If Hollywood wanted to entrance movie goers with small-town America, the ticketholder could rest assured that the hamlet would model such a place as Sperling, Texas. Just shy of twelve-thousand people, it possesses a charm of a by-gone era. The fact that the bubbly Callie hails from such a Rockwellesque burg is a surprise to no one. Callie Wallace met Richard Cortez in medical school, and they’ve come back to her hometown to set-up their neurology practice. When there’s a suspicious death of a hospitalized patient, Mr. Clyde Murphy, the situation presents a public relations nightmare for the administrator of Lake Sperling Medical Center. The Murphy’s are a wealthy, prominent family in the region, and when the fault points to the man’s admitting physician, Dr. Callie Wallace, an egregious widow is more than ready to take her pound of flesh. The situation at the hospital is a concern, but it soon becomes clear that Callie Wallace herself is having trouble with reality. Her head-trips can only be described as peculiar and she questions her own sanity. The analytical-minded Callie doesn’t want to accept that her visions have any relevance . . . but she’s in denial. This is because science dictates that hallucinations are nothing but the perception of a person’s truth. In Callie’s case, the truth is that bad apples don’t fall far from their trees.
The love of her life, a beautiful adopted son, a successful career in academia, Dr. Faye Davis appears to have it all. She's finally made her life into what she thinks it should be. But it came with a heavy price, a piece of her soul. Living with the things she's done to attain the perfect life has left her questioning where her ethical line lies and how far she will push it back if necessary. It all started when her relationship began with now husband, Dr. Todd Davis. Behind the scenes, there were always certain individuals scheming to take what belonged to her or take her life in another direction, and that hasn't changed. The dispirited region of West Texas provides the backdrop to Faye's struggles to hold on to what she holds dear. Chaos looms at every turn when she learns that certain things and people in her life are not what they appear to be, but worse, when some proved to be exactly what or who she knew them to be. When she learns her life is on the line, she's ready to fight. But when her situation causes others to lose theirs, Faye learns the ultimate lesson . . . sometimes you need to just let go.
Venomous vipers of the mind twist throughout the ventricular crevices of the innocent, and the not so innocent. They work down into the deepest recesses until those that are tormented...become the tormentors. Dr. Faye Davis's mind is scientifically trained, but her hands are bloody, wringing with guilt. She's killed her husband's old flame, the mother of his illegitimate twin girls. One of them, Emma, suspects the step-mother, and her plan for revenge comes from a soulless place. Her mind is so devoured, no pure spirit can enter. With this sixteen-year-old adolescent, there is no wringing of hands. She patiently waits, sleeping the sleep of Saints. Faye and her husband's love affair had been passionate, but the marriage hell. Faye's daddy issues and fear of abandonment keep her tied to the turbulent Davis family. But a physical altercation with Emma leaves Faye fleeing the family home. Emma calls on demon spirits to rid her family from Faye. The adolescent will only accept a family on her terms. Faye is determined. She is willing to fight the devil himself to hold on to what is hers.
If Hollywood wanted to entrance movie goers with small-town America, the ticketholder could rest assured that the hamlet would model such a place as Sperling, Texas. Just shy of twelve-thousand people, it possesses a charm of a by-gone era. The fact that the bubbly Callie hails from such a Rockwellesque burg is a surprise to no one. Callie Wallace met Richard Cortez in medical school, and they've come back to her hometown to set-up their neurology practice. When there's a suspicious death of a hospitalized patient, Mr. Clyde Murphy, the situation presents a public relations nightmare for the administrator of Lake Sperling Medical Center. The Murphy's are a wealthy, prominent family in the region, and when the fault points to the man's admitting physician, Dr. Callie Wallace, an egregious widow is more than ready to take her pound of flesh. The situation at the hospital is a concern, but it soon becomes clear that Callie Wallace herself is having trouble with reality. Her head-trips can only be described as peculiar and she questions her own sanity. The analytical-minded Callie doesn't want to accept that her visions have any relevance . . . but she's in denial. This is because science dictates that hallucinations are nothing but the perception of a person's truth. In Callie's case, the truth is that bad apples don't fall far from their trees.
The love of her life, a beautiful adopted son, a successful career in academia, Dr. Faye Davis appears to have it all. She's finally made her life into what she thinks it should be. But it came with a heavy price, a piece of her soul. Living with the things she's done to attain the perfect life has left her questioning where her ethical line lies and how far she will push it back if necessary. It all started when her relationship began with now husband, Dr. Todd Davis. Behind the scenes, there were always certain individuals scheming to take what belonged to her or take her life in another direction, and that hasn't changed. The dispirited region of West Texas provides the backdrop to Faye's struggles to hold on to what she holds dear. Chaos looms at every turn when she learns that certain things and people in her life are not what they appear to be, but worse, when some proved to be exactly what or who she knew them to be. When she learns her life is on the line, she's ready to fight. But when her situation causes others to lose theirs, Faye learns the ultimate lesson . . . sometimes you need to just let go.
This reissue of the pioneering and standard book on antebellum women's domestic novels contains a new introduction situating the book in the context of important recent developments in the study of women's writing. Nina Baym considers 130 novels by 48 women, focusing on the works of a dozen especially productive and successful writers. Woman's Fiction is a major-work in nineteenth-century literature, reexamining changes in the literary canon and the meaning of sentimentalism, while responding to current critical discussions of 'the body' in literary texts. ''Informative and stimulating. . . . Nina Baym has undertaken a systematic analysis of that nineteenth-century American fiction normally dismissed as at best trivially sentimental. . . . Woman's Fiction offers a fresh perspective on a largely forgotten body of literature.'' -- American Literature''Perceives in the fiction of, by, and for women in the period stated a popular genre that made a particular kind of feminist avowal for the times, one that rejected the concept of helplessness and urged the application of intelligence and courage to trying situations. . . . Baym marshals ample supporting evidence from the outpouring of such fiction.'' - ALA Booklist
A history of letters draws on the author's personal correspondence experiences while celebrating what is special about hand-written letters, exploring the traditions of ancient and historical cultures, the practices of famous notables and her thoughts about modern-world communication habits.
For more than a decade Nina Baym has pioneered in the reexamination of American literature. She has led the way in questioning assumptions about American literary history, in critiquing the standard canon of works we read and teach, and in rediscovering lost texts by American women writers. Feminism and American Literary History collects fourteen of her most important essays published since 1980, which, combining feminist perspectives with original archival research, significantly revise standard American literary history. In Part I, "Rewriting Old American Literary History," the focus is on male writers. Essays range from close readings of individual works to ambitious critiques of the main paradigms by which scholars have conventionally linked disparate texts and authors in a narrative of nationalist literary history: the self-in-the-wilderness myth, the romance-novel distinction, the myth of New England origins. Part II, "Writing New American Literary History," studies examples of women's writing from the Revolution through the Civil War. Stressing much overtly public and political writing that has been overlooked even by feminist scholars, noting public and political themes in supposedly domestic works, the essays substantially modify and historicize the paradigm by which premodern American women's writing is currently understood. The contentious and influential essays in Part III, "Two Feminist Polemics," address feminist literary theory and pedagogy, advocating a pluralist practice as the basis for scholarship, criticism, and humane feminism. No one interested in American literature or in women's writing can afford to ignore Baym's revisionist work. Humorous and gracefully written, this book is enjoyable and indispensable.
Venomous vipers of the mind twist throughout the ventricular crevices of the innocent, and the not so innocent. They work down into the deepest recesses until those that are tormented...become the tormentors. Dr. Faye Davis's mind is scientifically trained, but her hands are bloody, wringing with guilt. She's killed her husband's old flame, the mother of his illegitimate twin girls. One of them, Emma, suspects the step-mother, and her plan for revenge comes from a soulless place. Her mind is so devoured, no pure spirit can enter. With this sixteen-year-old adolescent, there is no wringing of hands. She patiently waits, sleeping the sleep of Saints. Faye and her husband's love affair had been passionate, but the marriage hell. Faye's daddy issues and fear of abandonment keep her tied to the turbulent Davis family. But a physical altercation with Emma leaves Faye fleeing the family home. Emma calls on demon spirits to rid her family from Faye. The adolescent will only accept a family on her terms. Faye is determined. She is willing to fight the devil himself to hold on to what is hers.
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