Can comics be documentary, and can documentary take the form of, and thus be, comics? Examining comics as documentary, this book challenges the persistent assumption that ties documentary to recording technologies, and instead engages an understanding of the category in terms of narrative, performativity and witnessing. Through a cluster of early twenty-first century comics, Nina Mickwitz argues that these comics share a documentary ambition to visually narrate and represent aspects and events of the real world.
The prequel to Nina-Marie Gardner's critically acclaimed debut, "Sherry & Narcotics." A cautionary tale of love and loss-beautiful, raw and heart-wrenchingly honest. "I'm Not This Girl" chronicles the hair-raising journey of shy outsider Lulu, who with her faithful mutt Trouble seeks for meaning, identity and redemption in a world turned upside down by her own catastrophic personality. From the hipster enclave of Hollywood's Silver Lake Hills, to Manhattan at the peak of the dot com boom and bust; through the aftermath of 9/11, to a psychiatric hospital in the Arizona desert, only when Lulu finds her way back to London, the city where she was born, does she come to terms with the truth she's been running from.
Women Writers of the American West, 1833–1927 recovers the names and works of hundreds of women who wrote about the American West during the nineteenth and early twentieth centuries, some of them long forgotten and others better known novelists, poets, memoirists, and historians such as Willa Cather and Mary Austin Holley. Nina Baym mined literary and cultural histories, anthologies, scholarly essays, catalogs, advertisements, and online resources to debunk critical assumptions that women did not publish about the West as much as they did about other regions. Elucidating a substantial body of nearly 650 books of all kinds by more than 300 writers, Baym reveals how the authors showed women making lives for themselves in the West, how they represented the diverse region, and how they represented themselves. Baym accounts for a wide range of genres and geographies, affirming that the literature of the West was always more than cowboy tales and dime novels. Nor did the West consist of a single landscape, as women living in the expanses of Texas saw a different world from that seen by women in gold rush California. Although many women writers of the American West accepted domestic agendas crucial to the development of families, farms, and businesses, they also found ways to be forceful agents of change, whether by taking on political positions, deriding male arrogance, or, as their voluminous published works show, speaking out when they were expected to be silent.
The Body Alone is an inquiry into the experience, meaning, and articulation of pain. It is a personal hybrid account incorporating research, scholarship, and memoir to examine chronic pain through the multi-lens of medicine, theology, and philosophy. Broken bodies tell broken stories. Nina Lohman’s pain experience is portrayed through a cyclical narrative of primers, vocabulary lessons, prescription records, and hypothesized internal monologues—fractured not for the sake of experimentation but because the story itself demands it. In both form and content, The Body Alone represents boundary-pressing work that subverts the traditional narrative by putting pressure on the medical, cultural, and political systems that impact women’s access to fair and equal healthcare. This is more than an illness narrative, it is a battle cry demanding change.
Available online: https://pub.norden.org/temanord2021-542/ A core element of sustainable development strategies is that economic growth is decoupled from resource use and associated environmental degradation. This report examines evidence from literature to evaluate whether absolute decoupling is a realistic long-term solution to rapidly approaching environmental crises. It finds limited evidence for periods of absolute decoupling, despite two decades of green growth policy. Where absolute decoupling in environmental pressures has occurred, this has not been rapid enough to respect planetary boundaries. It makes a number of recommendations to policy makers. These include the consideration of concrete targets for resource use and emissions reductions linked to planetary boundaries and global fair shares, developing consensus on alternative measures for societal progress and accepting low levels of economic growth for the Nordics.
Unrecognized states are places that do not exist in international politics; they are state-like entities that have achieved de facto independence, but have failed to gain widespread international recognition. Since the Cold-War, unrecognized states have been involved in conflicts over sovereign statehood in the Balkans, the former Soviet Union, South Asia, the Horn of Africa, and the South Pacific; some of which elicited major international crises and intervention, including the use of armed force. Yet they remain subject to many myths and simplifications. Drawing on a number of contemporary and historical cases, from Nagorno Karabakh and Somaliland to Taiwan, this timely new book provides a comprehensive analysis of unrecognized states. It examines their origins, the factors that enable them to survive and explores their likely future trajectories. But it is not just a book about unrecognized states; it is a book about sovereignty and statehood; one which does not shy way from addressing crucial issues such as how these anomalies survive in a system of sovereign states and how the context of non-recognition affects their attempts to build effective state-like entities. Ideal for students and scholars of global politics, peace and conflict studies, Unrecognized States offers a much needed and engaging account of the development of unrecognized states in the modern international system.
If Hollywood wanted to entrance movie goers with small-town America, the ticketholder could rest assured that the hamlet would model such a place as Sperling, Texas. Just shy of twelve-thousand people, it possesses a charm of a by-gone era. The fact that the bubbly Callie hails from such a Rockwellesque burg is a surprise to no one. Callie Wallace met Richard Cortez in medical school, and they've come back to her hometown to set-up their neurology practice. When there's a suspicious death of a hospitalized patient, Mr. Clyde Murphy, the situation presents a public relations nightmare for the administrator of Lake Sperling Medical Center. The Murphy's are a wealthy, prominent family in the region, and when the fault points to the man's admitting physician, Dr. Callie Wallace, an egregious widow is more than ready to take her pound of flesh. The situation at the hospital is a concern, but it soon becomes clear that Callie Wallace herself is having trouble with reality. Her head-trips can only be described as peculiar and she questions her own sanity. The analytical-minded Callie doesn't want to accept that her visions have any relevance . . . but she's in denial. This is because science dictates that hallucinations are nothing but the perception of a person's truth. In Callie's case, the truth is that bad apples don't fall far from their trees.
Lonely and forlorn after their mother's death and their sudden arrival at Aunt Mabel's seaside boarding-house, John, Mary and Ben Mallory are unimpressed with their new life in England. But there are wonderful surprises in store for them when they discover a secret way into the grand and empty house next door. Soon all sorts of unexpected events will unfold as the siblings encounter a whole host of eccentric characters and happenings. Completed in 1963, The Secret Passage is Nina Bawden's first children's novel and was written especially for her own three children after they had discovered a secret passage in the cellar of their house. It beautifully reflects her own inquisitive nature - as she herself has said: 'I was a keyhole child, fearsomely curious' - wedded to her subtly innovative ability to empathise with the child's view.
Black Cat Weekly #4 presents more tales of the mysterious and fantastic—4 mystery short stories (including a Derringer Award-winner), a mystery novel, 2 science fiction short stories, a fantasy story, plus a science fiction novel. Here are: THE HAMMERING MAN by Edwin Balmer and William MacHarg [mystery short] [Luther Trant series] FLOORED, by Hal Charles [solve-it-yourself mystery short] TWILIGHT LADIES, by Meg Opperman [mystery short] [Derringer Award Winner] WEST OF QUARANTINE, by Todhunter Ballard [western/mystery novel] THE BROTHERS OF THE LEFT HAND PATH, by Frank Lovell Nelson [mystery short] [Carlton Clarke series] THE HERPLE IS A HAPPY BEAST, by Paul Di Filippo [science fiction short] THE POWER OF WAKING, by Nina Kiriki Hoffman [fantasy short] THE KEEPERS OF THE HOUSE, by Lester del Rey [science fiction short] ANDROMEDA GUN, by John Boyd [science fiction novel]
In this “highly entertaining snapshot of a wild-frontier moment in pop culture” (Rolling Stone), discover the wild and explosive true story of the early years of MTV directly from the original VJs. Nina Blackwood, Mark Goodman, Alan Hunter, and Martha Quinn (along with the late J. J. Jackson) had front-row seats to a cultural revolution—and the hijinks of pop music icons like Adam Ant, Cyndi Lauper, Madonna, and Duran Duran—as the first VJs on the fledgling network MTV. From partying with David Lee Roth to flying on Bob Dylan’s private jet, they were on a breakneck journey through a music revolution. Boing beyond the compelling behind the scenes tales of this unforgettable era, VJ is also a coming-of-age story about the 1980s, its excesses, controversies, and everything in between. “At last—the real inside story of the MTV explosion that rocked the world, in all its giddy excess, from the video pioneers who saw all the hair, drugs and guitars up close. VJ is the wild, hilarious, addictive tale of how one crazy moment changed pop culture forever” (Rob Sheffield, New York Times bestselling author).
“[A] stirring saga...Vivid and intimate, Ms. Sankovitch’s account entertains us with Puritans and preachers, Tories and rebels, abolitionists and industrialists, lecturers and poets ... Ms. Sankovitch has made a compelling contribution to Massachusetts and American History.”—Roger Lowenstein, The Wall Street Journal "Sankovitch has searched out these letters to write the powerful story of one of America’s most extraordinary families, a family that helped shape the course of American history in dramatic and decisive ways...By the final pages of this volume, one feels deeply attached to the individual Lowells, while also exhilarated at having experienced this grand sweep of American history." —Charlotte Gordon, Washington Post The Lowells of Massachusetts were a remarkable family. They were settlers in the New World in the 1600s, revolutionaries creating a new nation in the 1700s, merchants and manufacturers building prosperity in the 1800s, and scientists and artists flourishing in the 1900s. For the first time, Nina Sankovitch tells the story of this fascinating and powerful dynasty in The Lowells of Massachusetts. Though not without scoundrels and certainly no strangers to controversy, the family boasted some of the most astonishing individuals in America’s history: Percival Lowle, the patriarch who arrived in America in the seventeenth to plant the roots of the family tree; Reverend John Lowell, the preacher; Judge John Lowell, a member of the Continental Congress; Francis Cabot Lowell, manufacturer and, some say, founder of the Industrial Revolution in the US; James Russell Lowell, American Romantic poet; Lawrence Lowell, one of Harvard’s longest-serving and most controversial presidents; and Amy Lowell, the twentieth century poet who lived openly in a Boston Marriage with the actress Ada Dwyer Russell. The Lowells realized the promise of America as the land of opportunity by uniting Puritan values of hard work, community service, and individual responsibility with a deep-seated optimism that became a well-known family trait. Long before the Kennedys put their stamp on Massachusetts, the Lowells claimed the bedrock.
HarlequinRomance brings you a collection of four new titles, available now! Experience the rush of falling in love! This HarlequinRomance box set includes: #4595 SNOWED IN WITH THE RELUCTANT TYCOON The Men Who Make Christmas by Nina Singh With a zest for Christmas and determination to save her favorite Hammond’s store, feisty executive Carli Tynan vows to remind brooding Justin Hammond of the holiday’s magic—starting with a kiss in the snow! Can Carli show the reluctant tycoon how special Christmas can be? #4596 THE MAGNATE’S HOLIDAY PROPOSAL by Rebecca Winters When sick little boy Dino writes to her charity, Gabi Parisi is desperate to help the boy, whose experience reminds her of her childhood. She’s swept away by Dino and his handsome single dad, Italian CEO Luca Berettini, but she has no idea how to grant Dino’s wish—until Luca makes her a very special Christmas proposal… #4597 THE BILLIONAIRE’S CHRISTMAS BABY by Marion Lennox With just days until Christmas, gorgeous but bewildered billionaire Max Grayland demands hotel maid Sunny Raye help him care for his baby half sister, Phoebe, over the holiday. She agrees—only if they spend Christmas with her family! And soon Max is wishing the warmhearted Sunny would lighten his life—forever. #4598 CHRISTMAS BRIDE FOR THE BOSS by Kate Hardy Jamie Wallis needs a replacement nanny for his daughter—fast! So when stunning Sophie Firth comes to him with a business proposal, he has a different proposition for her… But as Christmas approaches, Sophie quickly becomes part of the family—and Jamie can’t resist letting her into his heart!
The race problem in the American criminal justice system persists because we enable it. The tendency of liberals to point a finger at law enforcement, racial conservatives, the War on Drugs, is misguided. Black as well as white voters, Democrat as much as Republican lawmakers, President Obama as much as Reagan, both Congress and the Supreme Court alike; all are implicated. We all are 'The Man'. Whether the problem is defined in terms of blacks' overrepresentation in prisons or in terms of the disproportional use of deadly police force against blacks, not enough of us demand that something be done. The Political Roots of Racial Tracking in American Criminal Justice is the story of how the race problem in criminal justice is continually enabled in the national crime policy process, and why.
The spirit of Christmas… Justin Hammond might be heir to a family business that thrives on Christmas, but for him the festive season holds only bad memories. Being drafted to make some tough financial decisions should be straightforward—until he meets feisty executive Carli Tynan. With her zest for Christmas and determination to save her favorite Hammond’s store, Carli vows to remind brooding Justin of the holiday’s magic—starting with a kiss in the snow! Can Carli show this reluctant tycoon just how special Christmas can be?
In her illuminating and dramatic biography The Stranger and the Statesman, New York Times bestselling author Nina Burleigh reveals a little-known slice of history in the life and times of the man responsible for the creation of the United States' principal cultural institution, the Smithsonian. It was one of the nineteenth century's greatest philanthropic gifts - and one of its most puzzling mysteries. In 1829, a wealthy English naturalist named James Smithson left his library, mineral collection, and entire fortune to the "United States of America, to found... an establishment for the increase & diffusion of Knowledge among men" - even though he had never visited the United States or known any Americans. In this fascinating book, Burleigh pieces together the reclusive benefactor's life, beginning with his origins as the Paris-born illegitimate son of the first Duke of Northumberland and a wild adventuress who preserved for her son a fortune through gall and determination. The book follows Smithson through his university years and his passionate study of minerals across Europe during the chaos of the French Revolution and the Napoleonic Wars. Detailed are his imprisonment - simply for being an Englishman in the wrong place - his experiences in the gambling dens of France, and his lonely and painstaking scientific pursuits. After Smithson's death, nineteenth-century American politicians were given the task of securing his half-million dollars - the equivalent today of $50 million - and then trying to determine how to increase and diffuse knowledge from the muddy, brawling new city of Washington. Burleigh discloses how Smithson's bequest was nearly lost due to fierce battles among many clashing Americans - Southern slavers, states' rights advocates, nation-builders, corrupt frontiersmen, and Anglophobes who argued over whether a gift from an Englishman should even be accepted. She also reveals the efforts of the unsung heroes, mainly former president John Quincy Adams, whose tireless efforts finally saw Smithson's curious notion realized in 1846, with a castle housing the United States' first and greatest cultural and scientific establishment.
A straightforward appraisal of why health myths exist, dispelling many of them, and teaching readers how to navigate the labyrinth of health advice and the science and misinformation behind it. Hype is Dr. Nina Shapiro’s engaging and informative look at the real science behind our most common beliefs and assumptions in the health sphere.
Ruby tells the story of Ruby Castle told in snapshots and fleeting glimpses and secret histories, in tales repeated and reinvented by those who fall under the horror film actress's spell: her childhood sweetheart, an antiquarian bookseller with a passion for magical artifacts, the mistress of the poet who was once Castle's lover, a young girl in a future Russia who dreams of the stars. Worlds collide, and the boundaries between the real and the fantastic begin to break down. Is Ruby Castle a living person or a collective fantasy? By the end, the world that Castle created through her films has become dangerously indistinguishable from our own.
Presents a guide to the city of Toronto, looking at several of its distinctive neighborhoods and recommending hotels, restaurants, local points of interest, and nearby side trips to Niagara Falls, Niagara Wine Region, and Stratford.
This book is the third in the series of volumes which provide the papers of the conferences held at Queens' College, Cambridge by the Construction History Society. Papers cover different aspects of the history of construction, including studies of different building materials, building firms, the development and education of building professionals, the construction of buildings and infrastructure, methods and techniques of construction, and other subjects related to the history and development of buildings.
Explores the landmarks made famous during the Civil War, from Fort Sumter where the first shots of the Civil War were fired, to Arlington National Cemetery where many Civil War soldiers are buried.
Looks at the history of African American music from its roots in Africa and slavery to the present day and examines its place within African American communities and the nation as a whole.
In this collection of thrilling mysteries, the stakes are high for three daring women who take on dangerous killers. From the gritty streets of San Francisco and Los Angeles to the Somerset moors of England, these novels are gripping page-turners that will keep you guessing until the end. Carved in Darkness Maegan Beaumont Book 1 of the Sabrina Vaughn Novels Fifteen years ago, Melissa Walker was raped, tortured, and left for dead, but she survived and started a new life as Sabrina Vaughn, a San Francisco homicide detective. When a childhood acquaintance tracks her down and asks for help catching the same monster who attacked her, Sabrina is plunged into another living nightmare. “Beaumont’s ability to keep the twists coming . . . is quite potent.”?— Library Journal (starred review) In the Moors Nina Milton Book 1 of the Shaman Mysteries Shamanic counselor Sabbie Dare doesn’t believe her client, Cliff Houghton, is capable of evil. But when he becomes the prime suspect in the murder of a young boy, Sabbie travels deep into his subconscious and recovers forgotten memories. When another child goes missing, she must prove Cliff’s innocence and find the real killer. “Milton’s tale is riveting.” — Library Journal (starred review) Burden of Truth Terri Nolan Book 1 of the Birdie Keane Novels Investigative journalist Birdie Keane would give anything to see LAPD cop Matt Whelan, the love of her life, one more time. His sudden death has left her devastated and baffled. With dangerous forces closing in, Birdie races to decipher Matt’s last message for her. “An addictive read . . . Think Mario Puzo goes Irish.” — Library Journal
Geographies of New Femininities examines the emergence of contemporary constructions of femininity in a global context. It asks whether these femininities are new and suggests that current celebrations of diversity in the lived experience and performance of women's identities are largely Euro-centric. Through four in-depth case studies Geographies of New Femininities illustrates how constructions of femininities across the world reflect gender inequalities embedded within global/local geographies of social and economic change. The analysis brings together key themes in geography and feminist studies, showing how globalisation and the fracturing of identities are influencing research on gender. Throughout the book the authors explore spaces of opportunity and oppression for women and highlight the geographies associated with the negotiation of gender identities. Geographies of New Femininities moves between empirical and theoretical debate using first hand accounts to work through methodological issues relating to gender and geography. It is deliberately written in an accessible style to encourage students to engage with up-to-date research on gender.
Henri Michaux is both a recognised poet and visual artist, arguably one of the greatest ‘double artists’ of the twentieth century. This book presents the first detailed examination of a particular interdisciplinary aspect of his production, namely, the innovative experimentation with signs contained in four works: Mouvements, Par la voie des rythmes, Saisir and Par des traits. Questions arise concerning their literary and visual status as, in their attempt to render interior rhythm and dynamism, they occupy an interstitial space between writing and drawing, between the book and the canvas, between the Western alphabet and Chinese characters. This study addresses these questions by analysing the conception, production and reception of Michaux’s signs and the literary and artistic contexts in which they were produced.
From the time of its emergence in the United States in 1852, the Young Men's Christian Association excluded blacks from membership in white branches but encouraged them to form their own associations and to join the Christian brotherhood on "separate but equal" terms. Nina Mjagkij's book, the first comprehensive study of African Americans in the YMCA, is a compelling account of hope and success in the face of adversity. African American men, faced with emasculation through lynchings, disenfranchisement, race riots, and Jim Crow laws, hoped that separate YMCAs would provide the opportunity to exercise their manhood and joined in large numbers, particularly members of the educated elite. Although separate black YMCAs were the product of discrimination and segregation, to African Americans they symbolized the power of racial solidarity, representing a "light in the darkness" of racism. By the early twentieth century there existed a network of black-controlled associations that increasingly challenged the YMCA to end segregation. But not until World War II did the organization, in response to growing protest, pass a resolution urging white associations to end Jim Crowism. Using previously untapped sources, Nina Mjagkij traces the YMCA's changing racial policies and practices and examines the evolution of African American associations and their leadership from slavery to desegregation. Here is a vivid and moving portrayal of African Americans struggling to build black-controlled institutions in their search for cultural self-determination. Light in the Darkness uncovers an important aspect of the struggle for racial advancement and makes a significant contribution to our understanding of the African American experience.
Nicknamed Mr. Show Business, Sammy Davis Jr. was a consummate performer who sang, danced, and acted on film, television, radio, and the stage for over six decades. In this uniquely intimate volume, the entertainment legend's story comes to life through rare family photos and a compelling narrative based on conversations between Sammy Davis Jr. and his daughter, Tracey Davis. The story of a future superstar unfolds beginning with his bittersweet childhood days, raised primarily by his grandmother in Harlem. On the stage by age three, he first became a star in vaudeville with the Will Mastin Trio. Davis was already an up-and-coming performer by the time he was recruited into the Army during World War II. As Tracey Davis candidly relates, it was there that her father first learned to use his talent—singing and dancing—as a weapon against racial bigotry. Davis's career took off in the 1940s through his sheer determination, talent, and the support of friends like Frank Sinatra. With tenderness and humor Tracey describes her father's friendship with Sinatra, and how he stood by him when Davis married Tracey's Swedish actress mother. In a time when interracial marriages were forbidden by law in thirty-one states, both bride and groom endured an onslaught of negative press and even death threats. Complete with rare personal and professional photos, Sammy Davis Jr. recounts Davis's adventures through the Rat Pack era, and the extraordinary obstacles he overcame to become a 5'6”, 120-pound legend who across six decades packed in more than forty albums, seven Broadway shows, twenty-three films, and countless nightclub and concert performances. What emerges from the pages of this loving, but utterly frankly written book, is a uniquely personal perspective on one of the greatest pop culture icons of the twentieth century.
A modern ghost story about trauma and survival, Watch Over Me is the much-anticipated new novel from the Printz Award-winning author of We Are Okay ★ “Gripping; an emotion-packed must-read.” –Kirkus, starred review ★ “A painfully compelling gem from a masterful creator.” –Booklist, starred review ★ “Moving, unsettling, and full of atmospheric beauty.” –SLJ, starred review Mila is used to being alone. Maybe that’s why she said yes. Yes to a second chance in this remote place, among the flowers and the fog and the crash of waves far below. But she hadn’t known about the ghosts. Newly graduated from high school, Mila has aged out of the foster care system. So when she’s offered a teaching job and a place to live on an isolated part of the Northern California coast, she immediately accepts. Maybe she will finally find a new home—a real home. The farm is a refuge, but it’s also haunted by the past. And Mila’s own memories are starting to rise to the surface. Nina LaCour, the Printz Award–winning author of We Are Okay, delivers another emotional knockout with Watch Over Me about trauma and survival, chosen family and rebirth.
Practicing for Love By: Nina Kennedy Young Nina Kennedy was a child prodigy, a musical genius. Growing up in a segregated black community, she was forced to speak slang or “Ebonics” during the day to protect herself from bullying. At night, she would return home to speak the King's English with her college professor parents, both esteemed classical pianists who felt their careers had been hampered by American racism. As a result, they were determined that their daughter would have the success that they never could. Practicing for Love: A Memoir reveals Nina’s work and recognition as a child prodigy from her first complete piano recital at age nine, to her debut as piano soloist with the Nashville Symphony before an audience of over 4,000 at age thirteen. She goes on to perform in concert and with orchestras throughout the country, and is accepted for study at the Curtis Institute of Music, and later at the Juilliard School. This book contains honest details about Nina’s romantic relationships, and sheds light on the impacts of sexism and racism on her career. Written in the #MeToo era, Practicing for Love also exposes the inappropriate liberties taken by orchestral conductors, concert agents and impresarios, and recording executives - victimizing both females and males of all races.
We stand on the brink of one of the greatest ecological disasters of our time – the world is warming and seas are rising, and yet water is life; it brings change. Where one thing is wiped away, another rises. Drowned Worlds looks at the future we might have if the oceans rise – good or bad. Here you’ll find stories of action, adventure, romance and, yes, warning and apocalypse. Stories inspired by Ballard’s The Drowned World, Sterling’s Islands in the Net, and Ryman’s The Child Garden; stories that allow that things may get worse, but remembers that such times also bring out the best in us all. Multi-award winning editor Jonathan Strahan has put together sixteen unique tales of deluged worlds and those who fight to survive and strive to live. Featuring fiction by Paul McAuley, Ken Liu, Kim Stanley Robinson, Nina Allan, Kathleen Ann Goonan, Christopher Rowe, Nalo Hopkinson, Sean Williams, Jeffrey Ford, Lavie Tidhar, Rachel Swirsky, James Morrow, Charlie Jane Anders, Sam J. Miller and Catherynne M. Valente.
How the Color Line Bends explores the connection between prejudice and place in modern America. Existing scholarship suggests that living near Black Americans presents a "threat" to White Americans, which in turn influences White opinions on policies related to race. This book rejects the tendency to position White people as tacit victims and Black people as threatening, instead recasting White Americans as active viewers of their surroundings. This reframing brings a critical focus on power and positionality to scholarship on racial threat, and challenges the neutrality typically assigned to the White perspective. The book first presents ethnographic analysis of Louisiana residents caught in a racialized debate over incorporating a new city in the Baton Rouge area, using interpretive methods to show how race colors White residents' perspective on local geography and politics. Then, the book applies its conceptualization of a White perspective to the quantitative study of prejudice and place, revisiting the classic racialized policy issues of welfare and affirmative action. These analyses emphasize White Americans' diverse beliefs and surroundings but also their common structural position, and how an interest in defending that position shapes the White perspective. This emphasis supports new empirical insights on the behavior of racially tolerant White people, perceptions of the Black middle class, and the consequences of segregation for racial politics. The book also includes discussion of the author's own positionality as a Black woman researcher in conversation with White interview subjects, and the risks of Whiteness studies that leave Black people invisible"--
This reissue of the pioneering and standard book on antebellum women's domestic novels contains a new introduction situating the book in the context of important recent developments in the study of women's writing. Nina Baym considers 130 novels by 48 women, focusing on the works of a dozen especially productive and successful writers. Woman's Fiction is a major-work in nineteenth-century literature, reexamining changes in the literary canon and the meaning of sentimentalism, while responding to current critical discussions of 'the body' in literary texts. ''Informative and stimulating. . . . Nina Baym has undertaken a systematic analysis of that nineteenth-century American fiction normally dismissed as at best trivially sentimental. . . . Woman's Fiction offers a fresh perspective on a largely forgotten body of literature.'' -- American Literature''Perceives in the fiction of, by, and for women in the period stated a popular genre that made a particular kind of feminist avowal for the times, one that rejected the concept of helplessness and urged the application of intelligence and courage to trying situations. . . . Baym marshals ample supporting evidence from the outpouring of such fiction.'' - ALA Booklist
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