It’s late 1938. Thomas Heiselberg has built a career in Berlin as a market researcher for an American advertising company. In Leningrad, twenty-two-year-old Sasha Weissberg has grown up eavesdropping on the intellectual conversations in her parents’ literary salon. They each have grand plans for their lives. Neither of them thinks about politics too much, but after catastrophe strikes they will have no choice. Thomas puts his research skills to work elaborating Nazi propaganda. Sasha persuades herself that working as a literary editor of confessions for Stalin’s secret police is the only way to save her family. When destiny brings them together, they will have to face the consequences of the decisions they have made. Nir Baram’s Good People has been showered with praise in many countries. With its acute awareness of the individual amid towering historical landscapes, it is a tour de force: sparkling, erudite, a glimpse into the abyss. Nir Baram was born into a political family in Jerusalem in 1976. His grandfather and father were both ministers in Israeli Labor Party governments. He has worked as a journalist and an editor, and as an advocate for equal rights for Palestinians. He began publishing fiction when he was twenty-two, and is the author of five novels, including The Remaker of Dreams, Good People and World Shadow. His novels have been translated into more than ten languages and received critical acclaim around the world. He has been shortlisted several times for the Sapir Prize and in 2010 received the Prime Minister’s Award for Hebrew Literature. Text will publish a work of reportage by Nir Baram in 2017. ‘Written with great talent, momentum and ingenuity...it expands the borders of literature to reveal new landscapes.’ Amos Oz ‘One of the most intriguing writers in Israeli literature today.’ Haaretz ‘Good People rewards the reader’s patience while mining a tragic sense of irony that extends all the way to its title.’ Big Issue ‘Baram uses intense geographical plotting and is chillingly eloquent...[Good People] is tremendous. I read it in two sittings and I learned a lot. How does a man in his early 30s know how to write like this?’ Australian ‘Good People is a richly textured panorama of German and Russian life...This ample novel lives most memorably through Baram’s vignettes of people, dwellings, cities, landscapes and the like that seem to lie, at times, at the periphery of its central concerns.’ Age/Sydney Morning Herald ‘A groundbreaker...Riveting reading.’ Qantas Magazine ‘Good People is the tale of ordinary, middle-class lives sucked into a moral maelstrom. It is compulsive and profoundly disturbing.’ Sunday Star Times ‘Astonishingly powerful...[A] compelling, important story.’ New Zealand Listener ‘Chillingly captures the terrors and tensions of life under Stalin and Hitler. The chapters set in Russia are particularly effective, carrying the suspense of a spy thriller. Nir Baram explores the frightening speed and ease with which ordinary people become functionaries in totalitarian societies.’ TLS ‘Good People is a subtle, original, and fascinating take on the wartime story. We forget that the brutality was as much a bureaucratic effort as a military one. We forget that even the most massive, most evil forces are comprised of moving human parts. If Good People has a moral, it is this: the totalitarian state will attempt to possess the individual by co-opting his (relatively innocent) instincts—ambition, greed, security and love. The question at heart is if it is possible within an evil system to be good.’ Jewish Book Council
‘Written with great talent, momentum and ingenuity...it expands the borders of literature to reveal new landscapes.’ Amos Oz Award-winning journalist and author Nir Baram spent a year and a half travelling around the West Bank and East Jerusalem. In this fascinating recount of that journey, Baram navigates the conflict-ridden regions and hostile terrain to speak with a wide range of people, among them Palestinian–Israeli citizens trapped behind the separation wall in Jerusalem and Jewish settlers determined to forge new lives on the West Bank. Baram also talks to children on Kibbutz Nirim who lived through the war in Gaza, and ex-prisoners from Fatah who, after spending years detained in Israeli jails, are now promoting a peace initiative. And he returns again and again to Jerusalem, city of his birth, where a hushed civil war is in full swing. A Land Without Borders is a clear-eyed, compassionate and essential guide to understanding a complex reality; a perceptive and sensitive exploration of a labyrinthine conflict and the experiences of the people ensnared in it, by one of the most distinctive writers working in Israel today. Nir Baram was born into a political family in Jerusalem in 1976. His grandfather and father were both ministers in Israeli Labor Party governments. He has worked as a journalist and an editor, and as an advocate for equal rights for Palestinians. He is the author of five novels, including Good People, which was translated into English for the first time in 2016. His novels have been translated into more than ten languages and received critical acclaim around the world. He has been shortlisted several times for the Sapir Prize and in 2010 received the Prime Minister’s Award for Hebrew Literature. ‘An honest and troubling snapshot of Israel...From horror to fatigue to indifference, an important look forward and back that provides a grass-roots sense that one state needs to satisfy sovereignty for all.’ STARRED Review, Kirkus Reviews ‘One of the most intriguing writers in Israeli literature today.’ Haaretz ‘Quite possibly, Dostoyevsky would write like this if he lived in Israel today.’ Frankfurter Allgemeine Zeitung on Good People ‘An engaging, fast-paced odyssey that conveys an intimate understanding of why peace remains so elusive...Nir Baram does what more people in the region should undertake: a grand listening tour that encompasses all sides of the conflict. The author is a good listener, too, albeit one who isn’t afraid to ask hard questions.’ Christian Science Monitor ‘Baram brings an open heart and mind to exploring the difficulties of coexistence where physical and emotional walls do harm on both sides, reaching beyond headline to explore the lives of Palestinians and Jews of different generations.’ Booklist ‘For all outside of the land who bandy Israel/Palestine talking points about—indeed, for those in it who rarely interact with those on the other side—these raw perspectives are a necessary introduction to the incredibly complex nature of the current divide.’ Foreword Reviews [4 stars] ‘Nir Baram is an Israeli novelist, a highly respected journalist and an accomplished editor. So it is hardly surprising that his description of his journey around East Jerusalem and the West Bank is eminently readable, although much of what he recounts is worrying enough to give the reader many sleepless nights despite the shafts of optimism that occasionally shine through the text.’ Arts Hub ‘An essential guide to the human elements of Israel’s current crisis of identity...Baram’s work is compassionate, considered and sensitive. For the non-specialist, it is both fascinating and vital for understanding this labyrinthine conflict...This is a brave and balanced report. It is quintessential reading.’ Southland Times ‘This book is not just insightful background. It is an essential guide to the human elements of Israel’s current crisis of identity...Baram’s work is compassionate, considered and sensitive. For the non-specialist, it is both fascinating and vital for understanding this labyrinthine conflict...This is a brave and balanced report. It is quintessential reading.’ Dominion Post ‘This is essential reading for those who wish to understand the Israeli-Palestinian conflict—and for those who already think they do.’ Australian ‘[Baram’s] writing has a "you are there'' quality; people come alive in his vivid, emotional prose...The people's lives are described in rich imagery: the beauty of the landscape and the humanity of the villagers, settlers and townspeople come through in descriptions of their diverse cultures.’ Otago Daily Times ‘Baram’s sensitive and compassionate account is a clear-eyed, essential guide to a complex reality.’ Toowoomba Chronicle ‘To hear it from the people who currently live in the occupied territories—650,000 Jewish settlers and 27 million Palestinians—it is now as much a zero-sum game as ever. Their voices come through in A Land Without Borders: My Journey Around East Jerusalem and the West Bank, a wide-ranging travelogue...The great virtue of his book is that Baram lets his interlocutors speak for themselves. Long stretches are verbatim dialogues. And what he hears is total and irreconcilable difference.’ New York Times Book Review
Nir Rosen's Aftermath, an extraordinary feat of reporting, follows the contagious spread of radicalism and sectarian violence that the U.S. invasion of Iraq and the ensuing civil war have unleashed in the Muslim world. Rosen -- who the Weekly Standard once bitterly complained has "great access to the Baathists and jihadists who make up the Iraqi insurgency" -- has spent nearly a decade among warriors and militants who have been challenging American power in the Muslim world. In Aftermath, he tells their story, showing the other side of the U.S. war on terror, traveling from the battle-scarred streets of Baghdad to the alleys, villages, refugee camps, mosques, and killing grounds of Jordan, Syria, Egypt, Lebanon, and finally Afghanistan, where Rosen has a terrifying encounter with the Taliban as their "guest," and witnesses the new Obama surge fizzling in southern Afghanistan. Rosen was one of the few Westerners to venture inside the mosques of Baghdad to witness the first stirrings of sectarian hatred in the months after the U.S. invasion. He shows how weapons, tactics, and sectarian ideas from the civil war in Iraq penetrated neighboring countries and threatened their stability, especially Lebanon and Jordan, where new jihadist groups mushroomed. Moreover, he shows that the spread of violence at the street level is often the consequence of specific policies hatched in Washington, D.C. Rosen offers a seminal and provocative account of the surge, told from the perspective of U.S. troops on the ground, the Iraqi security forces, Shiite militias and Sunni insurgents that were both allies and adversaries. He also tells the story of what happened to these militias once they outlived their usefulness to the Americans. Aftermath is both a unique personal history and an unsparing account of what America has wrought in Iraq and the region. The result is a hair- raising, 360-degree view of the modern battlefield its consequent humanitarian catastrophe, and the reality of counterinsurgency.
A cultural history of gay filmmaking in Israel that explores its role in the rise of gay consciousness over the past three decades. Despite the canonical status of the written word in forging the Zionist-Israeli national narrative and its subversive derivatives, the emergence of gay consciousness in the mid-1970s relied more on cinematic representations than those found in literature, journalism, or popular music. Film's global distribution reached wide overseas audiences and emphasized gay men and lesbians' roles in representing "liberal" Israel to the world. In Soldiers, Rebels, and Drifters: Gay Representation in Israeli Cinema author Nir Cohen studies the role of cinema in portraying gay identities, environments, and lifestyles in Israel over the past three decades, particularly in the wake of a series of legal battles for gay rights in the 1980s and 1990s. In five chapters, Cohen examines the past, present, and future of gay filmmaking in Israel. In chapter 1, he traces the roots of an imagined Israeli gay community in film by examining the parallels between constructing gay identity on screen and representing the city of Tel Aviv as a cosmopolitan metropolis, with a focus on the early films of Amos Guttman and Eytan Fox. In chapter 2, he explores Guttman's films in detail to trace their contribution to the evolution of a gay identity in 1980s Israel. Chapter 3 shifts to the work of Eytan Fox, probably the most prolific gay Israeli director since Guttman. In chapter 4, Cohen tackles nonfiction gay filmmaking in Israel in the form of documentaries and self-authored films. Chapter 5 concludes the volume with a look at the current state of gay filmmaking in Israel, including the new directions that recent films have taken and the increasing interest in the experience of gay men and lesbians from religious communities. Beyond simple textual analysis, Cohen addresses the institutional apparatuses of the movie industry, including the politics behind funding, censorship, and television broadcasting, and relates the films studied to the cultural and political history of Israel since the late 1970s. Film and television scholars, as well as those interested in queer studies and the cultural history of Israel will be grateful for this thorough study of gay Israeli cinema.
Nir Rosen has been hailed by The New York Review of Books as the reporter who managed to get inside Fallujah "at a time when it was a death trap for Western reporters," and as one of the few Western reporters able to report the truth from Iraq. Still in his twenties, a freelancer who has written for The New York Times Magazine, The Atlantic Monthly, and Harper's Magazine, Rosen speaks Iraqi-accented Arabic and has managed to report from some of the country's most dangerous locales. Even The Weekly Standard notes that "he probably has more sources in the insurgency than any other American reporter." Rosen knows better than anyone how much the Americans are hated, and how deeply the Sunni Iraqis hate the Shias and vice versa. He has listened to the insurgents, and he knows that they will never rest until the Americans are gone. Too many Sunnis and Shias are willing to use violence for Iraq to ever have peace. The overthrow of Saddam has proved to be nothing less than a triumph for the martyrs who use violence at every turn. Ever since the fall of Saddam's regime Rosen has been in and out of Iraq, from north to south, listening to Friday sermons in mosques, breaking bread with dangerous men, interviewing political henchmen, joining Shia pilgrims, and listening to ordinary Iraqis who face American soldiers on raids in the Sunni triangle. He has had to plead for his life at times, and he has received more than one death threat. He has been pres-ent when bombs were detonated, and he has sat in meetings of insurgent leaders as they made policy decisions about territory they controlled. He has heard the double messages of Iraqi leaders -- the careful English messages for Western ears and the unvarnished hostility in Arabic -- and he has interviewed politicians and imams and seen how the insurgents and gang leaders create militias, private courts, prisons, security services, and more. In the Belly of the Green Bird is a searing report, unlike any other book about the American experience in Iraq. Almost everything covered in the Western media has been at least one or two steps removed from the minds and acts of the people who will determine the future of Iraq. Some of them are peaceful, some are violent. Some of them hate one another with the intensity of ancient enemies. The depth of discord between Sunnis and Shias is difficult to fathom without listening to them. Their anti-Americanism is much more recent, but not much less intense. The divisions within this cobbled-together country, much like those within Yugoslavia after Tito, are simply too intense to contain.
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