it is written, pidgin and creole further bend the already bent language giving African literature a further taint of linguistic impurity. African literature further suffers from the nature of its "newness" and this created problems for the critic. Because it is new, and because its critics are in simultaneous existence with its writers, we confront the problem of "instant analysis". Issues in African Literature continues the debate and tries to clarify contemporary burning issues in African literature, by focussing on particular areas where the debate has been most concerned or around which it has hovered and been persistent.
Remembering a Legend: Chinua Achebe recaptures for the literary world the inimitable legacies of Chinua Achebe (1930-2013), Africa's leading novelist and literary philosopher of the 20th century. It addresses the questions of Achebe's role in establishing the African art of the novel, his theories and standards for the criticism of African writing. The volume articulates unequivocally how Achebe provided the message and pioneered a confident voice to African writers to express the message with audacity; repudiate without equivocation, any form of distortions of African past and present realities. The essays remind the reader how Achebe brought to the field of world literature new perspectives and vitality that distinguished the African art of storytelling from imaginative creativities elsewhere. This volume presents Achebe's articulation of the traditional and modern in African narrative techniques-linking the skills of the traditional artist (oral performer) to those of the modern writer; how the modern African creative artist can embellish his/her art with oral resources such as folktales, proverbs, sayings, festivals, songs, riddles, and myths. Chinua Achebe's unique distinctions as a novelist lie in the areas of informed vision and artistic integrity. His greatest legacy to 20th century world literature probably is his pioneer role in the 'nativization' and ingenious use of the English language. The exceptional genius of Achebe touched many traditional and cultural bases in his fiction, essays, and memoirs. The critical responses to Achebe's works in this book, address adequately almost every aspect of his creative imagination and craftsmanship. The reader will find in this convenient volume several seminal studies by two eminent scholars of Achebe's intriguing genius that authenticate him as among the best literary craftsmen of the 20th century and undeniably Africa's best.
This Third Edition of Approaches to the African Novel is a child of necessity. Because of the unfortunate death of the publisher of Saros International who issued the First Edition and high demand this third, enlarged edition has become imperative. Three new essays (all previously published) are added, two expectedly on Achebe (the father of the African novel) and one on Mongp Betiís Mission to Kala which was partially anthologised in Contemporary Literary Criticism (Volume 27, 1984). Achebeís Things Fall Apart as an Igbo national epic has evoked a spate of reactions from critics of African literature especially the troika Chinweizu et al. in Toward the Decolonization of African Literature. It was also anthologised in Modern Black Literature edited by S. Okechukwu Menu (1971). The essay on Arrow of God whose structure and meaning has been largely avoided by other critics is included here for further airing. For gender balance, as the previous volume contained no essays on women writers, an essay on Flora Nwapa has been added. Since the novels discussed in this volume exclusively are on the African literature south of the Sahara, the last essay on Peter Abrahams comes in to round out this collection of essays with a study of a south African writer, for geographical balance.
The lectures in this book were delivered at significant points in Professor Nnolim’s career. ‘Literature and the Common Welfare’ (1988) was his inaugural lecture, his declaration that he had come of age as an academic, as a young Professor of literature. In August 2000, he delivered ‘Literature, the Arts and Cultural Development’ to announce his induction as a member of the Nigerian Academy of Letters in which he was finally admitted as a Fellow in 2005. In this lecture, Nnolim makes strong claims about the validity of literature in Nigeria’s national life. In August, 2007, Professor Nnolim delivered ‘The Writer’s Responsibility and Literature in National Development’. Here he re-emphasizes the importance of literary studies in Nigeria’s national life and goes on to lament the total neglect of Nigeria’s artists, writers, and world class intellectuals in national life. The fourth lecture, ‘Morning Yet on Criticism Day: the Criticism of African Literature in the Twentieth Century’, was given as a laureate of the Nigerian National Merit Award, 2009. It unifies Professor Nnolim’s various pleas for the role of literature in national development but particularly re-emphasizing the problem of language in Nigeria’s creative writing and urging governmental intervention in the matter.
The multitudinous nature of African literature has always been an issue but really not a problem, although its oral base has been used by expatriate critics to accuse African literature of thin plots, superficial characterisation, and narrative structures. African literature also, it is observed, is a mixed grill: it is oral; it is written in vernacular or tribal tongues; written in foreign tongues English, French, Portuguese and within the foreign language in which it is written, pidgin and creole further bend the already bent language giving African literature a further taint of linguistic impurity. African literature further suffers from the nature of its "newness" and this created problems for the critic. Because it is new, and because its critics are in simultaneous existence with its writers, we confront the problem of "instant analysis". Issues in African Literature continues the debate and tries to clarify contemporary burning issues in African literature, by focussing on particular areas where the debate has been most concerned or around which it has hovered and been persistent.
Remembering a Legend: Chinua Achebe recaptures for the literary world the inimitable legacies of Chinua Achebe (1930-2013), Africa's leading novelist and literary philosopher of the 20th century. It addresses the questions of Achebe's role in establishing the African art of the novel, his theories and standards for the criticism of African writing. The volume articulates unequivocally how Achebe provided the message and pioneered a confident voice to African writers to express the message with audacity; repudiate without equivocation, any form of distortions of African past and present realities. The essays remind the reader how Achebe brought to the field of world literature new perspectives and vitality that distinguished the African art of storytelling from imaginative creativities elsewhere. This volume presents Achebe's articulation of the traditional and modern in African narrative techniques-linking the skills of the traditional artist (oral performer) to those of the modern writer; how the modern African creative artist can embellish his/her art with oral resources such as folktales, proverbs, sayings, festivals, songs, riddles, and myths. Chinua Achebe's unique distinctions as a novelist lie in the areas of informed vision and artistic integrity. His greatest legacy to 20th century world literature probably is his pioneer role in the 'nativization' and ingenious use of the English language. The exceptional genius of Achebe touched many traditional and cultural bases in his fiction, essays, and memoirs. The critical responses to Achebe's works in this book, address adequately almost every aspect of his creative imagination and craftsmanship. The reader will find in this convenient volume several seminal studies by two eminent scholars of Achebe's intriguing genius that authenticate him as among the best literary craftsmen of the 20th century and undeniably Africa's best.
The lectures in this book were delivered at significant points in Professor Nnolim’s career. ‘Literature and the Common Welfare’ (1988) was his inaugural lecture, his declaration that he had come of age as an academic, as a young Professor of literature. In August 2000, he delivered ‘Literature, the Arts and Cultural Development’ to announce his induction as a member of the Nigerian Academy of Letters in which he was finally admitted as a Fellow in 2005. In this lecture, Nnolim makes strong claims about the validity of literature in Nigeria’s national life. In August, 2007, Professor Nnolim delivered ‘The Writer’s Responsibility and Literature in National Development’. Here he re-emphasizes the importance of literary studies in Nigeria’s national life and goes on to lament the total neglect of Nigeria’s artists, writers, and world class intellectuals in national life. The fourth lecture, ‘Morning Yet on Criticism Day: the Criticism of African Literature in the Twentieth Century’, was given as a laureate of the Nigerian National Merit Award, 2009. It unifies Professor Nnolim’s various pleas for the role of literature in national development but particularly re-emphasizing the problem of language in Nigeria’s creative writing and urging governmental intervention in the matter.
This Third Edition of Approaches to the African Novel is a child of necessity. Because of the unfortunate death of the publisher of Saros International who issued the First Edition and high demand this third, enlarged edition has become imperative. Three new essays (all previously published) are added, two expectedly on Achebe (the father of the African novel) and one on Mongp Betiís Mission to Kala which was partially anthologised in Contemporary Literary Criticism (Volume 27, 1984). Achebeís Things Fall Apart as an Igbo national epic has evoked a spate of reactions from critics of African literature especially the troika Chinweizu et al. in Toward the Decolonization of African Literature. It was also anthologised in Modern Black Literature edited by S. Okechukwu Menu (1971). The essay on Arrow of God whose structure and meaning has been largely avoided by other critics is included here for further airing. For gender balance, as the previous volume contained no essays on women writers, an essay on Flora Nwapa has been added. Since the novels discussed in this volume exclusively are on the African literature south of the Sahara, the last essay on Peter Abrahams comes in to round out this collection of essays with a study of a south African writer, for geographical balance.
The first aim of this book is to inform and educate Umuchu boys and girls, both at home and abroad, about the origins and customs of Umuchu town. This book may, also, be of interest to students of history, especially of Igbo towns and villages of which Umuchu is a typical example. As the years roll by and more and more people begin to live in cities, they will soon be unable to trace out their former towns or where they originated from. It is the duty of those of us who saw or heard these things, first hand, to pass on what we saw, heard, and learnt from our own fathers, to our own children who we, hope, will, also, pass these on to their children. For he or she, who grows up, without knowing his or her origins and customs, is like a stranger walking in the dark.
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